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Libraries Not Doing Pride Displays Say They ‘Shouldn’t Be Judged’

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Libraries Not Doing Pride Displays Say They ‘Shouldn’t Be Judged’

This story was reported with support from the MuckRock foundation. 

Around this time last year, Rachel Rodman was happily employed as a library clerk and program assistant with the Crawford County Library District in the east-central part of Missouri. Rodman didn’t think anything of the display she curated for Pride month last June, highlighting LGBTQ+ books from the district’s collection in the one room library within a community center. Rodman says she was given free reign to create displays and had no reason to suspect that her actions would lead to her firing. The display was up for five days before Rodman says her branch manager left her a handwritten note telling her to remove it. Rodman refused, posting to Facebook on June 5, 2025 that she wouldn’t deny a marginalized group’s right to visibility because the district feared community backlash. 

“I take my job very seriously,” Rodman wrote, adding, “I will not yield, and I’m not sorry about it.” 

The next day, she was fired. Public records obtained by 404 Media offer insight into Rodman’s dismissal and how the decision reflected poorly on the library. It represents one of hundreds of public records requests filed in jurisdictions in which we’ve received a tip or followed up on incidents of censorship and self-censorship related to LGBTQ+ focused or Pride-related book displays. Records from a handful of public libraries show a willingness from library leadership to tolerate acts of self-censorship in anticipation of unwanted attention from certain community members, and in some cases, religious leaders. This tends to show up in hesitancy to organize cultural heritage programming and LGBTQ+ book displays. 

In a statement to 404 Media, Rodman says that because public libraries are funded through taxpayer dollars, reducing visibility of a marginalized group constitutes a refusal to openly support all patrons. 

“It’s never enough to just carry the books as available material,” Rodman told 404 Media. “Everyone deserves and should be able to find themselves publicly represented, but especially in communities where censorship is already such a huge issue. It’s in those communities that minorities of any kind already feel repressed and underrepresented.”

In one email exchange from libraries in east-central Missouri, Crawford County Library District’s director told other area library directors that the firing “was not discrimination,” but rather, to “protect” employees and patrons. The situation “does look bad,” she wrote, before making it worse by accusing the employee of playing “victim.” The issue, according to Rodman and the records, was that in 2022, the library tried to host  a “Rainbow Storytime” event, but canceled it  because the library had received death threats. 

“Regardless of whether the library actually instructed the employee to remove the display, we’re in rural Missouri,” Steven Campbell, director of the Scenic Regional Library in Union, Missouri, wrote. “It’s an extremely challenging political and social environment. We all need to make our own decisions. Not everyone has a Board or appointing authority that will back them on LGBT issues. If someone thinks losing their job or receiving deaths over a display is worth it, that’s great. I admire them. Not everyone is willing to make those sacrifices, and that shouldn’t be judged.” 

Censorship experts and professional associations disagree, but they acknowledge that small and rural libraries have different challenges than their metro-area counterparts. A lot of these systems are very small, with very few salaried staff and limited acquisition budgets. Nor are they discounting the fact that it’s hard to be a librarian right now,  thanks in large part to the work of some very well-funded astroturfers. The American Library Association’s Office for Intellectual Freedom found that in 2025, over 90 percent of all book challenges could be linked to pressure groups or key decision-makers like public officials and government employees or library boards or library administrators. 

“When a library chooses to engage in censorship-lite out of fear, by just trying to keep the peace and but still do the good work of the library, it’s the patrons who pay the price, no matter what” Kate Laughlin, executive director of the National Association for Rural and Small Libraries, told 404 Media. “It is the community who is the victim, not the library and the librarians.”

In public records obtained by 404 Media, librarians regularly discussed the challenges they face with their leadership. Some of the things we've read include:

  • "I am not calling attention to Pride Month online, but I don't call attention to other recognized holidays unless it is part of a program... each time that I promote this piece of the collection I have push back from a parent."
  • "If it is in the children's area, maybe a good compromise would be to move it to another area."
  • "I have made a compromise by taking the time and trouble of changing the wording on the sign that she disapproved... I want to keep the Pride Month display up where it is for 10 more business days. Pride Month ends on June 30 and then it will be taken down."
  • “Everyone knows the stuff we’re dealing with regarding LGBT issues. It’s no cakewalk for anyone.”
  • “As a library director in a small town I have had apprehensions about doing outward pride displays in my community.”
  • “My assumption is that we will get more complaints as Pride month gets underway.”

