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Palantir, Which Is Powering ICE, Says Immigration Crackdown May Hurt Hiring

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Palantir, Which Is Powering ICE, Says Immigration Crackdown May Hurt Hiring

In its most recent filing with the Securities and Exchange Commission (SEC), Palantir says that increased regulation of immigration may impact the company’s ability to hire the talent it needs. At the same time, Palantir provides the technological infrastructure for the Trump administration’s mass deportation mission.

As 404 Media has shown, Palantir considers Immigration and Customs Enforcement (ICE) a “mature” partner, and is working on a tool called ELITE that ICE uses to find neighborhoods to raid. 

💡
Do you work at Palantir or ICE? I would love to hear from you. Using a non-work device, you can message me securely on Signal at joseph.404 or send me an email at joseph@404media.co.
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Pluralistic: A perforated corporate veil (20 Feb 2026)

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A diagram of a seance in which a table has risen from the ground as two women rest their hands upon it. Below the table, we can see that it is being manipulated by a male figure. The male figure's head has been swapped with Elon Musk's. The background is a slightly desaturated Brazilian flag.

A perforated corporate veil (permalink)

"Capitalist realism" is the idea that the world's current economic and political arrangements are inevitable, and that any attempt to alter them is a) irrational; b) doomed; and c) dangerous. It's the ideology of Margaret Thatcher's maxim, "There is no alternative."

Obviously this is very convenient if you are a current beneficiary of the status quo. "There is no alternative" is a thought-stopping demand dressed up as an observation. It means, "Don't try and think of alternatives."

The thing is, alternatives already exist and work very well. The Mondragon co-ops in Spain constitute a fully worked out, long-term stable economic alternative to traditional capitalist enterprises, employing more than 100,000 people and generating tangible, empirically measured benefits to workers, customers and the region:

https://en.wikipedia.org/wiki/Mondragon_Corporation

Proponents of capitalist realism will tell you that Mondragon doesn't count. Maybe it's just a one-off. Or maybe it's just not big enough. 100,000 workers sounds like a lot, but Amazon has over 1.5m employees and untold numbers of misclassified contractors who are employees in everything but name (and legal rights).

This is some pretty transparent goalpost moving, but sure, let's stipulate that Mondragon doesn't prove that there are broadly applicable alternatives to the dominant capitalism of the mid-2020s. Are there other examples of "an alternative?"

There sure are.

Let's look at limited liability. Limited liability – the idea that a company's shareholders cannot be held liable for the company's misdeeds – is a bedrock of capitalist dogma. The story goes that until the advent of the "joint stock enterprise" (and its handmaiden, limited liability) there was no efficient way to do "capital formation" (raising money for a project or business).

Because of this, the only ambitious, capital-intensive projects were those that caught the fancy of a king, a Pope, or an aristocrat. But once limited liability appears on the scene, many people of modest means can jointly invest in a project without worrying about being bankrupted if it turns out that the people running it are crooks or bumblers. That lets you, say, buy a single share of a company without having to keep daily tabs on the management's every action without worrying that if they go wrong, someone they've hurt will sue you for everything you've got.

Capital formation is a real thing, and limited liability unquestionably facilitates capital formation. There are plenty of good things in the world that exist because limited liability protections allowed everyday people to help bring them into existence. This isn't just stuff that makes a lot of money for capitalism's true believers, it includes everything from the company that makes the printing presses that your favorite anarchist zine runs on to the mill that makes the alloys for the e-bike you use to get to a demonstration.

This is where capitalist realism comes in. Capitalist realists will claim that there is no way to do capital formation for these beneficial goods without limited liability – and not just any limited liability, but maximum limited liability in which the "corporate veil" can never be pierced to assign culpability to any shareholder. The capitalist realist claim is that the corporate veil is like the skin of a balloon, and that any attempt to poke even the smallest hole in it will cause it to rupture and vanish.

But this just isn't true, and we can tell, because one of the largest economies in the world has operated with a perforated corporate veil for nearly a century, and that economy hasn't suffered from capital formation problems. Quite the contrary, some of the world's largest (and most destructive) monopolies are headquartered in this country where the veil of limited liability is thoroughly perforated.

The country I'm talking about is Brazil, which has had limited limited liability since 1937:

https://lpeproject.org/blog/when-workers-pierce-the-corporate-veil-brazils-forgotten-innovation/

As Mariana Pargendler writes for the LPE Project, Brazil put limits on limited liability to address a common pattern of corporate abuse. Companies would set up in Brazil, incur a lot of liabilities (say, by poisoning the land, water and air, or by stealing from or maiming workers), and then, when the wheels of justice caught up with them, the companies would fold and re-establish themselves the next day under a new name.

Like I say, this happens all over the world. It's incredibly common, and even the pettiest of crooks know how to use this trick. I know someone whose NYC apartment was flooded by the upstairs neighbor, who decided that they didn't need to worry about the fact that their toilet wouldn't stop running – for months, until the walls of the apartment downstairs dissolved in a slurry of black mold. The upstairs neighbor owned the apartment through an LLC, which they simply folded up and walked away from, while my friend was stuck with a giant bill and no one to sue.

