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Baker Bleu: Where Breaking Bread is a Space-Making Ritual

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Baker Bleu: Where Breaking Bread is a Space-Making Ritual

Bread crackling, trays clanking, and cutlery clinking as pieces of stainless steel silverware meet their ceramic counterparts. These are some of the sounds emanating from Baker Bleu, Cremorne. Designed by IF Architecture for Melbourne’s cult-favorite bakery, the flagship café transforms the daily ritual of buying a loaf into a spatial narrative about craft, process, and continual refinement. Here, dark-crusted sourdough and still-warm bagels are displayed like sculptural objects, set against an interior that is at once industrial and intimate—precise in its execution, deeply human in sensory experience.

Modern bakery interior with metal shelves, a wooden display table with packaged goods, a refrigerated section, and digital menu boards above a granite counter.

A display counter with metal trays holding assorted pastries and cakes, each labeled with blue cards, set on a terrazzo surface.

The project marks an evolution for the Baker Bleu brand, shaped through an ongoing collaboration between architect and baker. That dialogue most directly influenced the spatial choreography. Bread moves from oven to trolley to customer with minimal interruption. If you arrive at the right moment, your loaf is handed over warm. Immediacy is preserved not just as a culinary value, it is also baked into the design as an architectural principle. The proximity between back-of-house production and front-of-house display was carefully compressed, ensuring that operational efficiency and experiential authenticity work in tandem.

Minimalist shop interior with shelves of packaged foods, a refrigerated display stocked with drinks, and a wooden table displaying various products in the foreground.

Stacked white saucers and two white cups with saucers sit on a metallic countertop with a speckled textured front panel.

From the outset, the bakery was conceived as a stage for bread-making. The contrast is deliberate: raw, gnarly loaves set against a monolithic, reductionist backdrop. A textured aluminium point-of-sale rises to meet a polished stainless-steel counter, punctuated by baked goods meticulously arranged. Even angled shelving and peg displays reinforce the ritual of handling––each loaf lifted, turned, and passed across the counter with care.

Shelves display packaged bread products, jars of pickles, and other preserved foods in a modern, metallic retail setting.

Modern café interior with round wooden tables, cube stools, a curved metal bench, large windows, and refrigerated shelves stocked with products in the background.

At the heart of the material narrative is recycled aluminium panelling, its surface subtly referencing the alveoli, which are the airy cavities formed during sourdough’s three-day fermentation process. The metaphor is both poetic and pragmatic. Composed of recycled content, the panelling reinforces Baker Bleu’s broader commitment to sustainability while embedding meaning directly into the walls and ceiling. The material wraps upward, lining the ceiling plane and softening acoustics, while exposed services retain an industrial frankness. In this way, the architecture quietly tells the story of how bread is made through texture, repetition, and atmosphere.

A paper coffee cup and a pastry on a napkin sit on a small ledge of a curved metallic partition in a modern cafe interior.

Against the restrained material palette, the graphic identity—developed by Studio Round—emerges with clarity and precision. The neutrality of terrazzo, aluminium, and galvanised steel creates a backdrop where branding can breathe. An integrated digital menu board is framed within the L-shaped joinery wall with a placement that is both functional and compositional.

Minimalist cafe interior with round wooden tables, wooden stools, a cup of coffee, plate with pastry, glass of water, and a bottle, beside large windows showing parked cars outside.

Wayfinding is embedded rather than applied: a self-serve water station is highlighted by feature lighting and subtle graphic cues, reinforcing intuitive flow. The visual language feels neither ornamental nor overly branded. Instead, graphics operate as an extension of architecture—crisp, legible, and aligned with the bakery’s no-nonsense ethos.

Two metal benches with white seat cushions are positioned on a terrazzo floor.

The tenancy itself presented challenges due to an irregular footprint that required rationalisation. IF Architecture’s primary intervention, an L-shaped joinery wall, resolves the plan, clarifying circulation while preserving operational efficiency. Queues form naturally around a central American Oak display table, separating bread, coffee, and dine-in customers into subtly distinct paths. The result is circulation that feels intentional rather than transactional. Congestion is reduced and stress dissipates.

A metallic water station with a glass bottle and a faucet is set into a wall, next to a vertical, cylindrical light fixture. A sign labeled "Water" is visible above the station.

Where movement dominates the retail zone, stillness is carved into the seating alcove. Awning windows open onto the street activating the frontage and allowing the city to bleed into the café. Folded galvanised steel bench seating rests atop a structural I-beam base, while a curved banquette doubles as both espresso bar and café seating. Timber stools and American Oak tabletops soften the industrial palette at touch points to allow for warmth.