The American Library Association’s Office for Intellectual Freedom is seeing fewer public Pride displays in libraries this year compared to  recent years, citing the chilling effect of censorship.

“There is no obligation to have any display about anything,” Sarah Lamdan, executive director of the ALA Office for Intellectual Freedom told 404 Media. “It’s all about what a community is interested in. But if somebody thinks that a Pride display might be something that would be appreciated by any member of their community, or they want to put up a Pride display, that shouldn’t be a source of fear or incrimination.” 

Lamdan says there’s a difference between being a library that doesn’t do displays of any kind, and libraries that have done displays in the past who choose not to do them due to external pressure. 

One underexplored throughline here involves religious influence in local politics. CatholicVote, a political action committee that coordinates “Hide the Pride” campaigns since 2022, has donated to library defunding campaigns. Over the years, there have been a number of pastors challenging LGBTQ+ collections and displays. Take for instance, an incident that happened in June 2024 in which a local pastor checked out dozens of books from those collections and posted on social media for his congregants to do the same.  

Emails obtained by 404 Media from the time of the incident show library workers from neighboring systems who had LGBTQ+ titles wrapped up in the “Hide the Pride”-style incident wishing the library hadn’t drawn further attention to the issue through its Facebook channel

“Personally, I think Wichita’s decision to call attention to this on Facebook was a bad idea,” Tom Taylor, director of the Andover Public Library, said in one email to other cc’d library workers. “It just gives more people the idea.” 

When asked for clarification as to what he meant by “bad idea,” Taylor told 404 Media that states like Kansas have patron privacy laws that protect everyone—including religious leaders—from public borrowing disclosure. He also said that the Andover Public Library doesn’t have any Pride-specific events planned this year, but the library has signs that help users locate frequently challenged books. 

Taylor said that he believes challenged books should still be available to check out, even if they aren’t promoted within the library.

“If you don’t order [the book] because you don’t want to have a controversy, that’s what we call censorship by omission,” he added. “To avoid buying them because you’re afraid there might be a controversy, that’s not how professional libraries work, in my opinion.” 

Ashley Stewart, a campaign strategist with EveryLibrary Institute, says she can relate to some of the pressure from religious leaders that administrators may be going through. As a former library director for a system in southwestern Illinois, she was on the receiving end of death threats from local ministerial alliances because the library hosted a Drag Queen Story Hour event in 2022 for Pride month.

“No matter where you go in the community, you’re getting—I don’t know if it’s harassment—but people are absolutely letting their feelings be heard that they think that you should not be doing a certain program or not having a certain display,” Stewart told 404 Media.

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Pluralistic: How the Epstein Class recruits (20 Jun 2026)

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Today's links



An outlandlishly attired, spear-clutching secret society, ca. 1900. Their faces have all been replaced with the face of Peter Thiel, except for the middle one, who has Jeffrey Epstein's face.

How the Epstein Class recruits (permalink)

Perhaps you've encountered the stories about Dialog, an extremely weird secret society associated with Peter "Antichrist" Thiel, whose membership data and details have leaked this week:

https://www.wired.com/story/how-peter-thiels-private-dialog-club-secretly-ranks-its-members/

By all appearances, this is a comically creepy, awful talking-shop for the Epstein Class. It's not all that surprising, in retrospect, to learn that all these terrible people were in a group chat, secretly assigning ratings to one another, and periodically gathering to have tedious panels about, I dunno, "race science" or whatever.

I'm on the oligarchy beat, so stories about Dialog have been popping up in my RSS feed for the past week or so, but it wasn't until last night that I made a connection.

A year or two ago, I got an invite to speak at an event. This is normal, I get a lot of these and I do a lot of public speaking. I'm good at it, and it's a good way for me to reach people and get them energized about the issues I care about. Sometimes, I do these talks for free. Sometimes I get paid.

