Today's links
- Ada Palmer's "Inventing the Renaissance": A tour-de-force, a magnum opus, a work of utter brilliance.
- Hey look at this: Delights to delectate.
- Object permanence: Gloating about the dot-bomb; RIAA sues PC-less family; John Deere v infosec; Foxconn v Wisconsin; Copyfraud x torturers' reputations; "Careless People."
- Upcoming appearances: London, Berlin, NYC, Barcelona, Hay-on-Wye, London, NYC.
- Recent appearances: Where I've been.
- Latest books: You keep readin' em, I'll keep writin' 'em.
- Upcoming books: Like I said, I'll keep writin' 'em.
- Colophon: All the rest.
Ada Palmer's "Inventing the Renaissance" (permalink)
Ada Palmer may just be the most bewilderingly talented person I know: a genius sf writer, incredible librettist and singer, wildly innovative educator, and a leading historian of the Renaissance, and last year, she published her magnum opus, Inventing the Renaissance, a stunning book about so much more than history:
https://press.uchicago.edu/ucp/books/book/chicago/I/bo246135916.html
All of my friends seem to be writing their magnum opuses these days! When (modern) historian Rick Perlstein and I did an event last year for my Enshittification tour, he told me he'd just finished his 1,000 page (ish? I may be misremembering slightly) history of the American conservative movement. And I recently had dinner with China Mieville, who told me he'd just turned in the manuscript for a novel he'd been trying to figure out how to write all his life.
I can't wait to read these books! And I couldn't wait to read Inventing the Renaissance, and I would have been much quicker off the mark but for the exigencies of book tours and books due and so on – but I've been reading it for the past two months or so, and I think I've pitched it about a hundred times to strangers and friends as I savored it, because it's just that good.
Inventing the Renaissance isn't a work of history, it's a work of "historiography" – the study of how histories get written and rewritten. Palmer's point here isn't to make us merely understand the Renaissance – she wants us to understand how the idea of a Renaissance, a rebirth out of a "dark age" into a "golden age" – has been used, abused, created and demolished, for centuries and centuries, including during the centuries when the Renaissance was actually underway.
Palmer teaches Renaissance history at the University of Chicago, where she is legendary for a unique annual pedagogical exercise in which she leads her students through a weeks-long live-action role-playing game that re-enacts the election of the Medicis' Pope. Every student is given a detailed biography of their character's position, goals, proclivities and history, and for weeks, the students scheme, ally, betray and assassinate each other. At the climax, the students take over the university's faux-Gothic cathedral, dressed in Renaissance drag (Palmer has a Google alert for theater companies that are selling off their costumes, and her tiny office at the university overflows with racks of cardinals' robes and other period garb), and they invest a Pope:
https://pluralistic.net/2021/10/17/against-the-great-forces-of-history/
This exercise is nothing short of genius, and the students who experience it often report that it is life-changing. That's because the final candidates are never quite the same, nor are the cardinals who cast votes for the winner. And yet, there are certain bedrocks that never shift, including the fact that Italy is always invaded by some of the factions involved in the election, though which cities burn also changes.
The point of this exercise is to expose the students to the power and limits of both "great historical forces" and the human agency that every one of us has within the envelope defined by those forces. Palmer wants her students to get a bone-deep understanding that while every moment has great forces bearing down on it, that the people of each moment have an enormous amount of leeway to channel the floodwaters that history will unleash. From the servant who bears a message from one great power to another, up to those great powers themselves, each person guides the course of history, even if they can't halt some of its outcomes.
Though Palmer unpacks this exercise and its meaning and results in the final part of her magnum opus, this message about forces and people is really the key to her historiography. She develops these themes in the most charming, accessible manner imaginable, weaving her own journey into history with her accounts of how different eras consciously created and deployed the idea of "the Renaissance" and how these ideas were bolstered, undermined, or ultimately demolished by new evidence. You could not ask for a better account of why there is not, and can never be, a single, canonical "history" of an era or a moment. There will always be multiple histories, overlapping each other, warring with one another, supplanting each other, or being revived as "lost" histories that reveal a truth that "they" have buried.
This is such an ambitious book, and the ambition pays off in so many ways. Take the book's structure: there's a long middle section in which Palmer describes how more than a dozen figures from the Renaissance experienced their era, with many overlapping events and timelines. Palmer's sensitive, beautifully researched and written accounts of the lives of these figures – highborn and lowly, sinister and virtuous – highlights the contradictions of this centuries-long "moment" we call "the Renaissance" and shows us how those contradictions can't ever be resolved, only acknowledged and understood.
This is Palmer the novelist, blending seamlessly with Palmer the historian. Palmer is a close literary – and personal – ally of the equally brilliant sf/fantasy writer Jo Walton, whose work has mined classical and Renaissance history to great effect since she and Palmer struck up their friendship. First, there were Walton's "Philosopher Kings" books, a three-book long thought experiment in which every person of every era who ever dreamed of living in Plato's Republic is brought through time and space to the doomed volcanic island that will someday give rise to the story of Atlantis, to try out Plato's ideal society for real:
https://memex.craphound.com/2015/01/13/jo-waltons-the-just-city/
Then there was Lent, Walton's story of the fanatical reformer Savonarola, who is forced to re-live his life over and over, with breaks in hell where he is tormented by his failure:
https://web.archive.org/web/20190516170659/https://www.latimes.com/books/la-ca-jc-review-jo-walton-lent-20190516-story.html
And this June, she'll bring out Everybody's Perfect, a novel that uses Palmer's trick of telling a story from many viewpoint characters, each of whom perceives the events so differently that their versions can't really be reconciled, except by understanding that there is no one history and there cannot be one history. There are only the histories, ever changing. The omnipotent third person narrator is a lie. I don't know if Palmer got this idea from Walton, or if Walton was inspired by Palmer, but it is a wonderful living example of how intellectual and creative movements (like those that are attributed to the Renaissance) feed one another.