View through a large window shows shelves with glassware and water bottles; a person stands in the background, partially visible. Brick and metal window frame, greenery above.

Discerning guests may draw the elusive parallel between architecture and bread-making that is embedded in the project’s philosophy. Both rely on repetition, refinement, and time to perfect. Here––where space, graphic detail, and baking converge––artisinal bread is refining the bakery typology while acting as both product and final flourish. It’s something warm to be touched, a texture translated into the walls, and a ritual embedded in the very structure of the space itself.

Outdoor seating area with white tables and chairs in front of a brick cafe; large windows reveal the interior counter and menu. A tree and large red planter are also visible.

Curved white outdoor table with slot openings built around a tree on a cobblestone surface, accompanied by metal stools.

To learn more about all parties involved in the architecture and graphics, visit ifarchitecture.com.au and round.com.au, respectively.

Photography by Sharyn Cairns.

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Dot Objects Presents Thoughtful New Shelving Collection

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Dot Objects Presents Thoughtful New Shelving Collection

The grid: a never-ending expanse of geometric order and a concept our human brains love––born perhaps from a need to seek order, but we love a beautifully straight line. Dot Objects presents their newest shelving collection with evolution at its core, a clinical removal of all things unnecessary. With a focus on steel and wood, these materials can be appreciated even more through a purity of materiality and form finding harmony.

Helmed by designer Wiktoria Markiewicz, each piece of this collection is crafted with great care. Wooden elements are handmade in-house and steel components welded by skilled local craftsmen in Poland, keeping the production chain short, transparent, and as ethical as possible. The result is a collection that feels both personal and rigorous—industrial in clarity, intimate in execution––born from “a desire to create furniture that feels honest, minimal in form yet rich in material and detail.”

A minimalist metal bench with reflective surfaces is placed among tall grass and white wildflowers.

A modern, minimalist dark brown bookshelf with three horizontal shelves and vertical dividers, placed against a plain white background.

The Grid Shelving Unit anchors the steel series. Crafted from high-quality 2mm steel and available powder-coated in custom RAL colors—or in stainless steel—the piece is modest in size while maximizing useful surface area. Its rigid, minimal design is defined by clean lines and sharp angles, functioning simultaneously as storage and structure. Built to support up to nearly 200 pounds, it is as robust as it is restrained.

Throughout the day, its surface interacts subtly with light, shifting in tone and depth as shadows trace its planes. While the powder-coated finish offers durability and access to over 200 RAL colors, stainless steel variants introduce a more elemental expression—one that can quietly patinate over time, reinforcing the brand’s embrace of material honesty rather than resisting it.

A modern bathroom sink with a round white basin sits on a dark open shelf unit; a wall-mounted faucet and a metal cabinet are installed above.

Photo: Sanne Kaal

Two minimalist metallic shelves intersect at right angles, forming a simple geometric structure on a smooth, light-colored surface.

Rectangular metal shelf unit with a rusted, weathered finish, positioned on a concrete floor.

A minimalist red metal shelf with two horizontal surfaces and two vertical supports, set against a plain white background.

The Essential Wall Shelf continues this dialogue in a more vertical orientation, also crafted from 2mm steel and precision-cut for a clean, delicately proportioned, minimal profile. The two vertical elements conceal small i-hooks for hanging, and the horizontal ones are simply planes of metal, minimizing visual weight even while retaining its radiant hue.

Essentially, it is designed as a framework for personal belongings, shifting character depending on what it holds—mugs, books, small heirlooms—and allowing daily rituals to animate its structure. The shelf can be finished in any RAL tone, enabling it to either punctuate a wall as a bold accent or blend seamlessly into its surroundings. Its straightforward construction highlights the honesty of the material; nothing is ornamental, yet nothing feels lacking.

Two glossy red rectangular metal shelves intersect perpendicularly, forming a minimalist geometric structure against a plain white background.

Four colorful, modular wooden shelving units in yellow, blue, pink, and green are arranged on a plain white background.

While steel articulates the grid in crisp planes, the wooden series softens it with grain and warmth. The Pine Grid Shelf celebrates the unique vertices of solid pine, crafted entirely in the Netherlands from high-quality 18mm polish pine multiplex plates. Each piece undergoes a meticulous, week-long hand-oiling process using pigmented linseed oil from Linolie, allowing the wood’s natural patterns to emerge while enhancing durability. Each made to order, they are finally finished in a lakpolish coating, ensuring long-lasting durability and easy maintenance. What’s more, it can be customized in More than 60 Linolie.dk satin oil colors as well as an alternative Mini version offering a more compact footprint.