When I first glanced at this speaking offer, I thought, "Huh, I guess this is one to send on to my speaking agent," because the names the offer dropped were a bunch of rich people, and so I assumed that they were having some kind of summit and looking for a keynoter. Then I read a little more carefully and realized they – these billionaires and their lickspittles! – wanted me to pay them, thousands of dollars, so that I could shlep my ass to some luxury resort in order to have the privilege of speaking to them.

I came up as a science fiction writer, and at some point, every sf writer learns "Yog's Law," coined by James D Macdonald when he was running the science fiction forum on GEnie, under the screen name "Yog Sysop":

money flows toward the writer

https://en.wikipedia.org/wiki/James_D._Macdonald#Educational_work

In other words, whenever you, as a creative worker, are approached by someone who wants to "help" you with your work, and they want you to pay them, they are a scammer, preying upon your essential human need to communicate with others. Run away.

Which is what I did. I deleted the email.

Then, I got another one a couple months later. Ugh. I wrote a mail rule that auto-deleted anything from that sender and promptly forgot about the matter. Until last night.

I just had a look at my Trash folder and yup, these people are still emailing me in hopes that I will give them thousands of dollars to join their weird secret society.

I don't know if everyone who joined Dialog got an email like the one I was sent, but if you want to understand how at least some of those people ended up on those membership rolls, well, now you know: they were schmucks who'd never learned Yog's Law.

(Image: Gage Skidmore 1, 2, 3, 4, 5, 6, CC BY-SA 2.0; TechCrunch50-2008, Dan Taylor 1, 2, CC BY 2.0; modified)


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#20yrsago Wendy Seltzer smokes the MPAA in the Wall St Journal https://web.archive.org/web/20061016014904/http://online.wsj.com/public/article/SB115047057428882434-1V_FEK_CJelMfytdST8APRW7cZw_20060720.html

#20yrsago HOWTO build an RFID skimmer https://web.archive.org/web/20060703081753/http://www.eng.tau.ac.il/~yash/kw-usenix06/index.html

#20yrsago Desperate inventions of post-Soviet Russia https://memex.craphound.com/2006/06/20/desperate-inventions-of-post-soviet-russia/

#20yrsago NYT falsely reports that Wikipedia has added restrictions https://jimmywales.com/2006/06/17/the-new-york-times-gets-it-exactly-backwards/

#20yrsago Farthing: Heart-rending alternate history about British-Reich peace https://memex.craphound.com/2006/06/20/farthing-heart-rending-alternate-history-about-british-reich-peace/

#15yrsago Dirty, Drunk and Punk: the untold history of Toronto’s BUNCHOFFUCKINGGOOFS https://memex.craphound.com/2011/06/20/dirty-drunk-and-punk-the-untold-history-of-torontos-bunchoffuckinggoofs/

#10yrsago Video: Guarding the Decentralized Web from its founders’ human frailty https://www.youtube.com/watch?v=zlN6wjeCJYk

#10yrsago Unnamed Canadian telco sabotages’ library’s low-income internet service https://web.archive.org/web/20160618143132/https://motherboard.vice.com/read/canadian-telecoms-limiting-wifi-low-income-families-toronto-public-libraries-digital-divide

#10yrsago Clarence Thomas rumored to be considering retirement https://web.archive.org/web/20160622135444/http://www.washingtonexaminer.com/end-of-conservative-supreme-court-clarence-thomas-may-be-next-to-leave/article/2594317

#10yrsago Tolkien elf or prescription drug name? https://web.archive.org/web/20160609021515/https://entertainment.howstuffworks.com/arts/literature/drug-or-tolkien-elf-quiz.htm

#5yrsago The EU, Tech Trustbusting, and Trade Wars https://pluralistic.net/2021/06/20/the-eu-tech-trustbusting-and-trade-wars/

#5yrsago How to cheat on your taxes https://pluralistic.net/2021/06/20/la-hougue/#complexity

#1yrago Oregon bans the corporate practice of medicine https://pluralistic.net/2025/06/20/the-doctor-will-gouge-you-now/#states-rights

==


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.