The limited liability company is the scammer's best friend. In the UK, an anti-tax extremist invented a tax-evasion scam whereby landlords pretend that their empty commercial buildings are tax-exempt "snail farms" by scattering around some boxes with a few snails in them:

https://www.patreon.com/posts/149255928?collection=1941093

When this results in inevitable stonking fines and adverse judgments, the "snail farmers" duck liability by folding up their limited liability company after transferring its assets to a new LLC.

Capitalist realists will tell you that this is just the price of efficient capital formation. Without total, airtight limited liability – the sort that allows for this kind of obvious, petty ripoff – no one would be able to raise capital for anything.

Brazil begs to differ. In 1937, Brazil made parent companies liable for their subsidiaries' obligations, with a system of "joint and several liability" for LLCs. This was expanded with 1943's Consolidation of Labor Laws, and it worked so well that the Brazilian legislature expanded it again in 2017.

Remember back in 2024, when Elon Musk defied a Brazilian court order about Twitter, only to have Brazil freeze Starlink's assets until Musk caved? That was the "joint and several" liability system:

https://www.nytimes.com/2024/09/13/world/americas/brazil-musk-x-starlink.html

As Pargendler writes, Brazil's liability system "represented a distributive choice: prioritizing Brazilian workers’ ability to enforce their rights over foreign capital’s interest in minimizing costs through corporate structuring."

Pargendler (who teaches at Harvard Law) co-authored a paper with São Paulo Law's Olívia Pasqualeto analyzing the impact that Brazil's limited liability system had on capital formation and corporate conduct:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=6105586

Unsurprisingly, they find that there has been a steady pressure to erode the joint and several system, but also that some countries (the US and France) have a "joint employer" doctrine that is a weak form of this. Portugal, meanwhile, adopted the Brazilian system, 70 years after Brazil – this transposition of law from a former colony to a former colonial power is apparently called "reverse convergence":

https://lpeproject.org/blog/heterodox-corporate-laws-in-the-global-south/

More countries in the global south have adopted regimes similar to Brazil's, like Venezuela and Chile. Other countries go further, like Mozambique and Angola. Somewhere in between are other Latin American countries like Peru and Uruguay, where these rules have entered practice through judicial rulings, not legislation.

The authors don't claim that perforating the corporate veil solves all the problems of exploitative, fraudulent or corrupt corporate conduct. Rather, they're challenging the capitalist realist doctrine that insists that this system couldn't possibly exist, and if it did, it would be a disaster.

A hundred years of Brazilian law, and Brazil's globe-spanning corporate giants, beg to differ.

(Image: Gage Skidmore, CC BY-SA 2.0, modified)


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#15yrsago XKCD’s productivity tip: reboot your computer every time you get bored https://blog.xkcd.com/2011/02/18/distraction-affliction-correction-extensio/

#10yrsago Infographic: what’s the TPP, what’s wrong with it, how’d we get here, and what do we do now? https://www.eff.org/deeplinks/2016/02/new-infographic-tpp-and-your-digital-rights

#10yrsago Hacker suspected in Anon raid on Boston hospital rescued at sea by Disney cruise ship, then arrested https://www.nbcnews.com/news/us-news/suspected-hacker-arrested-after-rescue-sea-during-disney-cruise-n520131

#10yrsago Tipping screws poor people, women, brown people, restaurateurs, local economies and…you https://web.archive.org/web/20160220234308/https://www.washingtonpost.com/news/wonk/wp/2016/02/18/i-dare-you-to-read-this-and-still-feel-ok-about-tipping-in-the-united-states/

#10yrsago Clay Shirky: social media turned Dems, GOP into host organisms for third party candidates https://web.archive.org/web/20160219231315/https://storify.com/cshirky/republican-and-democratic-parties-are-now-host-bod

#10yrsago Leaked memos suggest Volkswagen’s CEO knew about diesel cheating in 2014 https://www.nytimes.com/2016/02/19/business/volkswagen-memos-suggest-emissions-problem-was-known-earlier.html?smprod=nytcore-ipad&smid=nytcore-ipad-share&_r=0

#10yrsago “Citizens” who speak at town meetings are hired, scripted actors https://www.nbclosangeles.com/news/local/concerned-citizens-turn-out-to-be-political-theater/2021439/

#10yrsago Women in Zika-affected countries beg online for abortion pills https://ticotimes.net/2016/02/18/with-abortion-banned-in-zika-countries-women-beg-on-web-for-abortion-pills

#10yrsago Health insurance must pay for exoskeletons https://web.archive.org/web/20160217093325/https://motherboard.vice.com/read/robotic-exoskeleton-rewalk-will-be-covered-by-health-insurance

#5yrsago Uber loses court battle, steals wages, censors whistleblower https://pluralistic.net/2021/02/19/texas-lysenko/#unter

#5yrsago How Republicans froze Texas solid https://pluralistic.net/2021/02/19/texas-lysenko/#mess-with-texas

#5yrsago Complicity, incompetence, leadership and Capitol Police https://pluralistic.net/2021/02/19/texas-lysenko/#capitol-riots

#5yrsago My talks with Edward Snowden and William Gibson https://pluralistic.net/2021/02/19/texas-lysenko/#gibson-snowden

#5yrsago Pluralistic is five https://pluralistic.net/2025/02/19/gimme-five/#jeffty


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1037 words today, 32992 total)

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.


