Update: After publication of this piece, House Oversight Democrats disabled comments on the photos. The original article follows below.

Thursday afternoon House Democrats publicly released a new trove of photographs they’ve obtained from the estate of Jeffrey Epstein via Dropbox. They left the comments on so anyone who is signed into Dropbox and browsing the material can leave behind their thoughts.

Given that the investigation into Epstein is one of the most closely followed cases in the world and a subject of endless conspiracy theories, and that the committee released the trove of photographs with no context, it’s not surprising that people immediately began commenting on the photographs. 

“Really punchable face,” BedeScarlet—whose avatar is Cloud from Final Fantasy VII—said above a picture of New York Times columnist David Brooks. Brooks, who wrote a column about his boredom with the Epstein case in November, attended a dinner with Epstein in 2011 and appears in two photographs in this new document dump.

“Noam Chomsky,” Alya Colours (a frequent Epstein dropbox commenter) said below a photograph of the linguist talking to Epstein on a plane. Below this there is a little prompt from Dropbox asking me to “join the conversation” next to a smiley face.

In another picture, director Woody Allen is bundled up to his eyes in a heavy coat while Epstein side hugs him. “Yep, I’d know that face anywhere,” Susan Brown commented.

Among the pictures is a closeup of a prescription bottle labeled Phenazopyridine. “This is a medication used to treat pain from urinary tract infections,” Rebecca Stinton added, helpfully, in the comments.

“The fuck were they doing all that math for?” BedeScarlet said next to a picture of Epstein in front of a whiteboard covered in equations.

“Shit probably tastes like ass,” he added to a picture of Epstein cooking something in a kitchen.

There are darker and weird photographs in this collection of images that, as of this writing, do not yet have comments. There’s a pair of box springs in an unfinished room lit by the sun. There is a map of Little St James indicating where Epstein wants various buildings constructed. Bill Gates is shown in two photos standing next to women with their faces blocked out.

And then there are the Lolita pictures. A woman’s foot sits in the foreground, a worn annotated copy of Vladimir Nabokov novel Lolita in the background. “She was Lo, plain Lo, in the morning, standing four feet teen in one sock,” is written on the foot, a quote from the novel.

These photos are followed by a series of pictures of passports with the information redacted. Some are from Ukraine. There’s one from South Africa and another from the Czech Republic.

The House Democrats allowing the public to comment on these photos is funny and it’s unclear if intentional or a mistake. It’s also a continuation of the just-get-out-there approach when they have published other material, with it sometimes being in unsorted caches that readers then have to dig through. The only grand revelation in the new material is that Brooks was present at a dinner with Epstein in 2011.

“As a journalist, David Brooks regularly attends events to speak with noted and important business leaders to inform his columns, which is exactly what happened at this 2011 event. Mr. Brooks had no contact with him before or after this single attendance at a widely-attended dinner,” a Times spokesperson told Semafor’s Max Tani.

House Oversight Democrats did not immediately return 404 Media’s request for comment.

Immigration and Customs Enforcement (ICE) has paid hundreds of thousands of dollars to a company that makes “AI agents” to rapidly track down targets. The company claims the “skip tracing” AI agents help agencies find people of interest and map out their family and other associates more quickly. According to the procurement records, the company’s services were specifically for Enforcement and Removal Operations (ERO), the part of ICE that identifies, arrests, and deports people. 

The contract comes as ICE is spending millions of dollars, and plans to spend tens of millions more, on skip tracing services more broadly. The practice involves ICE paying bounty hunters to use digital tools and physically stalk immigrants to verify their addresses, then report that information to ICE so the agency can act.

The contractor, AI Solutions 87, claims on its website that its agents “deliver rapid acceleration in finding persons of interest and mapping their entire network.” It says the AI agents map out a target’s “services, locations, friends, family, and associates.”

The website does not detail how exactly its AI agents work or what large language model, if any, they are based on. Typically AI agents are customized versions of commercially available AI tools, such as ChatGPT, that can go onto the wider internet and perform tasks for the user, such as generating sales leads or drafting emails. In this case, AI Solutions 87 is advertising its AI agents for locating people.

