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Jade Hairpin inscribed signature Zigang with chi tiger pattern (Late Ming dynasty, 1522 - 1644 C.E.)

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Jade Hairpin inscribed signature Zigang with chi tiger pattern (Late Ming dynasty, 1522 - 1644 C.E.)



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Bronze axe (yue) head with turquoise-inlaid animal mask design (Late Shang period, ca. 1300 - 1046 B.C.E.)

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Bronze axe (yue) head with turquoise-inlaid animal mask design (Late Shang period, ca. 1300 - 1046 B.C.E.)



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Bronze square wine vessel (fang) (Middle to late Warring States period, 375 - 221 B.C.E.)

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Bronze square wine vessel (fang) (Middle to late Warring States period, 375 - 221 B.C.E.)



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Bronze helmet (Late Western Zhou to Spring and Autumn period, Upper Xiajiadian Culture, 877 - 476 B.C.E)

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Bronze helmet (Late Western Zhou to Spring and Autumn period, Upper Xiajiadian Culture, 877 - 476 B.C.E)



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Jade Tri-Ring Symbolizing Heaven, Earth and Humanity (Late Ming to Early Qing Dynasty)

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Jade Tri-Ring Symbolizing Heaven, Earth and Humanity (Late Ming to Early Qing Dynasty)



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Plums as Wife, Cranes as Children

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Plums as Wife, Cranes as Children

The Northern Song hermit poet Lin Bu is widely admired ofr his image as a noble scholar who took "the plum blossom as a wife and the crane as a son," and related artistic creations have never ceased through the ages.

TRhis scroll was created by the Lingnasn School master Au Honien (1935 - 2024). The school has always taken "eclecticizing East and West, and fusing the ancient with the modern" as its objective.

This work features strong and vigorous brush momentum, het the washes are even and clean, creating a hazy light and shadow that suggests a transcendent, fairy-like air. The painting was gifted to former Director Chiang Tusung in 1982; it vividly captures the composure and serenity of the scholar sitting alone beneath a plum tree as a white crane circles above.



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