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Lawyer Caught Using AI While Explaining to Court Why He Used AI

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Lawyer Caught Using AI While Explaining to Court Why He Used AI

An attorney in a New York Supreme Court commercial case got caught using AI in his filings, and then got caught using AI again in the brief where he had to explain why he used AI, according to court documents filed earlier this month.

New York Supreme Court Judge Joel Cohen wrote in a decision granting the plaintiff’s attorneys’ request for sanctions that the defendant’s counsel, Michael Fourte’s law offices, not only submitted AI-hallucinated citations and quotations in the summary judgment brief that led to the filing of the plaintiff’s motion for sanctions, but also included “multiple new AI-hallucinated citations and quotations” in the process of opposing the motion. 

“In other words,” the judge wrote, “counsel relied upon unvetted AI — in his telling, via inadequately supervised colleagues — to defend his use of unvetted AI.”

The case itself centers on a dispute between family members and a defaulted loan. The details of the case involve a fairly run-of-the-mill domestic money beef, but Fourte’s office allegedly using AI that generated fake citations, and then inserting nonexistent citations into the opposition brief, has become the bigger story. 

The plaintiff and their lawyers discovered “inaccurate citations and quotations in Defendants’ opposition brief that appeared to be ‘hallucinated’ by an AI tool,” the judge wrote in his decision to sanction Fourte. After the plaintiffs brought this issue to the Court's attention, the judge wrote, Fourte submitted a response where the attorney “without admitting or denying the use of AI, ‘acknowledge[d] that several passages were inadvertently enclosed in quotation’ and ‘clarif[ied] that these passages were intended as paraphrases or summarized statements of the legal principles established in the cited authorities.’”

Judge Cohen’s order is scathing. Some of the fake quotations “happened to be arguably correct statements of law,” he wrote, but he notes that the fact that they tripped into being correct makes them no less frivolous. “Indeed, when a fake case is used to support an uncontroversial statement of law, opposing counsel and courts—which rely on the candor and veracity of counsel—in many instances would have no reason to doubt that the case exists,” he wrote. “The proliferation of unvetted AI use thus creates the risk that a fake citation may make its way into a judicial decision, forcing courts to expend their limited time and resources to avoid such a result.” In short: Don’t waste this court’s time.

In the last few years, AI-generated hallucinations and errors infiltrating the legal process has become a serious problem for the legal profession. Generally, judges do not take kindly to this waste of everyone’s time, in some cases sanctioning offending attorneys thousands of dollars for it. Lawyers who’ve been caught using AI in court filings have given infinite excuses for their sloppy work, including vertigo, head colds, and malware, and many have thrown their assistants under the bus when caught. In February, a law firm caught using AI and generating inaccurate citations called their errors a “cautionary tale” about using AI in law. “This matter comes with great embarrassment and has prompted discussion and action regarding the training, implementation, and future use of artificial intelligence within our firm,” they wrote.

Lawyers Caught Citing AI-Hallucinated Cases Call It a ‘Cautionary Tale’
The attorneys filed court documents referencing eight non-existent cases, then admitted it was a “hallucination” by an AI tool.
Lawyer Caught Using AI While Explaining to Court Why He Used AI

The judge included some of the excuses Fourte gave when he was caught, including that his staff didn’t follow instructions. He seemed less contrite. “Your Honor, I am extremely upset that this could even happen. I don't really have an excuse,” the decision says the lawyer told Cohen. “Here is what I could say. I literally checked to make sure all these cases existed. Then, you know, I brought in additional staff. And knowing it was for the sanctions, I said that this is the issue. We can't have this. Then they wrote the opposition with me. And like I said, I looked at the cases, looked at everything; so all the quotes as I'm looking at the brief — and I thought it was a well put together brief. So I looked at the quotes and was assured every single quote was in every single case, but I did not verify every single quote. When I looked at — when I went back and asked them, because I looked at their [reply brief] last week preparing for this for the first time, and I asked them what happened? How is this even possible because, you know, when you read the opposition, I mean, it's demoralizing. It doesn't even seem like, you know, this is humanly possible.” 

When the defendants’ lawyer attempted to oppose the sanctions proposed for including fake citations, he ended up submitting twice as many nonexistent or incorrect citations as before, including seven quotations that do not exist in the cited cases and three that didn’t support the propositions they were offered to, Cohen wrote. The judge said the plaintiffs found even more fake citations in the defendants’ opposition to their application seeking attorneys’ fees. 

