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I think I could do about 100 of these if there were a market for a McRib compilation and no such thing as copyright lawsuits.

Today's links

• Michael Swanwick's "The Universe Box": Short stories from a science fiction master at the top of his form.
• Hey look at this: Delights to delectate.
• Object permanence: DRM lobotomizes “human memory”; Crayola hex values; Tattoo artists copyright customers' bodies.
• Upcoming appearances: Where to find me.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

Michael Swanwick's "The Universe Box" (permalink)

No one writes short stories like Michael Swanwick, the five-time Hugo-winning master of science fiction. To prove it, you need only pick up The Universe Box, Swanwick's just-published short story collection, a book representing one of the field's greatest writers at the absolute pinnacle of his game:

https://tachyonpublications.com/product/the-universe-box/

Science fiction has a long and honorable history with the short story. Sf is a pulp literature that was born in the pages of magazines specializing in short fiction and serials, and long after other genres had given up the ghost, sf remained steadfastly rooted in short form fiction. There are still, to this day, multiple sf magazines that publish short stories every month, on paper, and pay for it. I started my career as a short story writer, and continue to dabble in the form, but I have mostly moved onto novels.

That's a pretty common trajectory in sf, where – notwithstanding the field's status as a haven for the short story – the reach (and money) come from novels. But sf has always had a cohort of short fiction writers who are staunchly committed to the form: Harlan Ellison, Martha Soukup, Martha Wells, Ray Bradbury, Ted Chiang, James Tiptree Jr, Theodore Sturgeon, and, of course, Michael Swanwick.

It's a little weird, how sf serves as a powerful redoubt for short fiction. After all, sf is a genre in which everything is up for grabs: the reader can't assume anything about the story's setting, its era, the species of its characters. Time can run forwards, backwards, or in a loop. There can be gods and teleporters, faster-than-light drives and superintelligent machines. There can be aliens and space colonies.

All of that has to be established in the story. The most straightforward way to do this is, of course, through exposition. There's a commonplace (and wrong) notion that exposition is bad ("show, don't tell"). It's fairer to say that exposition is hard – dramatization is, well, dramatic, which makes it easier to engage the reader's attention. But great exposition is great and sf is a genre that celebrates exposition, done well:

https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/

The opposite of exposition is what Jo Walton calls "incluing," "the process of scattering information seamlessly through the text, as opposed to stopping the story to impart the information":

https://web.archive.org/web/20111119145140/http:/papersky.livejournal.com/324603.html

Incluing is a beautiful prose technique, but it makes the reader work. You have to pay close attention to all these subtle clues and build a web of inferences about the kind of world you've been plunged into. Incluing turns a story into a (wonderful and engaging) puzzle. It makes the aesthetic affect of short sf into something that's not so much a reverie as a high-engagement activity, a mystery whose solution is totally unbounded.

This is a terrific experience, but it is also work. Doing that kind of work as part of the process of consuming a 300-page novel is one thing, but trying to get the reader up to speed in a 7,000 word story and still have room left over for the story part is a big lift, and even the best writers end up asking a lot of the reader in their short stories. Sf shorts can be the "difficult jazz" of literature, a form and genre that requires – and rewards – very active attention.

(Incidentally, my favorite incluing example is Mark Twain's classic comedic short, "The Petrified Man":)

https://americanliterature.com/author/mark-twain/short-story/the-petrified-man/

But here's the thing. None of this applies to Swanwick. His stories use a mix of (impeccable) exposition and (subtle) incluing, and yet, there's never a moment in reading a Swanwick story where it feels like work. It's not merely that he's a gorgeous prose-smith whose sentences are each more surpassingly lovely than the last (though he is). Nor does he lack ambition: each of these stories has a more embroidered and outlandish premise than the last.

Somehow, though, he just slides these stories into your brain.

And what stories they are! They are, by turns, individually and in combination, slapstick, grave, horny, hilarious, surreal, disturbing and heartwarming. They have surprise endings and surprise middles and sometimes surprise beginnings (Swanwick does an opening paragraph like no one else).

This is what it means to read a short story collection from an absolute master at the absolute peak of his powers. He can slide you frictionlessly between Icelandic troll tragedies to lethal drone-leopard romantic agonies to battles of the gods and the cigar box that has the universe inside of it. All with the lyricism of Bradbury, the madcap wit of Sturgeon, the unrelenting weirdness of Dick, the heart of Tiptree and the precision of Chiang.

This is a book of worlds that each exist for just a handful of pages but occupy more space than those pages could possibly contain. It's a series of cigar boxes, each with the universe inside of it.

Hey look at this (permalink)

• U.S. Envoys Refused to Report "Apocalyptic" Conditions in Gaza. Exclusive Photos Show the Reality They Suppressed https://www.dropsitenews.com/p/northern-gaza-apocalyptic-wasteland-jack-lew-israeli-war-supressed

• To Avoid a Tax Hike, Billionaires Decide to Take Over California https://prospect.org/2026/02/02/billionaires-california-tax-hike/

• Mentioned in Hell’s Dispatches https://ftrain.com/mentioned-in-satans-dispatches

• MAGA's "People's Capitalism" https://www.unpopularfront.news/p/magas-peoples-capitalism

• The Onion’s Exclusive Interview With Pete Hegseth https://theonion.com/the-onions-exclusive-interview-with-pete-hegseth/

Object permanence (permalink)

#20yrsago Sony CD spyware vendor caves to EFF demands https://web.archive.org/web/20060208033113/https://www.eff.org/news/archives/2006_02.php#004378

