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ASIP - Reflection on 2024

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As with all my previous ‘Reflection’ year-end mixes, I begin with a collection of albums, EPs, and compilations that resonated with me over the past year. From there, I curate tracks to build the mix—a process that’s as much about omission as inclusion. Inevitably, many of my favorite tracks and albums don’t make the final cut, simply because they don’t fit the flow of the mix or get lost along the way. There are plenty of albums I played on repeat that aren’t included here, but I enjoy this process much more than creating lists.

As I remind myself each year, this isn’t meant to be a definitive “best-of” list. Instead, it’s a snapshot of some of my favorite music from the year, distilled into one cohesive and listenable format. Compiling these mixes under self-imposed restrictions is my way of revisiting and celebrating the music I’ve loved critically, while sharing it with you in a way that’s both meaningful and accessible. For me, listening back to these mixes is like flipping through an audio photograph, capturing the essence of my year in music and invoking memories from special moments.

I encourage you to use this mix as a jumping-off point—dive into each artist, explore their albums in full, and check out the labels behind the music. You can find a Buy Music Club list linked below to help you dig deeper. If you’re curious about the broader scope of music I’ve supported this year, my Bandcamp collection is always up to date. And for the ASIP year-end label compilation, you can find the feature and mix here.

~

Starting this year’s mix was no easy task. It’s been a whirlwind of a year, with my family relocating from Los Angeles back to Oregon. For a significant stretch, my ideal listening setup was in flux, and I wasn’t commuting to work as much—two key times I’d normally dive deep into the music I’d collected.

That said, I still managed to accumulate a fair share of vinyl this year (probably too much), so that became my starting point. I began shortlisting from my unsorted crate—my go-to spot for new acquisitions—despite knowing the mix would eventually be recorded digitally I always intend on ripping some vinyl-only releases. Since most of my purchases are through Bandcamp, I typically have digital files ready to go, but there are still a few frustrating cases where I’ve had to double-dip and buy the digital files separately (labels, let’s get those Bandcamp download codes in vinyl sleeves—it’s almost 2025!).

This year’s shortlist started with over 80 artists/tracks from albums I’ve loved, which I eventually narrowed down to 40 for the final mix. It’s a good representation of what’s been on heavy rotation for me. As always, I stuck to my usual self-imposed rule of no ASIP artist related tracks. I’d easily fill an entire mix with their music if that rule weren’t in place (also that’s what 9128.live is good for). I like to take this time to highlight other incredible, often overlooked releases that haven’t made the rounds in our circles, or through the usual “best of” lists.

I intended to rip some of my vinyl-only releases for this mix as a few really stood out this year, but time wasn’t on my side, and no digital was available. On the bright side, nearly all the music included here is readily available on Bandcamp for you to support.

A few callouts as you skim through the tracklist.

The latest Röyksopp album leans heavily into ambient tropes, but it’s undeniably comforting—a continuous flow reminiscent of the classic Art of Chill mixes, blending atmospheric textures with accessible pop crossovers. It nails that sweet spot, and I’m not one to turn my nose up at that.

Isabel Pine, whose demo first landed in my inbox some time ago, continues to impress—her latest release is an absolute gem. Aja’s ‘Lullaby’ is pure sweetness, so addictive I often found myself hitting repeat. C.K. didn’t drop any new ambient projects this year, but he did finally upload his phenomenal catalog to Bandcamp The track I included serves from his only 2024 release as an ambient counterpart to his more techno-focused album from this year.

Music From Memory’s Virtual Dreams compilation was a highlight for me—every track on it felt like a guaranteed vibe, no matter the mood (#1 on my HHV list). Casino Versus Japan’s comeback might just be his finest work yet, even if it hasn’t made it onto other lists out there. Its stripped-back, raw quality made it a challenge to incorporate into this mix without it becoming the centerpiece.

Minotaur Shock was a standout discovery in 2024, offering a blend of IDM-infused drum-oriented sounds. This track, in particular, is one of his most melodic. Another new find was Civilistjävel!, courtesy of Juan (OKRAA), who introduced me to the record while we were record shopping in New York. Florian T M Zeisig made waves with a ’90s-inspired album, consistently impressing with his inventive approaches (and even debuting a new alias).

nthng remains a regular on my year-end mixes, and deservedly so. My favorite track of his this year was ‘Echo Track,’ though it didn’t quite fit into this mix. Synkro returned as Ovïd with a mesmerizing slice of gaseous dub-techno—I even let it run long to max out its hypnotic qualities in the mix. Brian Grainger and his aliases are extremely productive, so it’s hard to cut through sometimes, but I always gravitate to his Coppice Halifax output.