On Tuesday, ICE contracted with AI Solutions 87 for $636,500, according to public procurement records. The record says the contract is specifically for skip tracing services for ICE’s ERO, the agency’s main deportation arm. Another procurement record says AI Solutions 87 is providing ICE with “skip tracing services nationwide.”

AI Solutions 87 did not respond to a request for comment on how its AI agents work. ICE did not respond to a request for comment on whether the agency specifically bought AI Solutions 87’s AI agent product.

In October, the Intercept reported on ICE’s intention to use bounty hunters or skip tracers to find targets. The skip tracing industry usually works on insurance fraud or finding people who skipped bail. Private investigators and skip tracers 404 Media spoke to had mixed reactions to ICE’s plan of using private industry in this context, with one being concerned and another saying they would do the work.  

In November, 404 Media reported ICE had allocated as much as $180 million to pay these bounty hunters and private investigators. Those procurement records said ICE was seeking assistance with a “docket size” of 1.5 million. The agency would give vendors batches of 50,000 last known addresses of aliens residing in the U.S., with the bounty hunters then verifying the people’s addresses or current location, and giving that information to ICE’s ERO. In the records, ICE said contractors should start with online research or commercial data before conducting physical surveillance.

It is not clear how exactly AI Solutions 87’s AI agent tool would fit into that model, but AI agents are generally used to speed up or handle repetitive tasks. Skip tracing, broadly, can be monotonous work, according to conversations with multiple members of the skip tracing and private investigator industry. 

In November, 404 Media found one contractor recruited people on LinkedIn to physically track immigrants on ICE’s behalf for $300. The project aimed to pay former law enforcement and military officers, with no indication that those being recruited were licensed private investigators, and instead was open to people who were essentially members of the general public.

ICE has spent at least $11.6 million on skip tracing services since October, according to 404 Media’s review of procurement records. That includes large federal contractors like B.I. Incorporated and SOS International LLC, and companies focused on recovering assets like Global Recovery Group LLC. 

AI Solutions 87 is registered to a residential building in West Bend, Wisconsin. AI Solutions 87 shares that address with two other companies called DC Gravity LLC and SDNexus Dataops LLC formed this May, according to incorporation records. Greg Behm, who is listed as an officer for each of those companies, did not respond to a request for comment.

Today's links

• A perfect distillation of the social uselessness of finance: A final thought for the yule.
• Hey look at this: Delights to delectate.
• Object permanence: Droidflake; Spy Skymall; Malthus is a dope; Happy Public Domain Day 2025.
• Upcoming appearances: Where to find me.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

A perfect distillation of the social uselessness of finance (permalink)

I'm about to sign off for the year – actually, I was ready to do it yesterday, but then I happened upon a brief piece of writing that was so perfect that I decided I'd do one more edition of Pluralistic for 2025.

The piece in question is John Lanchester's "For Every Winner A Loser," in the London Review of Books, in which Lanchester reviews two books about the finance sector: Gary Stevenson's The Trading Game and Rob Copeland's The Fund:

https://www.lrb.co.uk/the-paper/v46/n17/john-lanchester/for-every-winner-a-loser

It's a long and fascinating piece and it's certainly left me wanting to read both books, but that's not what convinced me to do one more newsletter before going on break – rather, it was a brief passage in the essay's preamble, a passage that perfectly captures the total social uselessness of the finance sector as a whole.

Lanchester starts by stating that while we think of the role of the finance sector as "capital allocation" – that is, using investors' money to fund new businesses and expansions for existing business – that hasn't been important to finance for quite some time. Today, only 3% of bank activity consists of "lending to firms and individuals engaged in the production of goods and services."

The other 97% of finance is gambling. Here's how Stevenson breaks it down: say your farm grows mangoes. You need money before the mangoes are harvested, so you sell the future ownership of the harvest to a broker at $1/crate.

The broker immediately flips that interest in your harvest to a dealer who believes (on the basis of a rumor about bad weather) that mangoes will be scarce this year and is willing to pay $1.10/crate. Next, an international speculator (trading on the same rumor) buys the rights from the broker at $1.20/crate.

Now come the side bets: a "momentum trader" (who specializing in bets on market trends continuing) buys the rights to your crop for $1.30/crate. A contrarian trader (who bets against momentum traders) short-sells the momentum trader's bet at $1.20. More short sellers pile in and drive the price down to $1/crate.