#20yrsago British Library: DRM lobotomizes “human memory” http://news.bbc.co.uk/2/hi/technology/4675280.stm

#15yrsago Hex values for Crayola colors https://en.wikipedia.org/wiki/List_of_Crayola_crayon_colors

#15yrsago Michael Lewis explains the Irish econopocalypse https://www.vanityfair.com/news/2011/03/michael-lewis-ireland-201103?currentPage=all

#15yrsago Canada’s Internet rescued from weak and pathetic regulator https://web.archive.org/web/20110203054651/http://www.thestar.com/news/canada/article/932571–ottawa-threatens-to-reverse-crtc-decision-on-internet-billing

#10yrsago Tattoo artist asserts copyright over customers’ bodies https://www.hollywoodreporter.com/business/business-news/nba-2k-videogame-maker-sued-861131/

#10yrsago EU plans to class volunteers who rescue drowning Syrian refugees as “traffickers” https://www.statewatch.org/news/2016/january/refugee-crisis-council-proposals-on-migrant-smuggling-would-criminalise-humanitarian-assistance-by-civil-society-local-people-and-volunteers-greece-ngos-and-volunteers-have-to-register-with-the-police-and-be-vetted/

Upcoming appearances (permalink)

• Salt Lake City: Enshittification at the Utah Museum of Fine Arts (Tanner Humanities Center), Feb 18
  https://tanner.utah.edu/center-events/cory-doctorow/

• Montreal (remote): Fedimtl, Feb 24
  https://fedimtl.ca/

• Victoria: 28th Annual Victoria International Privacy & Security Summit, Mar 3-5
  https://www.rebootcommunications.com/event/vipss2026/

• Berkeley: Bioneers keynote, Mar 27
  https://conference.bioneers.org/

• Berlin: Re:publica, May 18-20
  https://re-publica.com/de/news/rp26-sprecher-cory-doctorow

• Berlin: Enshittification at Otherland Books, May 19
  https://www.otherland-berlin.de/de/event-details/cory-doctorow.html

• Hay-on-Wye: HowTheLightGetsIn, May 22-25
  https://howthelightgetsin.org/festivals/hay/big-ideas-2

Recent appearances (permalink)

• How the Internet Got Worse (Masters in Business)
  https://www.youtube.com/watch?v=auXlkuVhxMo

• Enshittification (Jon Favreau/Offline):
  https://crooked.com/podcast/the-enshittification-of-the-internet-with-cory-doctorow/

• Why Big Tech is a Trap for Independent Creators (Stripper News)
  https://www.youtube.com/watch?v=nmYDyz8AMZ0

• Enshittification (Creative Nonfiction podcast)
  https://brendanomeara.com/episode-507-enshittification-author-cory-doctorow-believes-in-a-new-good-internet/

• Enshittification with Plutopia
  https://plutopia.io/cory-doctorow-enshittification/

Latest books (permalink)

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

• "The Memex Method," Farrar, Straus, Giroux, 2026

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026

Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1053 words today, 20644 total)

• "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

• "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

• A Little Brother short story about DIY insulin PLANNING

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Elon Musk wants to merge his rocket company, SpaceX, with his AI company, xAI. Then he wants to take the combined company public on the stock exchange. [Reuters]

Musk previously combined X Corp — formerly Twitter — with xAI. That made no sense either — but Twitter was a mature corporation with no chance of a startup payday, while xAI was an AI bonfire for money. If you’re a vapor capitalist looking for a lottery ticket, a bonfire for money is very exciting!

SpaceX is a bit different. SpaceX has a lot of problems — its rockets keep blowing up — but the company lives off government contracts. It’s a load-bearing component of US national security. So for all its woes, SpaceX isn’t a company that can be allowed to fail.

SpaceX has made noises about going public and there are banks lined up for the deal. It’d be a huge IPO — SpaceX has a private valuation of $800 billion. But it’s not a ridiculous idea.

xAI’s financials are a bit too stupid to take it public: [Bloomberg, archive]

XAI reported a net loss of $1.46 billion for the September quarter, up from $1 billion in the first quarter, according to documents reviewed by Bloomberg. In the first nine months of the year, it spent $7.8 billion in cash.

There’s also talk that xAI is having trouble finding all the investor funding it needs to keep going.

But if Musk folds xAI into SpaceX,  then the real company the US relies on protects the bad AI company! Maybe.

Musk is talking some gibberish about AI data centres in space. SpaceX has filed plans to launch one million satellites, a completely ridiculous plan that rapidly leads to a chain reaction of space collisions and low earth orbit being filled with rings of broken debris, and no satellites at all for several years. But I’m sure the meteor showers will be pretty. [FCC]

SpaceX and xAI have investors. But the investors are all on board for the Musk meme stock train. They believe in Elon. So if Elon wants it, they’ll be cheering him on.

The other possible merger is SpaceX and Tesla. This makes no sense either, though some of the investors like the idea? And Tesla is already publicly listed, so that’d save some time on a new listing. They’d need shareholder approval, but most Tesla shareholders are also on board the Musk meme stock train. [Bloomberg, archive]

When do they want to take SpaceX public? They’re talking about June — because it’s in time for Elon’s birthday! That’s the sort of meme thinking we need! Apparently.

Update: Deal’s gone through. $250 billion, apparently (in private company equity exchanged for private company equity, valued at what the last sucker paid for a piece). [Press release, archive; Information, archive]

• Video — Podcast