The plaintiff asked that the defendant cover her attorney’s fees that came as a result of the delay caused by untangling the AI-generated citations, which the judge granted. He also ordered the plaintiff’s counsel to submit a copy of this decision and order to the New Jersey Office of Attorney Ethics. 

“When attorneys fail to check their work—whether AI-generated or not—they prejudice their clients and do a disservice to the Court and the profession,” Cohen wrote. “In sum, counsel’s duty of candor to the Court cannot be delegated to a software program.” 

Fourte declined to comment. “As this matter remains before the Court, and out of respect for the process and client confidentiality, we will not comment on case specifics,” he told 404 Media. “We have addressed the issue directly with the Court and implemented enhanced verification and supervision protocols. We have no further comment at this time.” 

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La Cadrée Perchée Is a Mountain Retreat That Interacts With Nature

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La Cadrée Perchée Is a Mountain Retreat That Interacts With Nature

In the Laurentians of Quebec, where maple groves cascade down the slopes toward Lac Franc (Franc lake), a residence appears less like a built object and more like a natural extension of the land itself. La Cadrée Perchée, designed by L’Empreinte Design Architecture for its founder, Pier-Olivier Lepage, is a home where everyday living and the surrounding environment work peacefully together.

A wooden deck with a lounge chair, sheepskin throw, round ottoman, and side table overlooks a lush, green forest.

Perched among the treetops in Morin-Heights, the 2,100-square-foot home was conceived as both a workplace and a retreat. For Lepage, who spends long stretches working from home, the aim was to dissolve the usual distinction between interior and the natural world outside. Every space within the house is designed to direct attention outward: floor-to-ceiling walls of glass frame views of the outdoors as light, the sky, and landscaping evolve over time. “I spend a lot of time working from home,” says Lepage. “However, I concentrate better when I feel connected to the outdoors. Otherwise, I am distracted by thoughts of going out to enjoy the outdoors.”

A modern home with a wooden deck and lounge chairs overlooking trees on the left, and a minimalist living room with a fireplace and brown seating on the right.

The building’s orientation faces east and west allowing Lepage to enjoy the sunrise and sunset, with the interior layout carefully considered as not to obstruct the views. At certain times, one can feel suspended above the cascading treetops, while at others, protected by the shade they provide.

Modern living and dining area with large brown sectional sofa, wooden table, and minimalist decor, featuring floor-to-ceiling windows and wood-paneled ceiling and walls.

Inspired by the principles of a radiator, the home’s form amplifies the sun’s presence without overwhelming its occupants. Wooden frames and its exterior walls increase the diffusion surface allowing for a balance of heat absorption and light reflection, while giving the illusion of a home filled with sunlight. This careful consideration responds not only to environmental conditions but also to the psychological benefits of light – supporting focus, calm, and seasonal well-being.

A modern living room with wooden ceiling and walls, large brown cushioned chairs, pendant lights, and a dining area in the background with ample natural light.

Even in summer, the home finds balance. Solar control strategies, paired with natural ventilation, maintain the interior climate, allowing the home to remain comfortable without concealing the nearby landscape that surrounds it.

A modern black fireplace with a burning fire stands before large glass windows overlooking a deck with lounge chairs and trees outside. A wood coffee table is in the foreground.

A modern dining room with a large wooden table, minimalist decor, pendant lights, and floor-to-ceiling windows; chairs have white fur throws draped over them.

Inside and out, wood is the key material used. Its raw, textured surfaces mimic the bark of surrounding maples, while its warm tones give nod to the leaves. Even the ceiling, composed of simple furring strips, results in an economical yet bespoke solution. Minimalist interventions – like recessed furniture, a low-profile kitchen, and storage consolidated into central volumes – let the residence breathe and leave the forest as the home’s true ornamentation.

Modern kitchen with wooden countertops, built-in stovetop, glass jars with dry goods, and large windows overlooking a forested area.

A green glass bottle on a wooden cutting board sits on a counter in front of large floor-to-ceiling windows overlooking leafy trees.

Modern minimalist bathroom with white cabinets, a round wall-mounted sink, an oval toilet, wooden accents, and a hammock chair partially visible on the right.

Modern interior hallway with white walls, wooden ceiling, built-in cabinets, and large floor-to-ceiling windows overlooking trees; two brown poufs sit at the end of the hall.