Three freestanding shelving units in blue, yellow, and green wood, each with intersecting vertical and horizontal panels, set against a plain white background.

A light wooden shelf unit with three levels and an open, intersecting panel design, standing on a plain white background.

A minimalist, modular blue wooden shelf with two horizontal and two vertical panels, forming four open compartments, set against a plain white background.

Five rectangular glass sheets with colored bases—white, brown, red, gray, and blue—arranged in a row on a plain light background.

The Mirror Shelf retains an ergonomic simplicity within relatively strict delineations of form while introducing reflection into the grid language. The compact composition comprises 2mm steel with glass for a subtle interplay of depth and light. Reflective surfaces catch and amplify their surroundings, quietly elevating whatever is placed upon them to turn keys, pens, and keepsakes into curated compositions. A solid palette of white, black, red, bare steel, and blue, does not detract from the form whatsoever. And a small lip at the front keeps things from falling off, creating an optical illusion in their stead.

A rectangular glass pane is vertically mounted on a flat, dark red rectangular base, set against a plain white background.

A metal L-shaped bracket with a small oval hole near the top, placed on a light, neutral surface.

A rectangular glass pane stands vertically on a flat white surface, casting a faint reflection and shadow.

A red L-shaped metal bracket with a small oval hole near one edge, placed on a plain white surface.

Across both steel and wood, the philosophy remains consistent: clarity of form, integrity of material, and production rooted in craft. As Markiewicz notes, “Dot Objects grew from a personal search for furniture that truly resonated with my aesthetics and values. I believe artisan-quality design should be both accessible and customizable.”

Born from father-daughter collaboration and sustained by local partnerships, each object carries that sense of shared authorship—quiet, considered, and built to last.

A rectangular wall-mounted mirror shelf reflects a red and white geometric-patterned wall in a corner of a modern room.

To learn more about the new shelving available from Dot Objects, visit dotobjects.store or follow along for more updates on Instagram.

Photography courtesy of Dot Objects.

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Akari Brings Authenticity to New York’s Washed Sauna Scene

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Akari Brings Authenticity to New York’s Washed Sauna Scene

There are strong links between Japan and the Nordic region (a grouping of countries that includes much more than just Scandinavia). That’s especially true when it comes to sauna culture. Though the word is Finnish, translating as bathouse, the concept of pumping steam through enclosures firmly roots in Neolithic Greenland and Newfoundland. It’s been an integral part of daily life across these, especially frigid, Northern reaches for eons.

Modern waiting area with wooden chairs, cushioned benches, a large abstract painting, and a glass garage-style door letting in natural light.

Akari Greenpoint

Minimalist lounge with wooden slat chairs, a long bench, stacked towels on shelves, large abstract wall art, and floor-to-ceiling windows showing a parked car outside.

Akari Greenpoint

In Japan, sentō and onsen facilities have been around since the 1200s. While the former is generally defined as a communal bathhouse, the latter is specified as geothermal hot springs that are encircled by traditional inns.

Two wooden slat chairs face a small hexagonal table with a cup on it, beneath a large green abstract painting in a minimalist room.

Akari Greenpoint

Gaining popularity as an alternative, far less harmful, type of third place, saunas and other types of bathhouses have cropped up across bustling metropolises like London and New York. While many tout unique amenities—some more gimmicky than others—few of these highly publicized venues hold true to the Japanese traditions mentioned before.

Three wooden lounge chairs are arranged near a glass block window and a potted plant in a sunlit corner with wooden panel walls.

Akari Greenpoint

Close-up of a wall made of clear, wavy glass blocks arranged in a grid pattern, distorting light and images behind them.

Akari Greenpoint

Cue Akari, two immersive saunas in Williamsburg and Greenpoint, Brooklyn that are as comprehensive as they are unassuming. There’s no need for flashy light shows or poolside DJ-sets at these quaint, smartly outfitted wellness spaces. Comprising dry saunas, cold plunges, and quiet relaxation areas, both membership—non reservation—based venues champion the idea that New Yorkers should slow down more often and go to the bathhouse in order to reset rather than party. While the entirely renovated Williamsburg location features an incredibly rare outdoor cold plunge pool, the Greenpoint one was imagined in partnership with celebrated thermal consultant Kiel Moe.