Now, a new rumor circulates, about conditions being ripe for a bounteous mango harvest, so more short-sellers appear, and push the price to $0.90/crate. This tempts the original broker back in, and he buys your crop back at $1/crate.

That's when the harvest comes. You bring in the mangoes. They go to market, and fetch $1.10/crate.

This is finance – a welter of transactions, only one of which (selling your mangoes to people who eat them) involves the real economy. Everything else is "speculation on the movement of prices." The nine transactions that took place between your planting the crop and someone eating the mangoes are all zero sum – every trade has an evenly matched winner and loser, and when you sum them all up, they come out to zero. In other words, no value was created.

This is the finance sector. In a world where the real economy generates $105 trillion/year, the financial derivatives market adds up to $667 trillion/year. This is "the biggest business in the world" – and it's useless. It produces nothing. It adds no value.

If you work a job where you do something useful, you are on the losing side of this economy. All the real money is in this socially useless, no-value-creating, hypertrophied, metastasized finance sector. Every gain in finance is matched by a loss. It all amounts to – literally – nothing.

So that's what tempted me into one more blog post for the year – an absolutely perfect distillation of the uselessness of "the biggest business in the world," whose masters are the degenerate gamblers who buy and sell our politicians, set our policy, and control our lives. They're the ones enshittifying the internet, burning down the planet, and pushing Elon Musk towards trillionairedom.

It's their world, and we just live on it.

For now.

(Image: Sam Valadi, CC BY 2.0, modified)

Hey look at this (permalink)

• Meta Is Considering Charging Business Pages To Post Links https://www.socialmediatoday.com/news/meta-considering-charging-business-pages-to-post-links/808099/

• The original Mozilla "Dinosaur" logo artwork https://www.jwz.org/blog/2025/12/the-original-mozilla-dinosaur-logo-artwork/

• A Local Self-Reliance Agenda for New York City: ILSR’s Memo to Mamdani https://ilsr.org/articles/memo-mamdani/

• Apple loses its appeal of a scathing contempt ruling in iOS payments case https://arstechnica.com/tech-policy/2025/12/epic-celebrates-the-end-of-the-apple-tax-after-appeals-court-win-in-ios-payments-case/

• The Internet’s Tollbooth Operators https://prospect.org/2025/12/10/internets-tollbooth-operators-wu-review/

• Barnum's Law of CEOs https://www.antipope.org/charlie/blog-static/2025/12/barnums-law-of-ceos.html

• Google Starts Sharing All Your Text Messages With Your Employer https://archive.ph/wE2U7#selection-3936.0-3936.1

Object permanence (permalink)

#15yrsago Star Wars droidflake https://twitpic.com/3guwfq

#15yrsago TSA misses enormous, loaded .40 calibre handgun in carry-on bag https://web.archive.org/web/20101217223617/https://abclocal.go.com/ktrk/story?section=news/local&id=7848683

#15yrsago Brazilian TV clown elected to high office, passes literacy test https://web.archive.org/web/20111217233812/https://www.google.com/hostednews/afp/article/ALeqM5jmbXSjCjZBZ4z8VUcAZFCyY_n6dA?docId=CNG.b7f4655178d3435c9a54db2e30817efb.381

#15yrsago My Internet problem: an abundance of choice https://www.theguardian.com/technology/blog/2010/dec/17/internet-problem-choice-self-publishing

#10yrsago LEAKED: The secret catalog American law enforcement orders cellphone-spying gear from https://theintercept.com/2015/12/16/a-secret-catalogue-of-government-gear-for-spying-on-your-cellphone/#10yrsago

#10yrsago Putin: Give Sepp Blatter the Nobel; Trump should be president https://www.theguardian.com/football/2015/dec/17/sepp-blatter-fifa-putin-nobel-peace-prize

#10yrsago Star Wars medical merch from Scarfolk, the horror-town stuck in the 1970s https://scarfolk.blogspot.com/2015/12/unreleased-star-wars-merchandise.html

#10yrsago Some countries learned from America’s copyright mistakes: TPP will undo that https://www.eff.org/deeplinks/2015/12/how-tpp-perpetuates-mistakes-dmca