How to get Pluralistic:

Blog (no ads, tracking, or data-collection):

Pluralistic.net

Newsletter (no ads, tracking, or data-collection):

https://pluralistic.net/plura-list

Mastodon (no ads, tracking, or data-collection):

https://mamot.fr/@pluralistic

Medium (no ads, paywalled):

https://doctorow.medium.com/

Twitter (mass-scale, unrestricted, third-party surveillance and advertising):

https://twitter.com/doctorow

Tumblr (mass-scale, unrestricted, third-party surveillance and advertising):

https://mostlysignssomeportents.tumblr.com/tagged/pluralistic

"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

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Pluralistic: Six Years of Pluralistic (19 Feb 2026)

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Today's links



A screengrab from the first episode of 'The Prisoner,' showing Number Six (Patrick McGoohan) lying unconscious on the beach after being bowled over by a giant white sphere (a 'Rover'). The image has been altered; my head has been superimposed on McGoohan's body; TV scan lines have been added, and the image has been given a vertical 'ripple' of the sort that appears in a badly tuned broadcast TV signal.

Six years of Pluralistic (permalink)

Six years ago today, after 19 years with Boing Boing, during which time I wrote tens of thousands of blog posts, I started a new, solo blog, with the semi-ironic name "Pluralistic." I didn't know what Pluralistic was going to be, but I wasn't writing Boing Boing anymore, and I knew I wanted to keep writing the web in some fashion.

Six years and more than 1,500 posts later, I am so satisfied with how Pluralistic is going. I spent a couple of decades processing everything that seemed interesting or significant through a blog, which created a massive database (and mnemonically available collection of partially developed thoughts) that I'm now reprocessing as a series of essays that make sense of today in light of everything that I've thought about for my whole adult life, which are, in turn, fodder for books, both fiction and nonfiction. I call this "The Memex Method":

https://pluralistic.net/2021/05/09/the-memex-method/

"The Memex Method" is also the title of a collection of essays (from this blog) that I've sold to Farrar, Straus and Giroux, but that book keeps getting bumped because of other books I end up writing based on the work I do here, starting with last year's Enshittification. I'm now fully two books ahead of myself, with The Reverse Centaur's Guide to Life After AI coming in June, and The Post-American Internet in early 2027 (in addition to two graphic novels and a short story collection). Professionally speaking, these are the most successful books I've written, in a long, 30+ book career with many notable successes. Intellectually and artistically speaking, I'm incredibly satisfied with the direction my career has moved in over my six Pluralistic years.

Blogging is – and always has been – a lot of work for me, but it's work that pays off, even if I don't always know what form that payoff will take.

One essential part of this blog is my daily retrospective of posts from this day through my blogging history – 25 years ago, 20 years ago, 15 years ago, 10 years ago, 5 years ago, and last year. I used to call this "This day in history" but now I call it "Object permanence," for the developmental milestone when toddlers gain the ability to remember and reason about things that have recently happened (roughly, it's the point at which "peek-a-boo" stops being fun).

The daily business of reviewing and selecting blog posts from different parts of my life started as a trivial exercise, but it's become one of the most important things I do. I liken it to working dough and folding the dry crumbly edges back into the center; in this case, I'm folding all the fragments that are in danger of escaping my working memory back into the center of my attention.

Six years ago, I didn't know what Pluralistic was going to be. Today, I still don't know. But because this is a labor of love, and a solo project, I get to try anything and either give it up or carry it on based on how it makes me feel and what effect it has on my life. I'm always tinkering with the format: this year, I also added a subhead to the Object Permanence section that tries to call out (in as few characters as possible) the most important elements of the day's list.

I also dropped some things this year, notably, my "linkdump" posts. A couple years ago, at the suggestion of Mitch Wagner, I added a new section called "Hey look at this," which featured three bare links to things I thought were noteworthy but didn't have time or inclination to delve into in depth. Later, I expanded this section to five.