Vril delivered an audio-sensory onslaught with his new album. While my favorite track didn’t make this mix, the entire release is excellent. I bent one of my own rules by including two tracks from Daniel[i]—a testament to the quality of that record. Rising Sun also deserves a mention. Even though his uploads this year were from his back catalog, the music is as timeless as ever (and I have a special memory of hearing this amazing track at Public Records, cementing a solid 2024 core memory).

Solar Alliance saw me bending another rule, as this is technically from the Ute collective but for anyone into '90s-style trance and downtempo- not to be missed. Xylitol, another new artist on my radar, delivered a release perfectly aligned with its Planet Mu home—think Aphex-inspired IDM with breaks and bass. Metamatics took an unexpected turn, dropping a drum’n’bass album with a '90s vibe featuring vocal samples from the emotional worlds normally assigned to DJ Healer or Rising Sun.

Finally, the closer comes from Mortal—a 1997 gem I only discovered in 2024. Though technically from December 2023, it missed last year's mix and felt like the perfect way to wrap up this year’s edition.

astrangelyisolatedplace · ASIP - Reflection on 2024

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Tracklist:

01. Chihei Hatakeyama - Insects Chirping At Night (Field Recs)
02. CHANTSSSS - Lose My (Theory Therapy)
03. Endless Trains & Taennya - Lifeless Place (Archives)
04. Röyksopp (Feat. Alison Goldfrapp) - We Enter (Self Released)
05. Merely & Malibu - outlanders intro (Year 0001)
06. anthéne - Crimson (Floralia Editions)
07. Isabel Pine - Silhouettes (Where The Flowers Grow)
08. Old Amica - Klorofyll (Self Released)
09. Aja - Absolune (Grand Musique Management)
10. Winter Silhouette - Solidarity (Peak)
11. C.K - We Share The Skies (Private Recording System)
12. Dub Squad - Blown Fruit (Music From Memory)
13. Shokunin - Darlands (Bonse1)
14. Li Yilei - Yip, Yip, Yip (Métron Records)
15. Voyage Futur - Marina Botany (Vill4in)
16. Casino Versus Japan - Licht (Self Released)
17. Minotaur Shock - With Me? (Bytes)
18. Civilistjävel! - XII (Felt)
19. Ear To Ear - Live Recordings D (Astral Industries)
20. Strategy - Numeros (Community Library)
21. Florian T M Zeisig - Wave Guide (Stroom)
22. nthng - Dont Be Scared (Self Released)
23. Brendon Moeller - Pressure (Quiet Details)
24. Lb Honne - Musium (Project Indigo)
25. Priori ft. Sabola - Learn To Fly (Naff Recordings)
26. Ovïd - Dream Sequence (Fauxpas Musik)
27. Coppice Halifax - Ceremonial (Milieu Music)
28. pondlicker - orchid media (Naff Recordings)
29. Daniel[i] - Jobkas Dom (Muzan Editions)
30. Vril - Pneuma (Omnidisc)
31. Low End Activist - Airdrop 02 (Yarnton Rd 2 Cassington) (Peak Oil)
32. Daniel[i] - Dom Amb (Muzan Editions)
33. Wardown - 5 It Is The Mercy (Blu Mar Ten)
34. Rising Sun - The Ascend (Original) (Self Released)
35. Vera Logdanidi - Euphoria (Semantica)
36. Donato Dozzy - Lucrezia (Spazio Disponibile)
37. Solar Alliance - Tri-Mind (Self Released)
38. Xylitol - Monte Mare (Planet Mu)
39. Metamatics - A Second Chance Is Rare (Self Released)
40. Mortal - Minus One (Sunny Crypt)

Buy Music Club List


 

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AI-Generated Book Grifters Threaten The Future of Lace-Making

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AI-Generated Book Grifters Threaten The Future of Lace-Making

AI-generated books and images are threatening the nearly 500-year-old art of lace making. 

It’s already come for the crochet community, and researchers have tried to teach machines to knit. But lace-making—a craft that even Renaissance artists struggled to master, and in which there are a literal infinite number of patterns to be created—is now having its AI slop moment. 

Mary Mangan, the librarian for her New England-based lace making group, told me that she first became aware of AI infiltrating lace spaces when someone in her group asked her to research a book that featured a cover photo that she wanted to try to make herself. “So I began to research the book. It smelled funny and I tried to search for the author's other work but couldn't find any,” Mangan said. She asked r/BobbinLace, a Reddit community for the bobbin lace-making technique, and users there helped track down the original, not-AI image from a lace catalog that the cover photo seemed to be based on. 