#10yrsago No evidence that San Bernardino shooters posted about jihad on Facebook https://web.archive.org/web/20151217003406/https://www.washingtonpost.com/news/post-nation/wp/2015/12/16/fbi-san-bernardino-attackers-didnt-show-public-support-for-jihad-on-social-media/

#10yrsago Exponential population growth and other unkillable science myths https://web.archive.org/web/20151217205215/http://www.nature.com/news/the-science-myths-that-will-not-die-1.19022

#10yrsago UK’s unaccountable crowdsourced blacklist to be crosslinked to facial recognition system https://arstechnica.com/tech-policy/2015/12/pre-crime-arrives-in-the-uk-better-make-sure-your-face-stays-off-the-crowdsourced-watch-list/

#1yrago Happy Public Domain Day 2025 to all who celebrate https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

Upcoming appearances (permalink)

• Hamburg: Chaos Communications Congress, Dec 27-30
  https://events.ccc.de/congress/2025/infos/index.html

• Denver: Enshittification at Tattered Cover Colfax, Jan 22
  https://www.eventbrite.com/e/cory-doctorow-live-at-tattered-cover-colfax-tickets-1976644174937

• Colorado Springs: Guest of Honor at COSine, Jan 23-25
  https://www.firstfridayfandom.org/cosine/

Recent appearances (permalink)

• Enshittification on The Last Show With David Cooper:
  https://www.iheart.com/podcast/256-the-last-show-with-david-c-31145360/episode/cory-doctorow-enshttification-december-16-2025-313385767

• (Digital) Elbows Up (OCADU)
  https://vimeo.com/1146281673

• How to Stop “Ensh*ttification” Before It Kills the Internet (Capitalisn't)
  https://www.youtube.com/watch?v=34gkIvYiHxU

• Enshittification on The Daily Show
  https://www.youtube.com/watch?v=d2e-c9SF5nE

• Enshittification with Four Ways to Change the World (Channel 4)
  https://www.youtube.com/watch?v=tZQaEeuuI3Q

Latest books (permalink)

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

• "The Memex Method," Farrar, Straus, Giroux, 2026

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026

Colophon (permalink)

Today's top sources: John Naughton (https://memex.naughtons.org/).

Currently writing:

• "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

• "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

Today's links

• Happy Public Domain Day 2026! The best way to cut through the hellishly complex thicket and bring our culture back to life.
• Hey look at this: Delights to delectate.
• Object permanence: Weird D&D advice; Email sabbaticals.
• Upcoming appearances: Where to find me.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

Happy Public Domain Day 2026! (permalink)

In 1998, Congress committed an act of mass cultural erasure, extending copyright by 20 years, including for existing works (including ones that were already in the public domain), and for 20 years, virtually nothing entered the US public domain.

But then, on January 1, 2019, the public domain reopened. A crop of works from 1923 entered the public domain, to great fanfare – though honestly, precious few of those works were still known (that's what happens when you lock up 50 year old works for 20 years, ensuring they don't circulate, or get reissued or reworked). Sure, I sang Yes, We Have No Bananas along with everyone else, but the most important aspect of the Grand Reopening of the Public Domain was the works that were to come:

https://www.youtube.com/watch?v=Z2ryWm0bziE

The mid/late-1920s were extraordinarily fecund, culturally speaking. A surprising volume of creative work from that era remains in our consciousness, and so, every January 1, we have been treated to a fresh delivery of gifts from the past, works that are free and open and ours to claim and copy and use and remix.

No one chronicles this better than Jennifer Jenkins and James Boyle, the dynamic duo of copyright scholars who run Duke's Center for the Public Domain. During the 20 year public domain drought, Jenkins and Boyle kept the flame of hope, publishing an annual roundup of all the works that would have entered the public domain, but for Congress's act of wanton cultural vandalism. But starting in 2019, these yearly reports were transformed – no longer are they laments for the past we're losing; today, they are celebrations of the past that's showering down around us.