However, even with five bare links per edition, I often found myself with a backlog of noteworthy things. So I started writing the occasional Saturday "linkdump" essay in which I wove together the whole backlog into a giant, meandering essay. These made for interesting rhetorical challenges, as I found elegant ways to bridge completely disparate subjects – a kind of collaging, perhaps akin to how a mashup artist mixes two very different tracks together. Mentally, I thought of this as "ringing the changes," but ultimately, I decided to drop these linkdump posts (for now, at least). They ended up being too much work, and of little value to me, because I found myself unable to remember what I wrote in them and thus to call them up to refer to them for future posts. Here's all 33 linkdumps; they're not gone forever (not so long as the links pile up in my backlog), but when they come back, they'll be in a different form:

https://pluralistic.net/tag/linkdump/

This really is a labor of love, in the sense that I love doing it, and because it's hard work. The fact that it's hard work is a feature, not a bug. Working hard on stuff is really important to me, because when I am working hard, I gain respite from both physical and mental discomfort. As a guy with serious chronic pain living through the Trump years, I've got plenty of both kinds of discomfort. I can't overstate how physically and mentally beneficial it is to me to have an activity that takes me out of the moment. This year, I wrote several editions of Pluralistic from an infusion couch at the Kaiser Sunset hematology center in LA, where I was receiving immunotherapy for a cancer diagnosis that I'm assured is very treatable, but which – to be totally honest – sometimes gets my old worrier running hot:

https://pluralistic.net/2024/11/05/carcinoma-angels/#squeaky-nail

Making Pluralistic is several kinds of hard work. Over the past six years, I've become an ardent collagist, spending more and more time on the weird, semi-grotesque images that run atop every edition. Anything you devote substantial time to on a near-daily basis is something that gives you insight – into yourself, and into the thing you're doing. I've always had a certain familiarity with computer image editing (I think I got my start writing Apple ][+ BASIC programs that spat out ASCII art, before graduating to making pixel-art for Broderbund's "Print Shop"), but I've never applied myself to any visual field in a serious way, until now.

Amazingly, after 50 years of thinking of myself as someone who is "bad at visual art," I find myself identifying as a visual artist. I find myself pondering visual works the same way I think about prose – mentally tearing it apart to unpick how it is done, and thinking about how I could productively steal some new techniques for my own work. I'm also privileged to have some accomplished visual artists in my circle, like my pal Alistair Milne, who generously share technical and aesthetic tips. It's got to the point where I published a book of my art, and I think I'll probably do it again next year:

https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

There's also a ton of technical work that goes into publishing each edition of this newsletter. Things have moved on somewhat since I published an in-depth process-post in 2021, though I'm still totally reliant on Loren Kohnfelder's python scripts that help me turn the XML file I compose every day into files that are (nearly) ready to publish:

https://pluralistic.net/2021/01/13/two-decades/#hfbd

Much of the technical work is down to the fact that I'm still completely wed to the idea of "POSSE" (Post Own Site, Syndicate Everywhere):

https://pluralistic.net/2022/02/19/now-we-are-two/#two-much-posse

This means that after I write the day's post, I reformat it and republish it as a text-only newsletter, a Medium post, a Tumblr post, a Twitter thread and a Mastodon thread. This involves a ton of manual work, because none of the services I post to are designed to facilitate this, so I'm always wrestling with them. This year, all of them got worse (incredibly).

Medium – where I used to have a paid column – has dropped its free-flag for my account, which now limits me to how many posts I can schedule. This doesn't come up often, but when I do schedule a post, it's generally because I'm going to be on a plane or a stage and won't be able to do it manually. There's no way I'm going to pay for this feature: I'm happy to give Medium my work gratis, but I will not and do not pay anyone to publish my work, and I never will.

Tumblr did something to its post-composing text editor that completely broke it and I've given up on fixing it. I can't even type into a new post field! I have to paste in some styled text, then delete it, then start typing. It's ghastly. So now I just have a text file full of formatted HTML snippets and I work exclusively in the Tumblr HTML editor, pasting in blobs of preformatted HTML (including the florid, verbose HTML Tumblr uses for its own formatting) and then laboriously flip back and forth to the "visual" editor to see the parts that went wrong. Here's how busted that visual editor is: searching for a word then double-clicking on it does not select it. You have to click once, wait about 1.5 seconds, click again, wait again, and then you can select the word.

Twitter has entered a period of terminal technical decline. I know, I know, we always talk about how fucked Twitter's content moderation is, for obvious and good reasons, but from a technical perspective, Twitter just sucks. If I make a post with an image and alt text in anticipation of later using it to start a thread, it often goes "stale" and will not publish until I delete the image and re-attach it and re-paste the alt text. Meanwhile, the thread editor is also decaying into uselessness. Fill in a 25-post thread and hit publish and, the majority of times, the thread publication will die midway through, displaying lots of weird failure modes (phantom empty posts at the end of the thread that need to be individually selected and deleted are a common one, but not the only one). The old Twitter's ability to add a new thread to an existing one has been dead for at least a year, so every post after the 25th stanza has to be manually tacked on to the previous one, which is made far harder by the fact that Twitter no longer reliably shows you the post you just made after it publishes.