Longtime lace makers and experts from all around the community have started raising the alarm on AI grifting in their tight-knit community. Karen Bovard-Sayre, who has published several books about lace techniques, posted a video in November addressing the issue, saying she found 36 books about lace and tatting—a lacemaking technique—that seemed AI generated. She said she was looking at Amazon books about tatting to see what else was being published on the topic, and found many of the AI books targeting beginners. 

“As you probably all know, the tatting world's not that big even though it's around the world, but we kind of know who's doing what, who's making content, who's making books and all that,” Bovard-Sayre said in her video. “I started reading the summaries and they all kind of sounded flowery and didn't really say what they were, and then I started looking at the covers and back covers, and said wait a minute, something's wrong here.” She spends the rest of the video demonstrating what these books get wrong, and how to spot AI generated lace making materials. 

Some of the AI signs Bovard-Sayre points out include odd punctuation in the authors’ name (in the case of the book she’s examining in her video, “Sheila .A Richard,” where there’s a period before the middle initial), references to video tutorials like “This is a wonderful instructional video” which makes no sense in a printed book, obvious misspellings, and distorted or blurry photos.

She also finds designs in the book that she recognized as being the work of other lace designers, including Marilee Rockley, a fiber artist who specializes in tatting. Rockley also recently addressed the rise in AI generated materials on her website. “Some of you may have heard about the miserable thieves who are using Artificial Intelligence technology to ‘make’ books to sell,” she wrote. “Really horrible, fake books loaded with wrong information (lies) and stolen photos. They're so bad it would be laughable except they hurt a lot of innocent people who are looking to learn a new-to-them craft.” 

Preying on beginners’ lack of knowledge and relative inability to spot blatant fakes is a tactic used in other AI book grifts, too. The mushroom foraging community recently discovered AI scam books were flooding Amazon, directing newcomers to bad, potentially deadly misinformation. Unlike eating a poisonous mushroom because a chatbot or AI book told you it’s safe, buying a book on lacemaking that contains sloppily-generated images or instructions isn’t a matter of life and death—but it does threaten to devalue and dilute the integrity of a centuries-old art, as well as deterring newcomers. 

“Lace is a small hobby and a pretty tight community. We know who the designers and vendors are, and we trust them. However, until you become part of the lace community there's no way to know who is trustworthy and what is dubious. You need some level of skill and time within the network to really assess this,” Mangan told me. “Unfortunately, for newcomers who might be excited to dive into this hobby, they could get burned by the inadequate books—and frankly the thievery—of the work of our cherished lacemakers and designers. This could sour newbies on the craft and that would be unfortunate. And it could harm designers who opt out of sharing their works, and we'll all lose then.”

Lacemaker and textile historian Elena Kanagy-Loux told me she first noticed the proliferation of AI-generated books on bobbin lace while teaching a course last summer. A student showed her a book she’d recommended to her students on Amazon, but the recommended books on the site seemed off. “There were a number of suggested lace books with strange covers that did not represent real lace techniques, and subsequently I have been warning all of my students to avoid Amazon and buy from independent lace suppliers (a good practice for a multitude of reasons),” she said. “Now I see that there are a number of them advertising different lace techniques with strange AI images on the cover that don’t represent real lace or tools, and contents that—according to reviews—are either nonsense that provide no tangible instructions, or directly plagiarized from real lace books.” 

Some of the books Elena Kanagy-Loux found on Amazon included: 

I sent all of the above listings to Amazon for comment, and the platform removed all of them except for the first one. “We have content guidelines governing which books can be listed for sale, and we have proactive and reactive methods that help us detect content that violates our guidelines, whether AI-generated or not. We invest significant time and resources to ensure our guidelines are followed, and remove books that do not adhere to those guidelines," a spokesperson for Amazon told me in a statement. "We aim to provide the best possible shopping, reading, and publishing experience, and we are constantly evaluating developments that impact that experience, which includes the rapid evolution and expansion of generative AI tools. We continue to enhance our protections against non-compliant content, and our process and guidelines will keep evolving as we see changes in AI-driven publishing.”

Amazon is full of these books, but it’s not the only retailer selling them. Mangan showed me several she and others found on eBay, including Bobbin Lace Magic: Unlocking the Secrets of Colorous Book by Ethan CC Lee which, like the ones above, has a book-report description as if the author is reviewing their own book. And then there’s A Bobbin Lace Book by Tim M. Enoch, with a description that includes an error from generating the text: “This response was truncated by the cut-off limit (max tokens). Open the sidebar, Increase the parameter in the settings and then regenerate.” eBay did not respond to a request for comment.

Mangan wondered if the onslaught of AI-generated slop in lacemaking might drive people to connect to real humans more. “Gathering in groups and discussing valuable books might be a good outcome, and we can host public gatherings for the lace-curious folks,” she said. “One other thing that I do is to edit Wikipedia with good books as references when I hear about them—maybe that could become another route to connect people to higher quality and current materials.” Used and older books could become more valuable, too, she said. 