2024 marked another turning point for the public domain: that was the year that the first Mickey Mouse cartoons entered the public domain:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Does that mean that Mickey Mouse is in the public domain? Well, it's complicated. Really complicated. To a first approximation, the aspects of Mickey that were present in those early cartoons enterted the public domain that year, while other, later aspects of his character design (e.g. the big white gloves) wouldn't enter the public domain until later. But that's not the whole story, because not every aspect of character design is even copyrightable, so some later refinements to The Mouse were immediately public. This is such a chewy subject that Jenkins devoted a whole separate (and brilliant) article to it:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

You see, Jenkins is a generationally brilliant legal communicator, much sought after for her commentary of these abstract matters. You may have heard her giving her characteristically charming, crisp and clear commentaries on NPR's Planet Money:

https://www.npr.org/2023/12/28/1197959250/the-indicator-from-planet-money-lets-get-it-on-in-court-12-28-2023

She and Boyle have produced some of the best copyright textbooks – from popular explainers to the definitive casebooks for classroom use – in circulation today, and they release these as free, shareable, open-access works:

https://pluralistic.net/2024/07/30/open-and-shut-casebook/#stop-confusing-the-issue-with-relevant-facts

Yesterday, Jenkins and Boyle published the 2026 edition of their Public Domain Day omnibus:

https://web.law.duke.edu/cspd/publicdomainday/2026/

There are some spectacular works that are being freed on January 1:

• Dashiell Hammett's Maltese Falcon

• Agatha Christie's Murder at the Vicarage (Miss Marple's debut)

• The first four Nancy Drew books

• The first Dick and Jane book

• TS Eliot's Ash Wednesday

• Olaf Stapledon's Last and First Men

• Sigmund Freud's Civilization and Its Discontents (in German)

• Somerset Maugham's Cakes and Ale

• Bertrand Russell's The Conquest of Happiness

That's just a small selection from thousands of books.

Things are pretty amazing on the film side too: we're getting Academy Award winners like All Quiet on the Western Front, another Marx Brothers movie (Animal Crackers); the debut film appearance of two of the Three Stooges (Soup To Nuts); a Gary Cooper/Marlene Dietrich vehicle (Morocco); Garbo's first talkie (Anna Christie); John Wayne's big break (The Big Trail); a Hitchcock (Murder!); Jean Harlow's debut (Hell's Angels, directed by Howard Hughes); and so, so many more.

Then there's music. On the composition side, there's some great Gershwins (I Got Rhythm, I've Got a Crush on You, Embraceable You). There's Hoagy Carmichael's Georgia On My Mind. There's Dream a Little Dream of Me, Sunny Side of the Street, Livin' in the Sunlight, Lovin' in the Moonlight, Just a Gigolo; and a Sousa march, The Royal Welch Fusiliers.

There's also some banger recordings: Marian Anderson's Nobody Knows the Trouble I've Seen; Bessie Smith and Louis Armstrong's St Louis Blues; Clarence Williams’ Blue Five's Everybody Loves My Baby (but My Baby Don't Love Nobody but Me); Louis Armstrong's If I Lose, Let me Lose; and (again) so many more!

On top of that, there's a bunch of 2D art, including a Mondrian, a Klee, and a ton more work from 1930, which means a lot of Deco, Constructivism, and Neoplasticism. As a collagist, I find this very exciting:

https://pluralistic.net/2025/12/03/cannier-valley/#bricoleur

As with previous editions, Jenkins and Boyle use this year's public domain report as a jumping-off point to explain some of the gnarlier aspects of copyright law. This year's casus belli is the bizarre copyright status of Betty Boop.

https://web.law.duke.edu/cspd/publicdomainday/2026/#boopanchor

On January 1, the first Betty Boop cartoon, Dizzy Dishes, will enter the public domain. But there are many aspects of Betty Boop that are already in the public domain, because the copyright on many later Boop cartoons was never renewed – until 1976, copyright holders were required to file some paperwork at fixed intervals to extend the copyright on their works. While the Fleischer studio (where Betty Boop was created) renewed the copyright on Dizzy Dishes, there were many other shorts that entered the public domain years ago.

That means that all the aspects of Betty Boop that were developed for Dizzy Dishes are about to enter the public domain. But also, all the aspects of Betty Boop from those non-renewed shorts are already in the public domain. But some of the remaining aspects of Betty Boop's character design – those developed in subsequent shorts that were also renewed – are also in the public domain, because they aren't copyrightable in the first place, because they're "generic," or "trivial," constitute "minuscule variations," or be so standard or indispensable that as to be a "scène à faire."