Mastodon still lacks a decent thread editor, one that has even the minimal functionality of Twitter circa 2020. Meanwhile, the Fediverse HOA continues to surface from time to time, with someone who's had a Masto account for ten seconds scolding me for posting threads – from my account whose bio starts "I post long threads." It's genuinely tedious to be shouted at for "using Mastodon wrong" by someone who started using Mastodon yesterday (I opened my first Mastodon account in 2018!), and even worse when they double down after I point them to the essay I've written to explain why I post the way I do, and what to do if you want to read my work somewhere that's not your Mastodon timeline ("Can you believe this asshole wrote a whole essay to explain why he posts his stupid Mastodon threads?"):

https://pluralistic.net/2023/04/16/how-to-make-the-least-worst-mastodon-threads/

Then there's email: I continue to love email, but email doesn't love me back. After years of being blackholed by AT&T and then Google, this turns out to be the year that Microsoft bounces thousands of messages to its Hotmail and Outlook users because they have arbitrarily and without warning added my mail-server to a blacklist. Thank you to the Fediverse friends who escalated my trouble ticket – but man, this is a headache I could certainly do without:

https://pluralistic.net/2021/10/10/dead-letters/

My sysadmin, the incomparable and tireless Ken Snider, tells me that he's got the long-overdue new hardware installed at the colo and he's nearly ready to stand up my long-anticipated personal Mastodon server, which will let me solve all kinds of problems. He's also going to stand up my own Bluesky server, at which point I will part ways with Twitter. I wish I could have used the regular Bluesky service while I waited, but just setting up an account permanently binds you to totally unacceptable and dangerous terms of service:

https://pluralistic.net/2025/08/15/dogs-breakfast/#by-clicking-this-you-agree-on-behalf-of-your-employer-to-release-me-from-all-obligations-and-waivers-arising-from-any-and-all-NON-NEGOTIATED-agreements

What's the point of a service that has account- and data-portability if signing up for it makes you permanently surrender your rights, even if you switch servers? This might be the stupidest social media unforced error of the post-zuckermuskian era.

There is one technology that has made my POSSE life better, and it might surprise you. This year, I installed Ollama – an open-source LLM – on my laptop. It runs pretty well, even without a GPU. Every day, before I run Loren's python publication scripts, I run the text through Ollama as a typo-catcher (my prompt is "find typos"). Ollama always spots three or four of these, usually stuff like missing punctuation, or forgotten words, or double words ("the the next thing") or typos that are still valid words ("of top of everything else").

The reason this is so valuable to me is that errors magnify through each stage of POSSE. Errors that make it through the python publication script take 10x the time to fix that they would if I caught them beforehand. Errors that I catch after running the scripts and publishing the posts take 10x time more. Errors that I have to fix later on – once I've closed all the relevant tabs and editors – take 10x again more time. Some POSSE channels (email, Twitter) can't be fixed at all.

So catching these typos at the start of the process is a huge time-saver. I have some very generous readers who have the proofreader's gene and are very helpful in catching my typos (hi, Gregory and 9o6!), and I feel bad about depriving them of their fun, but there's still the odd error that slips through, and they always catch it.

Ollama is a pretty good typo-catcher. Probably half of the "errors" it points out are false positives, which is better than the false positive rate for Google Docs' grammar-checker. As someone who uses a lot of jargon, made up words, etc in his prose, I'm used to overriding my text-editor. I wouldn't simply trust an LLM's edits any more than I would accept every suggestion from a spell-checker. Hell, yesterday I sent back a professionally copyedited manuscript (the intro for the paperback of Enshittification) and marked "STET" on about a third of the queries.

Doubtless some of you are affronted by my modest use of an LLM. You think that LLMs are "fruits of the poisoned tree" and must be eschewed because they are saturated with the sin of their origins. I think this is a very bad take, the kind of rathole that purity culture always ends up in.

Let's start with some context. If you don't want to use technology that was created under immoral circumstances or that sprang from an immoral mind, then you are totally fucked. I mean, all the way down to the silicon chips in your device, which can never be fully disentangled from the odious, paranoid racist William Shockley, who won the Nobel Prize for co-inventing the silicon transistor:

https://pluralistic.net/2021/10/24/the-traitorous-eight-and-the-battle-of-germanium-valley/

Further, we wouldn't have the packet-switched network that delivered these words to you without the contributions of the literal war-criminals at the RAND corporation:

https://en.wikipedia.org/wiki/ARPANET

Refusing to use a technology because the people who developed it were indefensible creeps is a self-owning dead-end. You know what's better than refusing to use a technology because you hate its creators? Seizing that technology and making it your own. Don't like the fact that a convicted monopolist has a death-grip on networking? Steal its protocol, release a free software version of it, and leave it in your dust:

https://www.eff.org/deeplinks/2019/07/samba-versus-smb-adversarial-interoperability-judo-network-effects