How to get Pluralistic:

Blog (no ads, tracking, or data-collection):

Pluralistic.net

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https://pluralistic.net/plura-list

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https://bsky.app/profile/doctorow.pluralistic.net

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https://doctorow.medium.com/

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https://mostlysignssomeportents.tumblr.com/tagged/pluralistic

"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

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'We Will Fight to Our Very Last Breath:' Township Leaders Vow to Fight Nuclear AI Data Center

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'We Will Fight to Our Very Last Breath:' Township Leaders Vow to Fight Nuclear AI Data Center

Board members of a small township in Michigan agreed to “fight to our very last breath” against an AI data center planned in their community. America’s nuclear scientists and the University of Michigan want to build a massive data center in Ypsilanti Township, Michigan. If built, the data center will, among other things, run simulations to help America build nuclear weapons.

The residents of Ypsilanti Township overwhelmingly oppose the construction of the data center and voiced their opposition to the computer warehouse during a public board meeting on June 16. In a show of support that’s often rare from local leaders in communities with data centers, Ypsilanti Township’s board vowed to fight UofM and Los Alamos National Laboratory, which is partnering with the university, with everything they had.

Throughout most of the three hour board meeting, a photograph from a data center groundbreaking in nearby Saline Township was projected onto a wall behind the board. The photo showed a grinning Michigan Governor Gretchen Whitmer standing in line with Oracle CEO Clay Magouyrk. It was taken at the June 1 groundbreaking of an Oracle and OpenAI data center in nearby Saline Township, one of several Stargate projects. Saline Township is a community of only 2,300 people and the fight against the data center was so contentious that the Township treasurer resigned in tears during a public meeting in May.

During the groundbreaking, a videographer caught Whitmer talking with Magouyrk. In the video Whitmer appeared to tell the billionaire, “We’re used to people saying no, and doing it anyway.” Whitmer’s office has officially denied she said that, but many of the residents of Michigan—including the people of Ypsilanti Township—believe she did.

Cilla Cresswell shot the video of Whitmer and was present at the Ypsilanti Township board meeting on Tuesday. “On June 1 I was standing just to the left, right there,” Creswell said, referring to the photo that loomed behind the board during the meeting. “I was there. I recorded that clip [… ] I was right there. And they want to say it’s fake, but I just want to let you guys know it’s real. You can play it on my camera.”

Members of the board and the community referenced the photograph often during the meeting. “You have people in that photograph worth billions of dollars. Not just millions, we’re talking trillions. Soon to be trillionaires. Yet this state, in its zeal to become the data capital of the country, has extended unprecedented tax credits to the richest corporations in the world,” Douglas Winters, a lawyer representing Ypsilanti Township, said in the meeting.

“Having to stare at this picture during this meeting has my blood boiling,” said Ypsi resident Laura Witowski. “I did not realize how emotional I would be. The waste of space. The complete lack of regard for humans and animals and for what?”

During the hours of community comments, residents stepped forward to voice complaints that have now become common about data centers in America. The people of Ypsilanti Township worried about the rising cost of electricity, how much water the building will use, and how noisy the data center would be once finished.

They also called on the Township board to do everything in their power to stop it from even being built. “Put yourselves on the line. Those people will listen to you better than they will listen to us. Please put yourselves, your jobs, and your comfort on the line to stop this for us,” Ypsi resident Jane Wolf said. “Get creative. Tear up the road. Block the road. Break the law. Do whatever you need to do for us. You will be remembered better in history for the job that you did if you can get creative and really put yourselves out there.”

Jill Warren, the wife of a Methodist pastor, suggested residents brush up on the OSS’ Simple Sabotage Field Manual. “Simply slow things down bureaucratically," she said. “Make sure we block where we can. Use very slow agendas and response times and do, within your power, the work that you are entitled to do. For those who aren’t familiar with it, please look up the Simple Sabotage Field Manual and use it in your own lives of action as well [...] they may not care about us, but we care about us and we’re here and we’ll continue to be here and support the work that you’re doing on our behalf.”

Alyssa, an Ypsilanti resident, cited long passages from John Hershey’s Hiroshima—a 1946 book that focused on the victims of the first atomic bombing. “We don’t need simulations to know what a nuclear strike looks like,” she said. “We have pictures, videos, and audio of what happens. We know what it does to bodies. We know what it does to children and what it does to life.”