“Over the years of posting videos about lacemaking on social media, I have gotten many snarky comments saying ‘AI will replace this.’ At first I laughed it off, because for lacemakers like myself the joy is in the process of working with our hands, which can never be replaced by technology,” Kanagy-Loux said. “But now I have genuine concerns that beginners seeking affordable books will be scammed by AI-generated books that contain no real information about the techniques and give up in frustration. This misinformation is why it is so important to me to share resources online and make knowledge about lacemaking and lace history accessible to a broader audience. Fortunately, our community continues to grow all the time, so I hope we can combat the proliferation of AI pattern books with the instructions of human beings.”

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DNA Lounge: Wherein it's a Christmas toilet miracle!

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Wow, we're already halfway to our toiletry goals!

Donor one: "I can contribute $17k towards new toilets, BECAUSE I LOVE DEFECATING!"
Me: "You are now the King Shit of Poop Mountain!"

Donor two: "I'll sponsor one toilet, but can I have it named after me?"
Me: "Yes, but now we just need sponsors for the other 7."
Donor two: "Also I would like everyone to whisper my name every time they pee."

You know you want in on this, too. Let's see what you can squeeze out.

Also, tune in right now for the fifth annual DNA Lounge Yule Log webcast, 24 hours of fire and music, from 9pm on Christmas Eve to 9pm on Christmas. Come warm yourself by our fire:

We know you have many Yule Log video options in this holiday season, and we thank you for choosing ours.

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Der das KFMW Adventskalender 2024 in einem Player

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Dann sind wir auch schon wieder durch. Am Ende des Jahres geht dann eh immer alles schneller, als man am Anfang eines Jahres zu glauben scheint. Und das ist immer noch alles Arbeit, auch wenn die Reichweite schon lange nicht mehr dem entspricht, was der Idee angemessen wäre. Scheiss drauf. Ich weiß, dass alle der hieran Teilnehmenden lieben, was sie tun und liebe sie nicht nur deshalb alle. Sondern auch dafür, dass sie uns allen ganz auf ihre Weise so wunderbare Mixe kuratiert haben. Deutlich weniger tanzbar als in den letzten Jahren, aber wir werden ja alle nicht jünger, nech. Und wenn noch irgendwas bitte immer noch divers sein kann, sein soll, sein muss; dann doch bitte auch Mixtapes. Und davon haben für dieses Jahr einfach mal wieder 24 neue.

Kommt gut übers restliche Jahr. Bis zum nächsten Kalender. Vielleicht. Und danke. An alle.

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Nothing Is Sacred: AI Generated Slop Has Come for Christmas Music

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Nothing Is Sacred: AI Generated Slop Has Come for Christmas Music

AI slop has consumed Facebook, is running Wikipedia editors ragged, is rapidly destroying Google search, probably put an extra finger on the scales of election influence, is confusing and annoying crafters, steals endlessly from authors, is on its way to demolish YouTube comment sections, and will probably end up in a movie theater near you sooner than you think. But if you’re streaming Christmas music today, did something seem a little off to you? If so, there’s a very good chance you’ve been listening to AI-generated carol-slop.

As spotted by video game developer Karbonic, YouTube compilation videos are sneaking AI generated songs into their mixes. 

The example they posted, “Best of 1950s to 1970s Christmas Carols ~ vintage christmas songs that will melt your heart 🎅🎄⛄❄️,” has more than five million views and more than 2,000 comments. A ton of the comments appear to be engagement-farming bots, saying things like “I'm looking forward to Christmas 2024, is anyone else like me?” but many seem human. “It takes me back to my childhood and I realize how wonderful life was before worries about money and so many futile things that dont matter,” one person wrote. Another commented, “Missing  memories of my youth. But, grateful for the blessings in my life. Merry Christmas and God bless you.❤” 

If I put this on in the background while doing something else, I might not think anything of it. But there are points in the one hour 18 minute video that give it away as AI: “O Little Town of Bethlehem,” around the 36:55 mark, is the lyrics of that song but the melody of “Silent Night.” If you compare it to an actual recording of Nat King Cole singing “O Little Town,” the difference is even more obvious. Once you start noticing the warped tunes, they’re hard to un-hear. “Oh Holy Night” is listed in the video as being by “Nei Diamond,” who as far as I can tell doesn’t exist, or is a typo of Neil Diamond, who is definitely not the singer in the song on this compilation. “The First Noel,” attributed here to Nat King Cole, is either an undiscovered recording where Nat and the choir run some really wild riffs, or is AI. 