On top of that, there are aspects of the Betty Boop design that may be in copyright, but no one is sure who they belong to, because a lot of the paperwork establishing title to those copyrights vanished during the various times when the Fleischer studio and its archives changed hands.

But we're not done yet! Just because some later aspects of the Betty Boop character design are still in copyright, it doesn't follow that you aren't allowed to use them! US Copyright law has a broad set "limitations and exceptions," including fair use, and if your usage fits into one of these exceptions, you are allowed to reproduce, adapt, display and perform copyrighted works without permission from the copyright holder – even (especially) if the copyright holder objects.

And finally, on top of all of this, there's trademark, which is often lumped in with copyright as part of an incoherent, messy category we call "intellectual property." But trademark is absolutely unlike copyright in virtually every way. Unlike copyright, trademarks don't automatically expire. Trademarks remain in force for so long as they are used in commerce (which is why a group of cheeky ex-Twitter lawyers are trying to get the rights to the Twitter trademarks that Musk abandoned when he rebranded the company as "X"):

https://techcrunch.com/2025/12/16/x-updates-its-terms-files-countersuit-to-lay-claim-to-the-twitter-trademark-after-newcomers-challenge/

But also, trademark exists to prevent marketplace confusion, which means that you're allowed to use trademarks in ways that don't lead to consumers being misled about the origin of goods or services. Even the Supreme Court has (repeatedly) upheld the principle that trademark can't be used as a backdoor to extend copyright.

That's important, because the current Betty Boop license-holders have been sending out baseless legal threats claiming that their trademarks over Betty Boop mean that she's not going into the public domain. They're not the only ones, either! This is a routine, petty scam perpetrated by marketing companies that have scooped up the (usually confused and difficult-to-verify) title to cultural icons and then gone into business extracting rent from people and businesses who want to make new works with them. Scammers in this mold energetically send out bullshit legal threats on behalf of the estates of Charlie Chaplin, Alfred Hitchcock, and Herge, salting their threats with nonsense about different terms of copyright in the UK and elsewhere.

As Jenkins and Boyle point out, the thing that copyright expiration get us is clarity. When the heroic lawyer and Sherlockian Les Klinger succesfully wrestled the Sherlock Holmes rights out of the Doyle estate, he did us all a solid:

https://esl-bits.eu/ESL.English.Listening.Short.Stories/Rendition/01/default.html

But "wait until Les gets angry enough to spend five years in court" isn't a scalable solution to the scourge of copyfraud. It's only through the unambiguous expiry of copyright that we can all get clarity on which parts of our culture are free for all to use.

Now, that being said, copyright's limitations and exceptions are also hugely important, because there are plenty of beneficial uses that arise long before a work enters the public domain. To take just one example: for the past week, the song in top rotation on my music player has been the newly (officially) released Fatboy Slim track Satisfaction Skank, a mashup of Slim's giant hit Rockefeller Skank and the Rolling Stones' even bigger hit (I Can't Get No) Satisfaction:

https://www.youtube.com/watch?v=_c_V3oPCe-s

This track is one of Fatboy Slim's all-time crowd-pleasers, the song he would bust out during live shows to get everyone on the dance-floor. But for more than 20 years, the track has been exclusive to his live shows – despite multiple overtures, Fatboy Slim couldn't get the Rolling Stones to respond to his attempts to license Satisfaction for an official release.

That changed when – without explanation – the Rolling Stones reached out the Slim and offered to license the rights, even giving him access to the masters:

https://www.bbc.com/news/articles/c2dzre3z96go

This is a happy ending, but it's also a rarity. For every track like this – where the rightsholders decide to grant permission, even if it takes decades – there are thousands more that can't be officially released. This serves no one's interests – not musicians, not fans. The irony is that in the golden age of sampling, everyone operated from the presumption that sampling was fair use. High profile lawsuits and gunshy labels killed that presumption, and today, sampling remains a gigantic, ugly mess:

https://memex.craphound.com/2011/07/08/creative-license-how-the-hell-did-sampling-get-so-screwed-up-and-what-the-hell-do-we-do-about-it/

Which is all to say that the ongoing growth of the public domain, after its 20-year coma, is a most welcome experience – but if you think the public domain is great, wait'll you see what fair use can do for creativity!