The palette is kept deliberately muted. Bleached concrete floors add brightness and continuity throughout, white surfaces mirror the snowy landscape in winter, and mullion-free glass opens wide, leaving nothing to distract from the views.

Minimalist bedroom with white walls, built-in closets, a wooden bed platform, a wooden chair, and sunlight streaming through large windows.

A modern bathroom with large windows overlooking a forest, featuring a wooden platform, black chair with fur throw, white bathtub, and candles.

Though compact in footprint, the residence offers spaces tailored to both solitude and gathering. A sunken living room, inspired by Japanese kotatsu, encourages maximum enjoyment for get togethers around the fire. The bedroom – equipped with a desk, soaking tub, and expansive window wall – becomes a multifunctional retreat designed for productivity, rest, or relaxation.

Modern bathroom with a freestanding tub, wooden stool, black chair, and floor-to-ceiling window overlooking trees; minimalist decor with white walls and ceiling.

Two tree trunks stand in front of a modern building with a wood-paneled ceiling, balcony, and spotlights, with white chairs visible on the balcony.

Two outdoor terraces carved into the facade provide protected spaces to step outside year-round. In warmer months, they act as shaded spots for reading or dining, while in winter, the continuity of wooden ceilings and walls blurs the line between indoors and outdoors, inviting residents to inhabit the crisp air without leaving the warmth of home.

A modern building with vertical wooden siding and a covered porch, featuring a single chair and large stones beside the wooden deck.

A modern, rectangular wooden house with large windows sits elevated on a concrete base, surrounded by trees and dense green foliage.

For more information about La Cadrée Perchée by L’Empreinte Design Architecture, visit lempreinte.ca.

Photography by Pier-Olivier Lepage, courtesy of v2com.

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Coding Trance Music

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Jetzt ganz sicher nicht die gewöhnlichste Art elektronische Musik zu produzieren, aber eben möglich, wie Switch Angel hier beweist.


(Direktlink)

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Kaputte Steine mit Spielzeug füllen

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Aboringday ist nicht der Erste, der kaputten Beton mit 3D-Druck repariert, aber vielleicht der Erste, der ihn so interaktiv gestaltet. So verbaut er benutzbares Spielzeug in die Lücken. Haben alle was von.


(Direktlink, via The Awesomer)

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Love Parade 1995 in Berlin | Moderiert von Anne Will

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Kurze Zeitreise in den Sommer 1995, in dem die Loveparade noch auf dem Kudamm stattfand. Ich konnte das damals nicht sehen, weil ich selber mitten in dem Getümmel steckte und danach auf einem Rave in Weißensee inklusive Afterhour versackte. Es war der Sommer, in dem ich Liptons Pfirsich-Eistee für mich entdeckte. Keine Ahnung, wie genau ich da jetzt drauf komme.

In diesem Fernsehbeitrag aus dem Jahr 1995 wird eine Zusammenfassung der Liveübertragung der 7. Love Parade auf dem Kurfürstendamm in Berlin gezeigt. Die Sendung, moderiert von Anne Will, gibt einen Einblick in die damalige Atmosphäre und vermittelt einen Eindruck vom großen Ausmaß der Veranstaltung.


(Direktlink)

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Pluralistic: How to fix the UK housing crisis (13 Oct 2025)

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A sepia-tinted slum scene. In the foreground is a gleaming Cooper Mini in the livery of London estate agents Foxton's; one of the shanties behind it has a Foxton's 'SOLD' sign bolted to it. Over the whole scene rises an ethereal portrait of Margaret Thatcher, dating from her prime ministership.

How to fix the UK housing crisis (permalink)

Here's a surprising stat: from 1845-1960, UK house prices pretty much kept pace with inflation – a house you'd bought 20 years ago could only be sold for more-or-less what you paid for it (technically, houses rose about 0.25% ahead of consumer prices).

From 1960-1979, house prices started to nudge ahead of inflation, averaging gains that were 1.75% higher than consumer prices. But it wasn't until 1980 that the annual above-inflation price increase of houses grew to 3%. Steve Keen's "Remedies for Ridiculous House Prices" explains what happened to make housing so eye-wateringly expensive (and how to make it affordable again):

https://profstevekeen.substack.com/p/remedies-for-ridiculous-house-prices

Keen unpacks just how dramatic this change is: since the Thatcher years, house prices have doubled every 23 years. Before 1960, the house prices rose so slowly that they would have taken 280 years to double (which is to say, the fate of most houses was to turn to rubble, not to double).