That's how we make good tech: not by insisting that all its inputs be free from sin, but by purging that wickedness by liberating the technology from its monstrous forebears and making free and open versions of it:

https://pluralistic.net/2025/01/14/contesting-popularity/#everybody-samba

Purity culture is such an obvious trap, an artifact of the neoliberal ideology that insists that the solution to all our problems is to shop very carefully, thus reducing all politics to personal consumption choices:

https://pluralistic.net/2025/07/31/unsatisfying-answers/#systemic-problems

I mean, it was extraordinarily stupid for the Nazis to refuse Einstein's work because it was "Jewish science," but not merely because antisemitism is stupid. It was also a major self-limiting move because Einstein was right:

https://www.scientificamerican.com/article/how-2-pro-nazi-nobelists-attacked-einstein-s-jewish-science-excerpt1/

Refusing to run an LLM on your laptop because you don't like Sam Altman is as foolish as refusing to get monoclonal antibodies because James Watson was a racist nutjob:

https://www.statnews.com/2025/11/07/james-watson-remembrance-from-dna-pioneer-to-pariah/

Or to refuse to communicate via satellite because they were launched into space on a descendant of a rocket designed by the Nazi Wernher von Braun and built by slaves in a death camp:

https://wsmrmuseum.com/2020/07/27/von-braun-the-v-2-and-slave-labor/4/

The AI bubble sucks. AI itself is a normal technology:

https://knightcolumbia.org/content/ai-as-normal-technology

It's not "unethical" to scrape the web in order to create and analyze data-sets. That's just "a search engine":

https://pluralistic.net/2023/09/17/how-to-think-about-scraping/

There's plenty of useful things people can do with AI. There's plenty of useful things people will do with AI. AI is bad because it's an economic bubble and a grift, but not because we've created a bunch of utilities that would – under normal circumstances – be called "plug-ins":

https://pluralistic.net/2025/12/05/pop-that-bubble/#u-washington

I started blogging 25 years ago, just before the dotcom bubble popped. That bubble-pop inflicted a lot of pain on people who didn't deserve it, including the normie investors who'd been suckered into blowing their life's savings on dogshit stocks, and everyday workers who found themselves out of a job. But the world was better off. So was the web. With the bubble popped, real, good stuff could access talent, servers and office space.

In the six years I've been doing this, I've seen several bubbles come and go: crypto, web3, metaverse. Now it's AI. But those bubbles were like Enron, frauds that left nothing good behind. AI is like the dotcom bubble, awash in sin and inflicting untold misery, but it will leave something useful behind:

https://pluralistic.net/2023/12/19/bubblenomics/#pop

And when it does, I'll make sense of it on this blog.


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#20yrsago HOWTO resist warrantless searches at Best Buy https://www.die.net/musings/bestbuy/

#20yrsago RIAA using kids’ private info to attack their mother https://web.archive.org/web/20060223111437/http://p2pnet.net/story/7942

#20yrsago Sony BMG demotes CEO for deploying DRM https://web.archive.org/web/20060219233817/http://biz.yahoo.com/ap/060210/germany_sony_bmg_ceo.html?.v=7

#20yrsago Sistine Chapel recreated through 10-year cross-stitch project https://web.archive.org/web/20060214195146/http://www.austinstitchers.org/Show06/images/sistine2.jpg

#20yrsago J Edgar Hoover loved Lucy https://web.archive.org/web/20060425120915/http://www.lucylibrary.com/pages/lucy-news-fbi.letter.html

#20yrsago Bad Samaritan family won’t return found expensive camera https://web.archive.org/web/20060222200300/https://lostcamera.blogspot.com/2006/02/camera-unlost-but-not-quite-found.html

#15yrsago What does Libyan revolution mean for bit.ly? https://domainnamewire.com/2011/02/18/is-bit-ly-toast-if-libya-shuts-down-the-internet/

#15yrsago Optical illusion inventor goes on to invent copyright threats against 3D printing company https://web.archive.org/web/20110221185839/https://blog.thingiverse.com/2011/02/18/copyright-and-intellectual-property-policy/#respond

#15yrsago Crappy themepark operators convicted of “engaging in a commercial practice which was a misleading action” https://www.theguardian.com/uk/2011/feb/18/lapland-theme-park-brothers-convicted

#15yrsago HBGary’s high-volume astroturfing technology and the Feds who requested it https://www.dailykos.com/story/2011/02/16/945768/-UPDATED:-The-HB-Gary-Email-That-Should-Concern-Us-All

#15yrsago Authors Guild argues in favor of censorship (also: they don’t know shit about Shakespeare) https://volokh.com/2011/02/17/there-should-be-a-name-for-this-one-too/

#15yrsago Hollywood hospital ransoms itself back from hackers for a mere $17,000 https://web.archive.org/web/20160227094254/https://www.latimes.com/business/technology/la-me-ln-hollywood-hospital-bitcoin-20160217-story.html