Board supervisor Brend Stumbo vowed to fight. “This is going to harm our community in our future. We will fight to our very last breath, but we need help. And we need it from the people who have the power to stop things,” she said.

Stumbo explained that, early on, she and other members of the board were ignorant about data centers and that she was grateful to the Township’s residents for informing her. “Now we know and we’re thankful for the residents and non-residents that came to our meetings early and told us, ‘don’t trust UofM,’” she said. “We do not love nor do we appreciate what the board or regents is doing to our community. It needs to stop. And everyone that showed up here today, we greatly appreciate it and we will keep going, like everyone has said, by doing it together […] I will stand with you. I will fight with you. And I know this entire board and our Township attorney will as well. So let’s keep doing it together.”

The Township has, so far, made good on its word and it’s been creative in its opposition. In April, the board voted to institute a 365 day moratorium on supplying water to data centers so it could conduct a scientific study into how hyper scale data centers might affect the community water supply. In response, UofM threatened to sue and claimed that withholding water from an AI data center meant to power nuclear weapons research was unlawful discrimination.

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Are Public Libraries Becoming Children’s Libraries?

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Are Public Libraries Becoming Children’s Libraries?

This story was reported with support from the MuckRock foundation. 

Earlier this year, an Alaskan assembly member found himself in hot water for introducing a resolution that would have prohibited the Matanuska-Susitna Borough Public Library System from making books and other media available to anyone if deemed “harmful to minors” by the borough manager. 

The proposal wasn’t well received. Public records obtained from the Borough Clerk’s Office and shared with 404 Media show that the proposal was wildly unpopular. In emails to assembly members, constituents implored the resolution's sponsor Michael Bowles to withdraw it, calling it an “audacious and idiotic” attempt at destruction by way of “bureaucratic nightmare.” One constituent likened it to a proposal to “make all libraries children's libraries.” Another said its adoption could result in countless other books being removed that “are not sexual in nature” but which may contain “passing references to sex or adult themes.” 

A week went by before Bowles withdrew the request, seemingly to recalibrate. The Mat-Su Sentinel reported in May that the assembly member introduced and again withdrew a resolution that would have forced the system to pull the book Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and Being a Human from shelves. This teen book has been in the adult section of Mat-Su’s borough-run libraries since 2023 when it was relocated from the teen section following a challenge. 

404 Media has obtained records from dozens of public libraries, which include Requests for Reconsideration of Materials forms (RFRs) and official decision letters to challengers, along with draft versions of updated collection development policies. Much has been written in the last five years about the blatant efforts to suppress access to books that could contain any remotely challenging ideas or that deviate even slightly from cis white heterodoxy, but there’s been little talk about what that means from the rest of us. What my reporting confirms is that there are more books intended for children and young adults in adult sections because challengers didn’t believe it was appropriate for children and young adults to read about people of color and/or people who are queer, trans, or both, while also showing that a large-scale reorganization of public library collections is currently underway, that its application varies by state and locality, and that it’s been very hard to measure because it’s totally chaotic. 

Records obtained from one South Carolina public library system show that between June 2024 and August 2025, more than two dozen young adult books were relocated to the library’s adult section. Before that, the system had already resectioned more than two dozen other YA titles. The ACLU sued Greenville County Public Library System in 2025 for its board-adopted policies from 2024.

Are Public Libraries Becoming Children’s Libraries?

Most letters from the library’s executive director didn’t include any reason for the relocation. However, more recent letters reference the library’s updated collection development policy. 

Are Public Libraries Becoming Children’s Libraries?
Are Public Libraries Becoming Children’s Libraries?

One frequently challenged title caught up in the mix at this library was The Hate U Give a YA book published in 2017 about a teenager who has to witness her friend—an unarmed Black man—be murdered by a police officer during a traffic stop. In 2024 at the Greenville County Public Library System, the book was challenged and retained before, in 2025, the book was again challenged and relocated to the library’s adult section. What happened in between these two events, the library’s board adopted policies making this and other books easier to remove.