A modern wooden sauna room with tiered benches, a tiled floor, a heater in the corner, and a large skylight letting in natural light.

Akari Greenpoint

Empty wooden sauna interior with tiered bench seating and dark floor tiles, lit by natural light.

Akari Greenpoint

International architecture firm Stroop Design staged the latter with intentional detailing. The aim was not to overpower the restorative act of saunaing with bold finishes or sculptural elements but to succinctly facilitate the experience with a consistent design vocabulary. Many of these accents—2 by 2 inch light green tiles—harken back to traditional sentōs. Tabletops laminated in washi paper by master craftsperson Hanato Watar were repurposed as wall art throughout.

A modern wall sconce with four rectangular lights emits a warm glow against a dark wooden panel wall.

Akari Greenpoint

A small bonsai tree in a round black pot sits on a wooden surface against a wooden paneled background.

Akari Greenpoint

Sparingly placed furnishings and fixtures are modestly modern, solidly made but light, reflecting the brand’s name Akari, which translates as light in Japanese. The idea here is to make saunaing a daily ritual—one that has both physical and mental benefits—and remove any of the social expectation or architectural fanfare that might make it feel like a chore.

Street view of the Akari restaurant entrance with glass garage-style door, black planters with greenery, and an open side door at 149, on a city sidewalk.

Akari Greenpoint

A wooden kitchenette with a countertop, sink, electric kettle, cups, water dispenser, and a shelf holding mugs, glasses, bottles, and two black caps.

Akari Williamsburg

A row of wooden lockers with black locks is arranged against a wall in a well-lit interior space.

Akari Williamsburg

Wooden bench with a patterned cushion on top and four pairs of black slippers neatly arranged on a lower shelf, set on a stone tile floor.

Akari Williamsburg

A small outdoor patio with potted plants, a large tree, gravel ground, a lounge chair, and a pale curved wall in the background.

Akari Williamsburg

Outdoor spa area with a hot tub, gravel garden, potted plants, and a glass door leading to an indoor space. A tree and hanging branches are visible in the enclosed courtyard.

Akari Williamsburg

Two empty lounge chairs and stools sit beside a small pool with clear water, set against a white wall with sparse vines and some greenery.

Akari Williamsburg

Outdoor patio with two beige chairs, a small wooden stool, and a round paper lantern next to large glass doors revealing an indoor seating area with stools and warm lighting.

Akari Williamsburg

Three wicker lounge chairs with small wooden tables are arranged on a tiled patio, beside a large glass window and a glowing floor lamp.

Akari Williamsburg

A dimly lit interior space with a curved ceiling, metal sink, counter, and seating area, viewed through a glass door.

Akari Williamsburg

A dimly lit room with a wooden bench, round wooden stools, and a kitchenette with a sink and bottles on the counter.

Akari Williamsburg

Empty wooden sauna with built-in benches and sunlight casting shadows on the tiled floor and walls.

Akari Williamsburg

Yellow-tiled shower with a square ceiling-mounted showerhead, a round control knob on the right wall, and a speckled stone floor.

Akari Williamsburg

A round beige vase with yellow flowers sits on a small wooden stool in front of a mirrored blue-tiled wall.

Akari Williamsburg

To learn more about the creative synergy between Akari Sauna and Stroop Design, visit akarisauna.com and stroop.design.

Photography by Crooked Letter, Yannis Malevitis, Slope Agency, Shayna Olsan, Jess Tran.

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Using Candles To See Sound

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Tanzende Flämmchen, the symphony of physics.

What can soundwaves teach us about the universe? Join Helen Czerski as she sits down with an army of candles and a giant speaker to discover just how unique and intricate each sound we hear is.


(Direktlink)

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Saturday Morning Breakfast Cereal - Out

1 Comment and 2 Shares


Click here to go see the bonus panel!

Hovertext:
This is a top ten Calgacus joke.


Today's News:
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silberbaer
20 hours ago
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There are ten Calgacus jokes?
New Baltimore, MI

1962 National/Panasonic T-53 transistor radio found in a bag

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From: vwestlife
Duration: 7:57
Views: 50,460

A circa 1962 transistor radio found in a bag at the thrift store. After a quick fix to the earphone jack, it still works great, without needing to replace any capacitors or other electronic components. And yes, there are still plenty of AM radio stations on the air in North America.

Time flow:
0:00 Introduction & Overview
2:40 Testing & Repair
5:41 Reception
7:02 Conclusion

#retrotech #TransistorRadio #JDM

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