So what did Thatcher do to make homes so eye-wateringly expensive? The high-level explanation is that the UK – like much of the world – transformed its housing stock: not a way provide the basic human right to shelter, but rather, an asset:

https://pluralistic.net/2021/06/14/euthanasia-of-the-rentier/#georgeism

Transforming a human necessity into an asset is a terrible idea. Governments work to increase the price of assets owned by actors in their economy. But increasing the price of housing only benefits the minority who own houses, while everyone else – everyone who needs a roof over their head – suffers. For a comparison, imagine if our governments instituted a policy of making some other necessity as expensive as possible, say, food or water. Transforming shelter into an asset class was always going to end badly.

Keen is an econ prof, and the point of this piece isn't merely to observe this remarkable shift in the economics of having a home, but also to trace the policy choices that led us to this moment, and to propose policies that could change things so that everyone can have a home.

So what did Margaret Thatcher do to destroy the chances of everyday Britons to have a home? Well, this is Margaret Thatcher, so if you guessed the answer was "deregulation," you'd be right. Prior to Thatcher's deregulation, home loans in the UK mostly originated with "building societies," a specialized lender whose operations are fundamentally different from the operations of a bank.

Here's the difference: when a building society makes a home loan, it withdraws money from a regular bank account at a regular bank, much like your savings account. In order for your building society to credit your mortgage account by £100k, there must be a corresponding decrease of £100k in its savings account (just like when you send £10 to a friend, you have £10 less and they have £10 more).

But that's not how it works when a bank originates a loan. Banks are "fiscal agents" for the UK's central bank, the Bank of England. That means that banks can create new money, simply by crediting one of its depositors' accounts. When a bank loans you £100k to buy a house, £100k in new money is created. Banks don't raid other depositors' accounts for your loan – they make new money, out of thin air.

So after the bank originates your loan, your account has £100k more in it, and the bank has an IOU from you for £100k, which sits on its books as an asset. In the moment the money is created, the bank makes £100k in new money for its balance-sheet.

Every time a bank issues a new mortgage loan, the money supply increases – more money is added to the economy. Thatcher deregulated mortgage lending, and after that, the majority of UK mortgages came from banks, not building societies. Every new mortgage increased the supply of money in circulation in the UK.

As Keen writes, this precipitated an "explosion" in house prices – and in household debt, which rose from 20% of GDP to 80% of GDP by the time of the Great Financial Crisis. Since Thatcher, house prices have risen by 350% more than consumer prices.

Thatcher's deregulation "set off a vicious cycle": the existence of more mortgage debt made house prices rise (when banks supply more bidding money to buyers, buyers bid higher sums). As housing prices went up, housing could be used as collateral for still more loans, which encouraged homeowners to stake their homes to borrow money in order to buy more homes to rent out. Because they have so much collateral (an overpriced home), they can borrow so much (from banks that can create money) that they are able to outbid people who don't have a home yet and just want to buy a home so they can live in it.

This is Keen's diagnosis, but the real question is, what do we do about it? The UK housing situation has been vapor-locked, because there's a powerful voting and donating bloc of homeowners who want to keep house prices high, both to maintain their personal net worth, and to avoid having their "chained mortgages" collapse when prices fall and they suddenly no longer have enough collateral and the banks demand repayment.

This is where Keen's proposal gets really interesting. In this installment, he proposes two policies that break the deadlock, offering a glide-path out of the housing crisis, rather than a crash.

The first of these policies is deflationary – it will lower prices. It's called the "PILL" ("Property Income Limited Leverage").

With the PILL, the most a bank could offer a housebuyer for a mortgage loan would be some multiple of the rental income from the property they're buying. Say that multiple is 10, and the home you're trying to buy would rent out at £50k/year: the largest mortgage you'd be allowed to take would be £500k (even if you're not buying a home to rent it out, you'd still be subject to this cap, since potential rental income is a large determinant of the price of a home).

Keen notes that UK rents are really high, but property prices are even higher – property prices (and mortgages) have risen faster than rents. The average London home price is about 25x the annual rent it generates, and London mortgages are about 20x the annual rent for the properties those mortgages cover.

The PILL would cap mortgage issuance at the current multiple (so in London, about 25x annual rent), but that number would be gradually reduced, a few points per year, until it reaches about 10x annual rent. This will have the effect of making homes a much less attractive asset-class for speculators, gradually driving "investors" out of the market, so that the majority of homebuyers would be people who were in the market for somewhere to live.