The majority of U.S. anti-library laws introduced from 2022 to now have largely focused on school libraries. Only a few states have laws that affect municipal and county public libraries, and so far, most of these efforts have either failed to pass or were struck down by governors. That’s not to say state governments haven’t found other ways to do censorship. As of now, at least two states have mechanisms tying public library funding to content restrictions. One of them happens to be South Carolina, which has a legislative requirement that threatens to strike the system from its budget unless the system certifies with the State Librarian that they don’t keep books in the children, youth or teen sections that could be of "prurient interest” to a 17 year old. A more aggressive version of state library-agency rulemaking comes from Alabama.

In 2024, the Alabama Public Library Service (APLS) amended its administrative code to withhold funding to public libraries that don’t do enough to restrict minors’ access to “sexually explicit” or otherwise “inappropriate” material, and has only continued to broaden its scope since. APLS has since gone on to broaden the criteria for what is “sexually explicit” before adding a provision to treat content dealing with the “concept of more than two biological genders” as inappropriate for youth sections.  

Tuscaloosa Public Library released records to 404 Media in response to a public records request that included tracked edits to the library’s 2025 collection development policy—initially based on a  2022 version—to meet APLS funding requirements. These changes appear to have been accepted. A line about the library welcoming community feedback on collection development, which an editor appeared to question, was also retained.

Are Public Libraries Becoming Children’s Libraries?

The motives behind these changes to collection policies and funding incentives raise serious questions about who public libraries are for in America. William Rodick, who researches representation and culturally responsive teaching in Pre-K and primary education for the nonprofit EdTrust, says the mass relocation of diverse books from developmentally appropriate sections of public libraries into adult sections is a form of “intellectual condescension,” or the idea that young people aren’t capable of dealing with hard topics through literature.

“That becomes manifest by removing opportunities for demonstrating honesty for students,” Rodick told 404 Media.

Rodick says that students already have disproportionate access to spaces outside of classrooms where students can access reading materials. Regardless of where they’re getting their books, students of color and students who are LGBTQ+ aren’t presented in the majority of the books they do have access to—much less so now than just a few years ago. 

“And when they are presented, quite often those representations are stereotypes through really negative portrayals that are certainly not going to use the kind of motivation students need to engage with reading,” Rodick said. “The fear that I have is that at some point, we are going to see even greater disparity in outcomes than we already do for literary rates because of perpetual inaccess to quality materials.”

Literacy rates have been trending downward for young people for a while. When the National Center for Education Statistics (NCES) released its Nation’s Report Card assessment in early 2025, it caused a stir, because one of the major takeaways was that more than 60 percent of fourth graders don’t read proficiently. Another was that the gap between the country’s strongest and weakest readers is widening because the lows are getting lower. Meanwhile, in 2020, about half of Americans between the ages of 16 and 74 were found to have low literacy skills

Nadja Young is chief brand officer with MetaMetrics, the company that developed the widely-adopted Lexile Reading Framework because it measures both reader ability and text complexity to match readers with books that are appropriately challenging. She says the focus for upper grades in high school is really about vocabulary in contexts that are authentic.

"Reading whole books absolutely helps to build that stamina," Young told 404 Media. 

Yet shrinking attention spans and fast-moving curricula are pushing schools toward teaching excerpts over whole books, to the point that college instructors observe that students are finding an expectation to finish a whole book for a college course novel. For The New Yorker this month, Becca Rothfeld literally wrote an essay about the immaturity of modern American books, likening them to “the literary equivalents of the social-media profiles that teen-agers (and adults who have never quite outgrown teen-age tics) compulsively check and update.” 

There are, of course, other factors to weigh when making widesweeping generalizations about literacy rates in adults. Young notes that adults with dyslexia, neurodivergence, and English language learners have historically and continue to have difficulty finding books they can parse that also honor their maturity and intellect. Lexile only measures a text’s complexity, not the content or themes a book contains. And yet, books are being relocated based on content or theme. Whether text complexity is an afterthought or conflated with content or theme is only something the most prolific censors can know.

"I don't think we could take the stance that it's going to bring the population up or down because as long as these books are still in the library somewhere, people can find them and the librarians can help direct them," Young added.