I won’t list every tell in this video, but there are many and they give me the heebie jeebies. Other videos in this channel, Holiday Serenade Library, seem to be pulling the same grift, sometimes with AI-generated video of people blurring around outdoor markets, Santa with a burning sleigh and reindeer on fire, or children with weird mustaches skipping through the snow.

Nothing Is Sacred: AI Generated Slop Has Come for Christmas Music

A quick search around the internet to see if anyone else has encountered other holiday-flavored AI slop turned up a recent Reddit thread where people were complaining about seemingly fabricated Spotify artists haunting retail workers during an already agonizing season. They list Dean Snowfield, North Star Notesmiths, Sleighbelle, Frosty Nights, The Humbugs, Snowdrift Sleighs, and Daniel & The Holly Jollies as artists on Spotify that have snuck into Christmas playlists but have little to no trace of a career outside of the streaming platform. Some of them, like several of Dean Snowfield’s songs, sound like midi mixes with a stilted voice singing the lyrics. These artists make it onto huge, popular playlists like “Old Christmas Music” alongside real songs. It’s honestly hard to tell whether these artists are AI-generated or just mass produced. But their Spotify artist bios often have the same exact text, or follow this pattern: 

“Dean Snowfield are songwriters, artists, and musicians who have combined forces to release holiday themed cover songs on their independent record label, distributed by Warner Music's ADA. In November and December, their ‘A Nostalgic Noel’ sampler managed to generate over 8,000,000 streams across Spotify and Apple Music. As a collective of artists, Sleighbelle have a great deal of respect for the original songwriters and producers who created these beloved holiday classics, and ask that you support them by streaming their original versions. Without songwriters like Edward Polo, George Wyle, Huge Martin, and Ralph Blane, we wouldn't have this music to interpret and cover. Thanks for listening to our labor of love, and make sure to follow us on our socials. - Dean Snowfield” 

They didn’t just appear this year: Third Bridge Creative, a music creative agency, noticed these artists dwelling in the uncanny valley last Christmas, too. “Is it a coincidence that each of their top songs match up with the respective iconic Christmas hits? Why would I ‘immerse [my]self in the enchanting world of Christmas music with Dean Snowfield’s’ low-key creepy Nostalgic Noel when I can put on The Dean Martin Christmas Album instead?,” they wrote.

These artists are still massively popular on Spotify, with hundreds of thousands of listeners each. The North Star Notesmiths and Dean Snowfield have a very similar male singer’s voice on several songs. Frosty Nights and Daniel & The Holly Jollies also sound awfully alike. They’re all signed by Warner Music’s ADA label, according to their Spotify bios—the “label services arm of Warner Music Group, breaking brand new artists and supporting industry legends,” according to the label’s site—so I’ve reached out to Warner Music to ask what is going on here and will update if I hear back. Spotify also did not respond to a request for comment. 

Again, it’s still not clear whether these artists are AI-generated or human, but a lot of people seem to think there’s something amiss. To make it all a little weirder, after I emailed ADA for comment, Dean Snowfield commented on one of my Instagram posts and said “Congrats on the book release!” I hadn’t interacted with, or found a way to reach out to, Snowfield at all prior to his comment. Snowfield’s Instagram account is private, and he keeps rejecting my requests to follow it. He has 36 followers and 3 posts. 

In the meantime, stay vigilant out there and Merry Christmas from a real human.

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Beware the Brexit reset backlash

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In a post at the beginning of September, when I compared ‘reset means reset’ with the days of ‘Brexit means Brexit’, I pointed out that there is at least one important difference. The Brexit negotiations took place within a process and timescale which was at least semi-defined by Article 50. Any reset process will be more nebulous, and shouldn’t really be thought of as a process, in the singular. At the same time, a virulent backlash against the reset is now beginning and, with it, a new phase in the battle for post-Brexit politics.

The Brexit reset

The reset can be understood in terms of two kinds of process. The first kind consists of the things which the UK can do unilaterally, meaning without any agreement from the EU, such as maintaining regulatory alignment with the EU, both by eschewing active divergence and by avoiding passive divergence. There are many signs that this kind of reset is underway. This is beneficial, as it means that businesses do not have to produce to two different standards, but doesn’t in itself improve terms of trade with the EU. Moreover, as occurred last week with the introduction of the EU General Product Safety Regulation, there are some forms of EU regulatory change which cannot simply be ‘shadowed’ by the UK (or, in this case, and others relating to goods trade, Great Britain), but have to be accepted as new barriers to trade.