This will make houses cheaper over time, and the majority of Britons (who can't afford to buy a home) would like this. But house-rich Boomers would not, and for good reason: the austerity-starved UK state has slashed benefits for everyone, and older people rely on selling or borrowing against their homes as a way to remain sheltered, fed, and cared for as they age.

How do we win those Boomers over and stop them from scuttling affordable housing (again)? That's where the second proposal kicks in: AHA (the "Affordable Housing Authority"). This is a system for making homes more valuable, offsetting some of the reductions from the PILL, but without denying homes to people looking for somewhere to live.

The biggest barrier to buying a home isn't the price of the home – it's the price of the home and the price of the mortgage. Decades of mortgage interest vastly increase the total cost of a home, and the interest on a monthly mortgage can make the difference between an affordable home and one that makes you "house poor" (where the cost of your home eats up so much of your income that you struggle to pay for heating, groceries, transportation, etc).

Here's Keen's math: say you're a median UK household (£37k/year in disposable income) and you buy a median house (£270k) with a 10% deposit (what Americans call a "down-payment"), at 7% interest. Over a 25-year mortgage, your monthly payments will be £20.6k/year, more than half of your disposable income.

Not only is this more than you can afford – it's also so much that you just won't get a mortgage from a bank. They'll look at those numbers and decide that you can't afford to pay back this loan (they'd be right, too).

But what if we trim that interest rate to zero? At 0% interest, the annual payments for your mortgage go from £20.6/year to £9,300 per year – an easily affordable sum for the median household.

So the question is, why do we pay so much to the banks in interest? The Econ 101 answer is that banks take a risk when they loan out their depositors' funds, and they need a reward and incentive to take that risk. But banks don't lend out deposits: they create deposits. When you take out a £100k mortgage, the bank adds £100k to your account, without taking it from anywhere else. Banks are "fiscal agents" of the national bank, and they are permitted to create money this way – and then charge you rent (interest) on that money they can create for free.

Keen's AHA is a different kind of lender, a publicly owned one that creates money in exactly the same way as banks do, but without charging interest. The AHA is charged with offering loans solely to people trying to buy a home who have been priced out of the market. These loans will drive property prices up (by putting more buyers into the system), offsetting some of the price declines created by the PILL.

Other than the fact that AHA loans won't come with interest, these loans will work like regular mortgages: the borrower will pay them off every month, until they have paid back the entire principal. If they default on the mortgage, AHA can foreclose on the house and sell it off to get its money back. AHA always gets its money back and costs nothing – on balance – to operate.

Do interest free loans sound like a communist plot to you? Keen asks us to consider such noted socialist proponents for this ideas as Henry Ford and Thomas Edison, who railed against financing the Muscle Shoals hyrdroelectric plant with bank loans, instead insisting that the national bank should simply create the money to make those loans:

https://timesmachine.nytimes.com/timesmachine/1921/12/06/98768710.html?pageNumber=6

Here's Edison:

[Ford] thinks it’s stupid, and so do I, that for the loan of $30,000,000 of their own money the people of the United States should be compelled to pay $66,000,000—that is what it amounts to, with interest. People who will not turn a shovel of dirt nor contribute a pound of material will collect more money from the United States than will the people who supply the material and do the work. That is the terrible thing about interest.

As Keen points out, it's not merely that the banks that currently issue mortgages don't "turn a shovel of dirt or contribute a pound of material" – they simply will not issue a mortgage to a median buyer. The median buyer can't get a mortgage, so the system is rigged to make them pay someone else's mortgage through their monthly rents, every month until they die.

AHA cuts the banks "out of a market they won't even enter."

Now, it's true that current financial rules (foolishly) ban the Treasury from having a negative balance at the Central Bank. But we don't have to repeal those rules to make this work: the Treasury can offset AHA loans by offering bonds to private banks.

These two policies create "winners all round." New home buyers can afford a home. Banks get interest from AHA bonds to offset losses from limits on mortgage lending. Current home owners get a cushion to protect their net worth even as homes become more affordable.

The loser is the investment sector, the City boys who buy and sell mortgage debt. And you know, fuck those guys.

Keen finishes by teasing one more policy prescription that he thinks will tie this all together: the intriguingly named Modern Debt Jubilee, a way to "to reduce private debt, but in a way that doesn’t cause an economic collapse," which he says he'll cover in his next post. Can't wait!