Tasslyn Magnusson, an independent researcher and consultant with organizations like PEN America and EveryLibrary was an early chronicler of the current rise of modern-day book banning.  She says book relocation in public libraries is really just a roundabout way of eliminating diverse representation from children’s literature entirely. 

“We may end up with collections that have weird pockets of literature in them, but I think the more likely scenario is the books won’t circulate,” Magnusson told 404 Media. 

When library books don’t circulate, they’re more likely to get weeded so the library can circulate new titles based on their collection policies. Collection policies, however, are being rewritten across the country to eliminate intellectual freedom and privacy for minors by targeting titles that can fit into a broad category called “sexually explicit,” which is synonymous with “harmful to minors.” This, Magnusson says, prompts publishers to argue that books with same-sex couples, transgender protagonists and people of color encountering racism, brutality—even genocide—don’t sell, because libraries are getting rid of them. 

Where the hypothesis holds up, Magnusson said, is that a young person’s constitutional right to access information is dependent on where they live and whether the adults in their lives recognize them as having free will or not. For adult sections of libraries, a disproportionate number of young adults will need some form of parental permission to check out books that deal with sensitive subjects that, like it or not, teens deal with. 

Unfortunately, the modern-day parental rights movement is predicated on a belief that children are the property of their parents, and therefore parents, “should be able to do anything they want to them,” including restricting their right to read and explore their interests to their fullest potential. Instead, Magnusson says, adults are blocking children from accessing developmentally appropriate material in instances that deal with sensitive subject matter. She takes YA books that grapple with hard topics, like suicide and child sexual abuse as examples, as these are issues censors frequently cite in RFRs for why a book should be relocated. 

The illusion of control is obviously not working and will have devastating consequences for the rest of us, which people do not want and vehemently reject. This means the answer likely lies somewhere between meeting your kids where they’re at, even when where they’re at bears no resemblance to the Devil You Know. Which is scary and sucks, but that’s also what parenting is, and which a lot of parents don’t seem to get.

“We talk about parents’ rights, but what we really need is parent remedial education,” Magnusson added.

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Noodle Therapy / Field Notes

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Noodle Therapy is the ambient-focused alias of Brighton-based producer Dan Porter, a musician active since the late 1990s whose previous work has appeared on labels including 4bit and Thirteen[rec]. While his history and aliases (Gods of Ruin, Cosmic Acid) span a variety of electronic styles, Field Notes marks a deliberate shift toward slower, more reflective forms, drawing inspiration from the coastal, rural, and woodland environments surrounding England's south coast.

Built from a combination of field recordings, modular synthesis, and hardware-based experimentation, Field Notes explores the relationship between memory and place. Fragments of found sound drift through evolving compositions, where analog circuitry, digital instruments, and Eurorack systems are used less as tools of precision and more as instruments of discovery. 

The album was mixed collaboratively by Dan and Dennis White (Thermal Audio) during the depths of winter, with Dennis adding a subtle layer of additional production throughout and co-writing The Dip. For listeners familiar with Quiet Places on ASIP, Dennis's presence will already be well known; his touch here provides another thread connecting Field Notes to the wider ASIP family.

Voices appear briefly and disappear again, landscapes emerge from abstraction, and melodies surface just long enough to leave an impression before dissolving back into texture. Particular thanks go to poet Grayson Wayne, whose words feature within Sea Glass.

Perhaps what makes Field Notes feel especially meaningful is the path it took to arrive here. For a brief period, Dan lived directly beneath label founder Ryan (ASIP) back in England, and while neither could have known where their respective musical journeys would lead, it's hard not to appreciate the small chain of coincidences that eventually brought this release into the world.

Buy on Bandcamp (Limited time Name Your Price until June 26th)

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At 3daysofdesign, Aesop Tests Out a Bioplastic Window Decal Alternative

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At 3daysofdesign, Aesop Tests Out a Bioplastic Window Decal Alternative

Globally recognized skincare and fragrance brand Aesop is no stranger to audacious design innovation, often taking bold leaps into uncharted territory. This April, the Australian company launched Aposē, its first foray into furniture product development. The limited-edition lighting series was inspired by the formal vocabulary of the aluminum tubes used to develop new scent and cream concoctions. This unexpected yet deftly realized deviation was presented in an immersive Milan Design Week display: a sloped field of upcycled 50ml fragrance vials.