(Image: Jennifer Jenkins and James Boyle, CC BY 4.0)

Hey look at this (permalink)

• NVIDIA Isn't Enron – So What Is It? https://www.wheresyoured.at/nvidia-isnt-enron-so-what-is-it/

• How Google Maps quietly allocates survival across London’s restaurants – and how I built a dashboard to see through it https://laurenleek.substack.com/p/how-google-maps-quietly-allocates

• Who do they think you are? https://hidden-selves.wove.co/

• Datacenters in space are a terrible, horrible, no good idea. https://taranis.ie/datacenters-in-space-are-a-terrible-horrible-no-good-idea/

• Mobile Voting Project’s vote-by-smartphone has real security gaps https://blog.citp.princeton.edu/2025/12/16/mobile-voting-projects-vote-by-smartphone-has-real-security-gaps/

Object permanence (permalink)

#20yrago Sony DRM Debacle Roundup Part V https://memex.craphound.com/2005/12/16/sony-drm-debacle-roundup-part-v/

#15yrsago Weird D&D advice-column questions https://comicsalliance.com/weird-dd-questions-dungeons-dragons/

#10yrsago America’s permanent, ubiquitous tent-cities https://placesjournal.org/article/tent-city-america/

#10yrsago The changing world of webcomics business models https://web.archive.org/web/20151218130702/http://shadowbinders.com/webcomics-changing-business-model-podcast/

#10yrsago Cop who demanded photo of sexting-accused teen’s penis commits suicide https://arstechnica.com/tech-policy/2015/12/cop-who-wanted-to-take-pic-of-erection-in-sexting-case-commits-suicide/

#10yrsago Saudi millionaire acquitted of raping teen in London, says he tripped and accidentally penetrated her https://www.telegraph.co.uk/news/uknews/crime/12052901/Ehsan-Abdulaziz-Saudi-millionaire-cleared-of-raping-teenager.html

#10yrsago Someone snuck skimmers into Safeway stores https://krebsonsecurity.com/2015/12/skimmers-found-at-some-calif-colo-safeways/

#10yrsago Philips promises new firmware to permit third-party lightbulbs https://web.archive.org/web/20151216182639/http://www.developers.meethue.com/content/friends-hue-program-update

#5yrsago Jan 1 is Public Domain Day for 1925 https://pluralistic.net/2020/12/16/fraught-superpowers/#public-domain-day

#5yrsago Landmark US financial transparency law https://pluralistic.net/2020/12/16/fraught-superpowers/#financial-secrecy

#5yrsago Chaos Communications Congress https://pluralistic.net/2020/12/16/fraught-superpowers/#rc3

#5yrsago Email sabbaticals https://pluralistic.net/2020/12/16/fraught-superpowers/#email-sabbatical

Upcoming appearances (permalink)

• Hamburg: Chaos Communications Congress, Dec 27-30
  https://events.ccc.de/congress/2025/infos/index.html

• Denver: Enshittification at Tattered Cover Colfax, Jan 22
  https://www.eventbrite.com/e/cory-doctorow-live-at-tattered-cover-colfax-tickets-1976644174937

• Colorado Springs: Guest of Honor at COSine, Jan 23-25
  https://www.firstfridayfandom.org/cosine/

Recent appearances (permalink)

• (Digital) Elbows Up (OCADU)
  https://vimeo.com/1146281673

• How to Stop “Ensh*ttification” Before It Kills the Internet (Capitalisn't)
  https://www.youtube.com/watch?v=34gkIvYiHxU

• Enshittification on The Daily Show
  https://www.youtube.com/watch?v=d2e-c9SF5nE

• Enshittification with Four Ways to Change the World (Channel 4)
  https://www.youtube.com/watch?v=tZQaEeuuI3Q

• The Plan is to Make the Internet Worse. Forever. (Novarra Media)
  https://www.youtube.com/watch?v=7wE8G-d7SnY

Latest books (permalink)

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

• "The Memex Method," Farrar, Straus, Giroux, 2026

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026

Colophon (permalink)

Today's top sources:

Currently writing:

• "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

• "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.