One of Palmer's areas of specialty is free speech and censorship. Along with Adrian Johns, we co-taught a grad seminar called "Censorship, Information Control, and Information Revolutions from Printing Press to Internet" that connected Ada's work to the current battles over online speech:
https://neubauercollegium.uchicago.edu/research/censorship-information-control-and-information-revolutions-from-printing-press-to-internet
Palmer wants us to understand that the majority of censorship is self-censorship – that the Inquisition could only intervene in a tiny minority of cases of prohibited thought and word, and they had to rely on key people – printers, for example – anticipating the Inquisitors' tastes and limiting their speech without an Inquisitorial edict (if this seems relevant to the Trump administration's "war on woke," then you're clearly paying attention):
https://pluralistic.net/2024/02/22/self-censorship/#hugos
Those correspondences between the deep historical record and our current moment make Inventing the Renaissance extremely important and timely – a book hundreds of years in the making, and bang up to date.
Hey look at this (permalink)
Object permanence (permalink)
#25yrsago Gloating NYT editorial about the dotcom crash https://www.nytimes.com/2001/04/23/opinion/editorial-observer-after-the-fall-the-new-economy-goes-retro.html
#20yrsago RIAA sues family that doesn’t own a PC https://www.techshout.com/riaa-sues-local-family-without-computer-for-illegal-music-file-sharing/
#15yrsago Righthaven copyright troll loses domain https://web.archive.org/web/20110425035158/http://www.domainnamenews.com/legal-issues/righthavencom-invalid-whois/9232
#15yrsago Steampunk Venetian mask https://bob-basset.livejournal.com/160226.html
#5yrsago John Deere's dismal infosec https://pluralistic.net/2021/04/23/reputation-laundry/#deere-john
#5yrsago Foxconn's Wisconsin death-rattle https://pluralistic.net/2021/04/23/reputation-laundry/#monorail
#5yrsago Laundering torturers' reputations with copyfraud https://pluralistic.net/2021/04/23/reputation-laundry/#dark-ops
#1yrago Sarah Wynn-Williams's 'Careless People' https://pluralistic.net/2025/04/23/zuckerstreisand/#zdgaf
Upcoming appearances (permalink)
- London: Resisting Big Tech Empires (LSBU), Apr 25
https://www.tickettailor.com/events/globaljusticenow/2042691
-
NYC: Enshittification at Commonweal Ventures, Apr 29
https://luma.com/ssgfvqz8
-
NYC: Techidemic with Sarah Jeong, Tochi Onyebuchi and Alia Dastagir (PEN World Voices), Apr 30
https://worldvoices.pen.org/event/techidemic/
-
Barcelona: Internet no tiene que ser un vertedero (Global Digital Rights Forum), May 13
https://encuentroderechosdigitales.com/en/
-
Berlin: Re:publica, May 18-20
https://re-publica.com/de/news/rp26-sprecher-cory-doctorow
-
Berlin: Enshittification at Otherland Books, May 19
https://www.otherland-berlin.de/de/event-details/cory-doctorow.html
-
Hay-on-Wye: HowTheLightGetsIn, May 22-25
https://howthelightgetsin.org/festivals/hay/big-ideas-2
-
SXSW London, Jun 2
https://www.sxswlondon.com/session/how-big-tech-broke-the-internet-b3c4a901
-
NYC: The Reverse Centaur's Guide to Life After AI with Jonathan Coulton
(The Strand), Jun 24
https://www.strandbooks.com/cory-doctorow-the-reverse-centaur-s-guide-to-life-after-ai.html
Recent appearances (permalink)
- "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce
-
"Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
https://us.macmillan.com/books/9780374619329/enshittification/
-
"Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).
-
"The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).
-
"The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).
-
"The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).
-
"Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.
-
"Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com
- "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)
-
"Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026
-
"The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027
-
"Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027
-
"The Memex Method," Farrar, Straus, Giroux, 2027
Today's top sources:
Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.
- "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.
-
"The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.
-
A Little Brother short story about DIY insulin PLANNING
This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.
https://creativecommons.org/licenses/by/4.0/
Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.
How to get Pluralistic:
Blog (no ads, tracking, or data-collection):
Pluralistic.net
Newsletter (no ads, tracking, or data-collection):
https://pluralistic.net/plura-list
Mastodon (no ads, tracking, or data-collection):
https://mamot.fr/@pluralistic
Bluesky (no ads, possible tracking and data-collection):
https://bsky.app/profile/doctorow.pluralistic.net
Medium (no ads, paywalled):
https://doctorow.medium.com/
Tumblr (mass-scale, unrestricted, third-party surveillance and advertising):
https://mostlysignssomeportents.tumblr.com/tagged/pluralistic
"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla
READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.
ISSN: 3066-764X
Log in