#15yrsago Chinese millionaire sues himself through an offshore shell company to beat currency export controls https://web.archive.org/web/20180526235055/https://blogs.wsj.com/chinarealtime/2016/02/16/china-capital-flight-2-0-lose-a-lawsuit-on-purpose/?guid=BL-CJB-28691&dsk=y

#15yrsago Selling cookies like a crack dealer, by dangling a string out your kitchen window https://laughingsquid.com/cookies-sold-by-string-dangling-from-san-francisco-apartment-window/

#15yrsago Midwestern Tahrir: Workers refuse to leave Wisconsin capital over Tea Party labor law https://www.theawl.com/2011/02/wisconsin-demonstrates-against-scott-walkers-war-on-unions/

#10yrsago Back-room revisions to TPP sneakily criminalize fansubbing & other copyright grey zones https://www.eff.org/deeplinks/2016/02/sneaky-change-tpp-drastically-extends-criminal-penalties

#10yrsago Russian Central Bank shutting down banks that staged fake cyberattacks to rip off depositors https://web.archive.org/web/20160220100817/http://www.scmagazine.com/russian-bank-licences-revoked-for-using-hackers-to-withdraw-funds/article/474477/

#10yrsago Stop paying your student loans and debt collectors can send US Marshals to arrest you https://web.archive.org/web/20201026202024/https://nymag.com/intelligencer/2016/02/us-marshals-forcibly-collecting-student-debt.html?mid=twitter-share-di

#5yrsago Reverse centaurs and the failure of AI https://pluralistic.net/2021/02/17/reverse-centaur/#reverse-centaur

#5yrsago Strength in numbers https://pluralistic.net/2021/02/18/ink-stained-wretches/#countless

#5yrsago America and "national capitalism" https://pluralistic.net/2025/02/18/pikettys-productivity/#reaganomics-revenge

#1yrago Business school professors trained an AI to judge workers' personalities based on their faces https://pluralistic.net/2025/02/17/caliper-ai/#racism-machine


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1013 words today, 31953 total)

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

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We Have Learned Nothing About Amplifying Morons

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We Have Learned Nothing About Amplifying Morons

Almost a decade ago Jason and I sat in the roof garden in VICE’s Brooklyn office to talk to Whitney Phillips, a professor and expert on digital communications and ethics. The media, academics, and political pundits were still trying to wrap their minds around the fact that Donald Trump won his first presidential election, and Phillips was talking to us for a postmortem she was writing about how the media mostly failed in covering the new, far right, and extremely online politics that had taken over the culture in the years leading up to the 2016 election.

Politics in the United States and globally careening to the far right over the last 10 years is not a problem that can be blamed entirely on technology, the internet, or the media. It is a complicated, multifaceted, multi generational issue that spans economics, geopolitics, demographics, and more. But the problem, broadly speaking, which Phillips identified and named her research after, was the concept of “amplification.” 

The idea, as laid out in her paper, The Oxygen of Amplification, is that many media outlets of all sizes and across the political spectrum, interviewed and covered people, most of them young white men, in the rising movement that at the time was often referred to as the “alt right.” The issue was that this coverage amplified their message even if it didn’t explicitly endorse it, and without framing their politics as inherently evil and detrimental to people and society. 

Since Phillips’ report was published and often cited as one good explanation for how 4chan’s tiny political vanguard was able to seize such an outsized role in culture and politics, “amplification” has become a widely bandied about accusation. Initially this happened against media coverage that still “platformed” bad people, but eventually and erroneously, accusations of “amplification” got lobbed against pretty much any type of coverage someone didn’t like. For example, when we cover bad actors we often get criticized for amplifying them, even when that coverage leads to internet platforms enforcing their policies and those bad actors being banned.

But despite the concept of amplification being widely cited and adopted by the media and media knowers, it has been eight years since Phillips published her report, Trump is president again, and many Americans are too nihilistic or busy trying to prevent their neighbors from being deported to care that we are in the middle of an amplification renaissance.  

There is no better example of this than the current obsession with Braden Peters, a so-called “looksmaxxer” who streams on Kick as Clavicular. I’ve known about the looksmaxxing community for years because it neighbors other online Superfund sites like 4chan and watering holes for self described involuntary celibates. Peters entered the mainstream media bloodstream by attaching himself to more famous racists and misogynists like Nick Fuentes and Andrew Tate, who livestreamed themselves hitting the club scene in Miami with Peters. This group in turn attached itself to the only racist who could rival Trump in terms of fame, Kanye West, when it sang along and Sieg Heiled to his Nazi anthem “Heil Hitler.” 

Who is this other, square jawed racist in the sprinter van next to these other, well established and by now boring racists? you might ask yourself if you saw one of the clips of this group Miami making the rounds online. The answer came from the New York Times, Piers Morgan, GQ, The Adam Friedland Show, and others. 