How to get Pluralistic:

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https://doctorow.medium.com/

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https://twitter.com/doctorow

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

If you’re thinking, I don’t need another mug, you’re correct… except you absolutely need this one. Designed by Daniel Nikolovski, founder of the Milanese design brand TRAGA, the Mario Mug brings a twist to your everyday sip: a tilted tubular handle. The detail is unexpected and playful, instantly positioning it as your new go-to favorite.

TRAGA is known for “redefining core utility objects,” with a particular focus on glassware. Its name, TRAGA, comes from a Slavic word meaning “trace” – the act of leaving a mark. It’s a fitting idea for a brand centered on objects that linger long after use, like the faint imprint a glass leaves on a tablecloth after a cozy evening. Though TRAGA often leans into Brutalist sensibilities, the Mario Mug taps into its more whimsical side.

Named in homage to Mario Bellini, the mug draws inspiration from his 1980s tea and coffee set, where an inclined handle challenged convention. TRAGA carries that spirit forward, offering a fresh, contemporary take on Bellini’s bold design move. “At TRAGA, our approach is simple: take everyday objects and reimagine them with a twist,” shares Nikolovski. “The idea for Mario Mug came from the classic ceramic mug – we just tilted the handle. It’s a small gesture, but it completely changes how the object feels.”

Crafted from temperature-resistant borosilicate glass and hand-finished to perfection, the 320 ml mug comes in three colorways: clear, lilac with a white handle, and green with a black handle. “There’s something captivating about transparency – seeing the color of your coffee or tea, the warmth inside the glass. That’s why I love working with borosilicate glass; it lets us explore that sensory side,” Nikolovski adds. Even better, the Mario Mug stacks beautifully, the angled handles creating a playful rhythm when gathered together.

What was once considered a radical gesture becomes, in TRAGA’s hands, a playful update to a ubiquitous object. A simple tilt, a subtle shift, and suddenly the everyday mug feels entirely new – and well on its way to becoming your new favorite.

To learn more about the Mario Mug by TRAGA, available for $42, please visit traga.it.

Photography courtesy of TRAGA.

Nachdem uns marinelli gestern kurz mit ans Mittelmeer genommen hatte, holt uns Lesterr, formally known as Rudi Stöher, zurück ins hier und jetzt. Und das mit Deep House der klassischen Form. Nicht allzu aufgeregt, aber dennoch wohlwollend treibend und dabei durchweg sehr organisch.

Im Sommer hat er mit seiner 2 Jahre Dazwischen EP sein Solo-Debüt auf Ornaments hingelegt, das durchweg gut gelaufen ist. So gut, dass die Pressung ausverkauft ist. Bin mir ziemlich sicher, dass das noch nicht alles war, was wir von ihm hören werden. Schon alleine deshalb nicht, da hier auch schon wieder neuere Perlen von ihm drin stecken, die sich da ganz wunderbar einfügen. Klanglich alles sehr warm. Und das passt ka bestens zu den kalten Temperaturen. Wenn das nicht reichen sollte, darf natürlich auch getanzt werden.

Style: Deep House
Length: 01:32:10
Quality: 320 kBit/s

Tracklist:
1. Pablo Sanchez – Homecoming
2. Lesterr – Unknown (Unreleased)
3. Herbert – I Hadn’t Known (Vlad Vodá Edit)
4. Lb Honne – Untitled Wechsel
5. Basic Instinct – Only You
6. Lesterr – Beginnen (Unreleased)
7. Louis Baker – Keep On (Andre Lodemann Extended Remix)
8. Extrawelt x Jimi Jules – Clapland
9. Halo Varga, Proudly People – Trust Feat. Mr. V (Einzelkind Boogie Down Bronx Remix)
10. Flashbaxx – That Girl
11. Lesterr – Unknown (Unreleased)
12. Heiko Laux – Pik Ass
13. Donkey Trax – The Vision
14. Soela&Module One&Orion – Hunting
15. Lesterr – Unknown (Unreleased)
16. John Beltran – I Must Have Dreamt About You
17. Efdemin – Parallaxis (Traumprinz’s Over 2 The End Version)
18. Lesterr – Strato (Unreleased)
19. Donkey Trax – Change My Mind (Lesterr Interpretation)

Alle der diesjährigen Kalendermixe finden sich hier.