The second kind of process consists of things involving negotiation with the EU. Most obviously that means agreeing measures which go beyond the existing Withdrawal Agreement (WA) and Trade and Cooperation Agreement (TCA), perhaps including a Sanitary and Phytosanitary (SPS) agreement, a Youth Mobility Scheme (YMS) agreement, and a Mutual Recognition of Professional Qualifications agreement. It could also include a security and defence pact. However, it also includes negotiations within the various mechanisms built into the existing agreements because there are some things potentially within their scope (such as linking carbon pricing systems) which, if pursued, would contribute to a reset.

Equally, there are other things, including the full implementation of the Windsor Framework, the resolution of ongoing problems in implementing the settled status scheme for EU citizens in the UK, and the full introduction of UK import controls, which are likely to be seen by the EU as a prerequisite for any substantive new agreement(s). This was brought into sharp focus this week with the news that the EU is taking the UK to the European Court of Justice (ECJ) over its failures, going back to 2020, to uphold all the citizens’ rights provisions agreed in the Withdrawal Agreement and some other matters (all of which, be it noted, go back to the Tory government’s alleged failure to do what it, itself, had agreed; note also that it agreed to the ECJ’s role in these matters).

Resolving such issues is part of the reset because it would help to rebuild trust with the EU and to improve the ‘tone’ of the relationship, something which has been underway since the election, and which saw further developments in the last fortnight. These included Rachel Reeves attending the EU finance ministers' meeting and Keir Starmer meeting the President of the European Council. It’s wrong to scoff at such things as mere symbolism: symbolism matters, not least because of the way it relates to trust.

As for substance, there have been further signs that the UK will end up agreeing some form of YMS. Doing so, along with extending the agreement on fishing rights beyond its expiry in June 2026, looks to be the basic requirement of agreeing any wider reset with the EU. How the substance of the reset develops from now on will define Labour’s post-Brexit policy and, indeed, the UK’s post-Brexit polity, and negotiations with the EU look set to be the Brexit story of 2025 and perhaps beyond.  

The reset backlash

Although these two reset processes have barely begun, it is already clear that what the economics commentator Simon Nixon calls “the Brexit reset backlash” is now underway, and it has gathered force just in the last two weeks. Thus last weekend saw the reset being denounced in the Mail on Sunday as what David Frost called, with his trademark dreary predictability, the work of a “Surrender Squad” which is set on “betraying” Brexit. An accompanying editorial warned that Starmer’s plans will make Britain “a rule taker” rather than “a rule maker”.

The next day, again in the Mail, Boris Johnson fulminated about the need to “fight, fight and fight again for the freedoms people voted for in 2016”. Meanwhile, in the Express, Johnson again appeared, this time to warn that the UK’s accession to the CPTPP, which occurred last Sunday, was in danger of being sacrificed by Starmer (a particularly disingenuous comment, as there is nothing in the reset which is anticipated to preclude CPTPP membership, including an SPS deal). And in this week’s PMQs Kemi Badenoch accused Starmer of being “about to give away our hard-won Brexit benefits” whilst the Sun launched a “campaign to stop Brexit betrayal”.

These and many other examples of the backlash reprise all the rancid arguments of the last eight years with the ever-present accusations of betrayal along with those of ‘submission’ to the EU and lack of patriotism. There’s something particularly fatuous about calling the reset a ‘betrayal’ when it comes, as it often does, from those who have spent those eight years calling every single aspect of Brexit a betrayal. Just how many times can Brexit be betrayed? However, the backlash is also distinctive, or at any rate specific, in being aimed at particular possibilities envisaged within the reset such as a carbon emissions agreement and an SPS agreement. In particular, the backlash has, rather belatedly, honed in on Labour’s longstanding omission of ECJ jurisdiction from its ‘red lines’.

A new phase in the battle for the post-Brexit narrative

Thus this reset backlash can be understood as a new phase in the battle for the post-Brexit narrative. The first phase of that battle began in earnest after the transition period ended in January 2021, and it was decisively lost by the Brexiters. That is evidenced by the now well-established negative public view of Brexit. For example, according to the Statista data series, since June 2021 the view that it was ‘wrong to leave’ has always been greater than the view that it was ‘right to leave’, with the gap between those rising steadily. In June 2021 44% said ‘wrong’ and 43% said right, but by May 2024 (the latest date in this data set) those figures were 55% and 31%. Many other polls and similar polling questions show the same pattern. At the same time, Brexiters became increasingly unwilling to defend Brexit and increasingly convoluted in such defences as they offered

The arrival of the new government has provided Brexiters with an opportunity to regroup. In addition to opposing the reset itself, this regroup has two main axes.

The first axis consists of trying to give the impression that all the false claims made for Brexit were, in fact, being delivered on by the Tory government and are only now being squandered, or failing to materialise, because the Labour government has turned its back on them. Thus the fact that the Tories found that substantial regulatory divergence was impractical, and regulatory freedoms were largely an illusion, is being glossed over, and the failure to deliver them blamed on Labour. In a similar way, Badenoch and others are pretending that it is only Labour’s lack of commitment (£) which stands in the way of a supposedly (though actually fictitious) “oven ready” UK-US trade deal, especially once Trump returns to power.