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#20yrsago TV on the Internet versus IPTV https://web.archive.org/web/20051013090228/http://gigaom.com/2005/10/11/iptv-versus-tv-over-ip/

#20yrsago Privacy and access-control in America’s theme-parks https://archive.epic.org/privacy/themepark/

#20yrsago Why hotel WiFi sucks https://web.archive.org/web/20090917145044/https://wifinetnews.com/archives/2005/10/ny_times_v_wall_st_journal_on_hotel_internet_fees.html

#20yrsago Vet’s obit: “send acerbic letters to Republicans” https://www.legacy.com/us/obituaries/chicagotribune/name/theodore-heller-obituary?id=2437473

#15yrsago Canon’s printer/photocopier blocks jobs based on keywords https://www.itnews.com.au/news/canon-blocks-copy-jobs-by-keyword-235047

#15yrsago Tom Waits and Preservation Hall Jazz Band release limited-edition 78RPM record and matching limited edition record-player http://www.tomwaits.com/news/article/108/Preservation_Hall_Jazz_Band_Tom_Waits_On_78_rpm_Vinyl/

#15yrsago Koster’s “Fundamentals of Game Design” https://www.raphkoster.com/2010/10/12/the-fundamentals-of-game-design/

#15yrsago Pratchett’s I Shall Wear Midnight, sentimental and fun book about a witch among enemies https://memex.craphound.com/2010/10/12/pratchetts-i-shall-wear-midnight-sentimental-and-fun-book-about-a-witch-among-enemies/

#15yrsago Depressing million-dollar London homes https://www.oobject.com/category/depressing-million-dollar-london-property/

#15yrsago Library of Congress: Copyright is killing sound archiving https://www.osnews.com/story/23888/us-library-of-congress-copyright-is-destroying-historic-audio/

#15yrsago Irish High Court strikes down “3 strikes” copyright rule https://web.archive.org/web/20101012083637/http://www.irishtimes.com/newspaper/breaking/2010/1011/breaking32.html

#15yrsago Rise Again: would you rather be killed by zombies or Blackwater mercs? https://memex.craphound.com/2010/10/11/rise-again-would-you-rather-be-killed-by-zombies-or-blackwater-mercs/

#10yrsago Funny because it’s true: “Tories to build thousands of affordable second homes” https://www.thedailymash.co.uk/politics/politics-headlines/tories-to-build-thousands-of-affordable-second-homes-20151008102712

#10yrsago Facebook UK made £105M in 2014, paid £35M in bonuses, and will pay £4,327 in tax https://www.theguardian.com/global/2015/oct/11/facebook-paid-4327-corporation-tax-despite-35-million-staff-bonuses

#10yrsago Economics research considered unreplicable https://www.federalreserve.gov/econresdata/feds/2015/files/2015083pap.pdf

#10yrsago The hockey-stick from hell: US incarceration per 100,000 people, 1890-today https://www.vox.com/2015/10/11/9497161/incarceration-history

#10yrsago Read: Austin Grossman’s moving text-adventure story “The Fresh Prince of Gamma World” https://www.wired.com/2015/10/excerpt-fresh-prince-of-gamma-world/

#5yrsago The herd immunity conspiracy https://pluralistic.net/2020/10/12/redeeming-hackers/#herd-immunity

#5yrsago Attack Surface in Wired https://pluralistic.net/2020/10/12/redeeming-hackers/#origin-stories

#5yrsago Basic income works https://pluralistic.net/2020/10/11/means-testing-conundrum/#ubi-v-bi

#5yrsago Hong Kong's ghost protest posters https://pluralistic.net/2020/10/11/means-testing-conundrum/#seeing-ghosts

#1yrago Lina Khan's future is the future of the Democratic Party – and America https://pluralistic.net/2024/10/11/democracys-antitrust-paradox/#there-will-be-an-out-and-out-brawl


Upcoming appearances (permalink)

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A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Memex Method," Farrar, Straus, Giroux, 2026

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, 2026



Colophon (permalink)

Today's top sources:

Currently writing:

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. FIRST DRAFT COMPLETE AND SUBMITTED.

  • A Little Brother short story about DIY insulin PLANNING


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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

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ISSN: 3066-764X

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mkalus
5 hours ago
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iPhone: 49.287476,-123.142136
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cjheinz
18 hours ago
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Great stuff!
Hope it can come true!
Lexington, KY; Naples, FL
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