Aesop’s beige storefront features three large arched windows and a door, with neatly displayed shelves of products inside and a wooden bench invitingly set outside.

Aesop carried that dynamic spirit of sustainability to this month’s 3daysofdesign Copenhagen. Rather than mount an ambiguous activation simply for the purpose of being present at the increasingly influential event, the brand used the occasion to unveil the latest iteration of its Enduring Forms initiative. Whereas the former project centered on reuse, the latter demonstrates the potential of bio-based material alternatives. Together, these strategies represent two important sides of sustainability today: circularity and biodegradability.

A person with blonde hair stands by a cart with large metal pots in an industrial-style kitchen, evoking the understated elegance of Aesop’s minimalist design.

A person, like an Aesop storyteller, stirs a pot of boiling water with a white spatula.

Developed by Jessie French—founder of Melbourne-based research practice Other Matter—the latter is a leather-like bioplastic alternative to conventional signage and window decals. Perfectly suited to help launch the new Parsley Seed Skin Care range, a collection of formulations tailored to city skin, the flexible sheet material is made using algae and takes on a green ombré tone.

A close-up of a transparent glass with a blue-green liquid inside, featuring a straw and an out-of-focus background, evokes the clean, minimalist aesthetic often seen in Aesop campaigns.

A person with light hair wearing an apron stands at a counter, holding a mug, in a room with wooden paneling, an Aesop product on the shelf, and a large blue-green painting on the wall.

Within Aesop’s Nyhavn, Copenhagen storefront, the material appeared as oversized product silhouettes. At its Kronprinsensgade shop across town, it became a window layer with peel-off cutout profiles of the product packaging. Visitors could pull one away and take it home, demonstrating the new bioplastic’s durability and versatility.

A hand uses a pipette to add liquid into a glass container on an electronic scale, displaying a measurement—a scene reminiscent of Aesop’s meticulous approach to crafting quality.

A person with short light hair stands inside a room labeled "WORK ROOM," holding up a large sheet of semi-transparent material over a table, creating an atmosphere reminiscent of an Aesop workshop.

French focuses much of her practice on engineering renewable, non-petrochemical polymers. In this case, the new material aligns with both ideas of sustainability: circularity and biodegradability. Whereas the former methodology tends to focus on finding ways to repurpose materials that may not have been responsibly produced from the outset, the latter begins with a more considered material base. This naturally formulated and hardened substance can, in fact, be reused time and again, but can also be left to biodegrade when appropriate.

A person holds up a large sheet of translucent green material near a window, where sewing spools and an Aesop bottle sit on the windowsill.

A person in an apron places a bundle of colorful materials into a metal pot on a counter, creating an Aesop-inspired scene in a workshop or studio setting.

It is a potential game changer when considering the incredible amount of waste conventional — and especially temporary — street and retail-window signage can create. The persistent critique of newer, greener solutions is that they are cost-prohibitive. Given this alternative’s dual capability, that now-clichéd argument begins to lose some of its merit. It also opens the door to entirely new possibilities, moving beyond small letter-pressed elements and icons. Retailers could experiment with different scales of visual application and even explore the potential of temperature-absorbing window fritting — another sustainable, energy-efficient benefit.

A glass panel with a repeated pattern of outlined trapezoidal shapes, slightly fogged with water droplets visible on the surface, evokes the refined simplicity seen in Aesop’s minimalist design aesthetic.

A person holds a transparent sheet in front of a blue wall patterned with white outlines of cup shapes, reminiscent of minimalist Aesop designs.

A hand peels a green rectangular sticker from an Aesop stencil sheet with repeated exclamation mark cutouts.

A person holds a metal tray with six variously sized containers, including Aesop jars and bottles, viewed from above in dim lighting.

A person adjusts a green marbled curtain hanging in front of a window, with Aesop bottles and tubes placed neatly on the windowsill.

To discover the brand’s skin care innovations, visit aesop.com.

Photography by Armin Tehrani.

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