The second axis is to re-write the ongoing damage of Brexit as being, in fact, the failure of the Labour government. Though minor in itself, a strikingly brazen example was an article in the Telegraph (£) last week bemoaning that “London’s stock market is in danger of sliding into irrelevance under Labour”. Yet, last January, an article in the same paper (£) reported that Brexit was “the prime suspect in the death of the stock market”. Not only were they in the same paper, but both articles were co-authored by the very same journalist, Chief City Correspondent Michael Bow.

This is only a small foretaste of what is likely to come. In particular, sooner or later (and sooner, if a reset with the EU is going to happen), the government is going to have to introduce full import controls. These are a direct consequence of Brexit, but one the Tories postponed multiple times, as did the Labour government this autumn. Undoubtedly when it happens it will be blamed on Labour mismanagement and, very likely, twisted round to be blamed on the reset itself (i.e. as a ‘concession’ in order to get the reset).

Labour’s culpability

In a sense, Labour have only themselves to blame. Promising to ‘make Brexit work’ was always likely to lumber the government with responsibility for all the ways in which Brexit does not, and will never, work. Nor has the government helped itself since coming to power. For example, treating, and initially rejecting, YMS as an ‘unacceptable EU demand’ simply plays into the hands of Brexiters, enabling them to present it, if (and almost certainly when) accepted, as a ‘capitulation’. It would have been much better to treat it as a great prize, and evidence of the potential value of the reset.

Another example is the UK’s accession to CPTPP. Of course the Trade Secretary, Jonathan Reynolds, was bound to speak positively about this, but he was not obliged to do so in terms almost identical to those which would have been used by his Tory predecessors, saying it showed that “Britain is uniquely placed to take advantage of exciting new markets” etc. Here, again, the government is too willing to accept the Brexiters’ framing.

In the same way, the Brexiter attack line that the reset will make Britain a ‘rule taker’ ought to be challenged head-on by emphasising that Brexit created a situation where Britain is, in practice, a rule-taker (think tethered plastic bottle caps). The reset is partly designed to deal with this reality in a more efficient way, by facilitating alignment through, for example, the Product Regulation and Metrology Bill, and perhaps in due course by agreeing to, for example, dynamic alignment of SPS regulations. So, far from being the cause of rule taking, the reset is a consequence of it and, in turn, a consequence of the delusions of Brexit.

In short, if the reset is to be successfully defended against the backlash, it will be necessary to challenge, and to not to reproduce, the underlying framing Brexit of itself. Just talking of the Tories’ “botched Brexit deal” isn’t enough. What is needed is a positive justification of the reset.

Justifying the reset

The most crucial justification is that the Labour election manifesto was quite clear about its intention to seek to reset relations with the EU. Conversely, the attempt the Brexiters are now making to depict the reset as undemocratic and a betrayal of the 2016 vote is, unequivocally, a lie. To the ire of many of its supporters, the Labour government is not reversing Brexit, and there is nothing at all in the referendum or what happened afterwards to say the UK-EU relations are bound to remain in the form Johnson and Frost negotiated (a form which, anyway, included provisions for future changes). Indeed, the crux of the Brexiters’ argument was that the British parliament should be free to pursue the policies which British electors had mandated. The reset has that mandate.

The second justification is that the reset also has popular support. The latest evidence for that came with a report from the European Council on Foreign Relations (ECFR) which includes a lot of crunchy survey data about public attitudes in the UK and in EU member states to UK-EU relations. I won’t even try to summarise it here but, as regards UK opinion, a couple of figures are worth flagging. One is that, overall, 55% favour closer relations with the EU, 22% favour relations as they are and 10% favour more distant relations. The other is that, amongst ‘Red Wall’ voters these figures are 44%, 14% and 18% respectively. Additionally, and prominently reported, the survey found majority support, even amongst leave voters (54%), for the return of freedom of movement in return for single market “access”.

These figures, especially the latter, attracted a certain amount of exuberant comment from ‘remainers’ or ‘rejoiners’ along the lines that the Labour government no longer need fear public opinion, not just as regards a reset but as regards reversing the entirety of, at least, ‘hard Brexit’ (i.e. no single market). I don’t think it is anything like as simple as that, whether viewed in terms of the narrow calculus of Labour electoral advantage or from the broader terms of the politics of Brexit.

On the first, it may well be the case (and, though I don’t have the data, I suspect it probably is) that a relatively small number of voters who don’t want closer relations and don’t want freedom of movement, and who feel strongly about both, could prevent Labour winning the next election. The wider issue is that opinion polls have many limitations, and can’t capture how voters would react if Labour followed where these ones point, given the backlash that would result. Most importantly of all, for Labour now to abandon its ‘red lines’ would immediately deprive the government of the democratic legitimacy which the election has given to its reset policy.

It may be tempting to think that, since that reset in itself attracts the ferocious and dishonest backlash we are seeing, the government might as well go the whole hog and pursue a reversal of Brexit, just as its Brexiter critics claim it to be doing. Actually, if anything, the backlash shows how limited Labour’s space for manoeuvre is. But the more important point is that there is a huge difference between defending against a false charge and against one which would be true. Moreover, if there is ever to be a durable rejoin policy it would have to be one which clearly had democratic legitimacy. So whilst the opinion polls give strong support for Labour’s reset, that is all they do.

The third justification for the reset is its substantive benefits. Just last week saw the publication, for the first time so far as I know, of a credible estimate of its economic impact. It came from John Springford of the Centre for European Reform, and, whilst necessarily rough and ready, suggests that the reset could deliver an annual uplift of 0.3% to 0.7% in the long-term, defined here as ten years.

Of course this is fairly trivial compared with the foregone GDP growth resulting from Brexit (and, actually this is Springford’s main point). However, in a generally low-growth economy, it is not nothing. For example, on present OECD predictions, UK growth in 2024 will be 0.9%. Moreover, on this estimate the reset is of considerably greater than the benefit of the long-term annual uplift of the CPTPP deal, estimated to be 0.04% to 0.08% of GDP. Even the Brexiters' much-vaunted UK-US trade deal would only be worth an estimated 0.07% to 0.16% of GDP. So, small as the value of a reset may be, those who dismiss it as worthless should be careful not to inadvertently give the backlashers a free pass on how it compares with such ‘Brexit benefits’.

In any case, the reset has more than an economic value. For one thing, if achieved, it would have a defence and security value, and that at a time of huge international turmoil. For another, it could act as a confidence-building measure to be built on subsequently. Indeed - and this, too, ought to concentrate the minds of those ‘rejoiners’ who dismiss the reset as trivial or even pointless - if there is ever to be a route to joining the EU again it seems all but certain it would need to pass through something like the reset along the way.

The bigger picture

It is in this latter respect that the Brexit reset backlash is most important, and most dangerous. At one level, it is just about domestic politics. It is a transparently opportunistic attempt by both Tory and Reform parties to re-kindle the populist anger of the referendum, and the ‘Brexit wars’ which followed, in order to boost their electoral fortunes.

At another level, those attempts are inseparable from UK-EU relations. The Brexiters’ visceral hatred of the EU makes them determined permanently to pollute those relations with their political faeces. They know that the more anti-reset opposition they can whip up, the less likely it is that the EU will have the confidence to entertain even minimally closer relations, let alone anything else. Already Jacob Rees-Mogg is urging “both the Tory and Reform leaders … to promise if elected to leave any new Labour deal”, and that is quite deliberately designed to wreck EU confidence in the reset. It is hideous and, if anything deserves the label, ‘unpatriotic’ in its attempt not just to derail the elected government’s reset policy but to engender perpetual hostility with Britain’s neighbours and allies. But it is happening and it can’t be wished away.

In that sense, this new phase in the battle for the post-Brexit narrative is a crucial one for the government but, more widely and in the longer-term, for anyone who rejects the vicious and self-harming politics of Brexitism. Labour’s reset may be frustratingly timid, but the backlash against it is a reminder of the obstacles even to timidity. If it is defeated by that backlash, or even if it allows the Brexiters to regroup, the hold of that vicious and self-harming politics on our country will be strengthened. Conversely, if the Brexiters lose this second phase in the battle for the post-Brexit narrative, as they did the first, those politics will be weakened. At one level, the reset is about technocratic tinkering with the UK’s relations with the EU, but there is much more stake than that. Hence, indeed, the Brexiters’ desire to destroy it.

 

With that, another year of Brexit blogging ends. Many thanks to all who have read this year, taking the total visits to this site to well over the 10 million mark, and the number of posts to over 450. Your readership is always appreciated, and never taken for granted, especially with the huge volume of blogs, newsletters, vlogs, and I-don’t-know-whats that compete for attention. Thanks, too, for the (generally) urbane and (often) interesting comments made since I re-opened the facility a bit over a year ago. Best wishes to all readers for Christmas and the New Year. The next post will be on Friday 10 January 2025. I think I will continue in the new fortnightly pattern, but if (as seems possible) there is a lot of Brexit-related news next year then I might revert to the weekly format.

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mkalus
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