When you get past the novelty of Clavicular’s fresh face and lingo, the answer is profoundly uninteresting. Clavicular floated to the surface of the cesspool which is the looksmaxxing community. Primarily, it’s a forum where a bunch of young men who can’t get laid riled themselves up and created a theory of the world which views romantic life as a zero sum game they are losing. Sex with women is a fungible commodity that is most easily accessed by achieving an arbitrary definition of physical attractiveness, which by extension makes life better and easier in every way imaginable. Jobs are easier to get, consequences can be avoided, and other men can be “mogged” into submission by sheer aesthetic superiority. These looksmaxxers will stop at nothing to improve their appearance, including hitting themselves in the face with a hammer to change the shape of their face, taking various steroids, and doing DIY surgery. 

As Werner Herzog said when he intensely stared into the eyes of a chicken, when I view an interview with Peters, I am overwhelmed by the enormity and stupidity of his flat brain. In a recent interview for his podcast, Adam Friedland ironically needled Peters and got him to proudly admit that he only lasts a minute in bed; the moment was funny but also revealing of how pathetic Peters is. 

But let me be clear because much of the coverage of Peters hasn’t been about this particular point: Peters is a bad person to wield any cultural capital because the lifestyle he’s promoting is deeply misogynistic, racist, and dangerous. Looksmaxxing is a strategy that emerged among “incels,” who themselves emerged out of the pick up artist (PUA) community. All of these philosophies are founded on a resentment of women, which they view as having easier lives because they think they have easier access to sex, and that they hate because they think women deny them that sex. Peters has claimed looksmaxxing transcends politics, but this foundational discrimination against women is inherently regressive and right wing, which is why Peters is being boosted by the likes of Nick Fuentes, who doesn’t believe women should have the right to vote. This philosophy is maybe somewhat normalized by a broader obsession in Silicon Valley and beyond to optimize the human body with supplements, peptides, and figures like Bryan Johnson who aims to live forever.   

The good news is that these looksmaxxing people are freaks and losers. They are a tiny and insignificant group that has no power in numbers. The bad news is that the entire point of amplification is that it can give a tiny group of people incredible power by shaping culture. It is fine and fair to document the freak show, and it’s important to explain why it is bad, but even if we start by doing it ironically, adopting the vocabulary of “mogging,” “looksmaxxing,” “jestering,” “cortisol spikes,” etc, allows the small freak show to shape our world in its image. We’ve already lost such battles around terms like “sigma,” which emerged from the same misogynistic culture, and is now so acceptable even Dora the Explorer is saying it.

As Phillips wrote in her report on amplification:

“No matter the specific framing, stories should avoid deferring to manipulators’ chosen language, explanations, or justifications. Joel Stein’s TIME magazine interview with avowed neo-Nazi and serial online abuser Andrew Auernheimer, discussed in Part One of the report, provides one example. Not only did Stein frame his subject as a ‘troll’ throughout (thereby minimizing the embodied impact of Auernheimer’s targeted attacks), he explicitly described him as ‘probably the biggest troll in history,’ a tag line Auernheimer could have written himself.”

And as I told Phillips at the time: 

“Beyond this specific example, employing manipulators’ framings has the effect [...] of allowing manipulators to set the narrative and linguistic agenda, carve the world up into categories of their choosing, and appear to wield much more influence than they actually do. They don’t have the numbers to steer the cultural conversation on their own, and they should not be given any assistance, inadvertent or otherwise, in these efforts.”

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Pinterest Is Drowning in a Sea of AI Slop and Auto-Moderation

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Pinterest Is Drowning in a Sea of AI Slop and Auto-Moderation

Pinterest has gone all in on artificial intelligence and users say it's destroying the site. Since 2009, the image sharing social media site has been a place for people to share their art, recipes, home renovation inspiration, corny motivational quotes, and more, but in the last year users, especially artists, say the site has gotten worse. AI-powered mods are pulling down posts and banning accounts, AI-generated art is filling feeds, and hand drawn art is labeled as AI modified.

“I feel like, increasingly, it's impossible to talk to a single human [at Pinterest],” artist and Pinterest user Tiana Oreglia told 404 Media. “Along with being filled with AI images that have been completely ruining the platform, Pinterest has implemented terrible AI moderation that the community is up in arms about. It's banning people randomly and I keep getting takedown notices for pins.”

Oreglia’s Pinterest account is where she keeps reference material for her work, including human anatomy photos. In the past few months, she’s noticed an uptick in seemingly innocuous photos of women being flagged by Pinterest’s AI moderators. Oreglia told 404 Media there’s been a clear pattern to the reference material the site has a problem with. “Female figures in particular, even if completely clothed, get taken down and I have to keep appealing those decisions,” she said. This pattern is common on many social media platforms, and predates the advent of generative AI. 

“We publish clear guidelines on adult sexual content and nudity and use a combination of AI and human review for enforcement,” Pinterest told 404 Media. “We have an appeals process where a human reviews the content and reactivates it when we’ve made a mistake.” It also confirmed that the site uses both humans and automated systems for moderation.

Oreglia shared some of the works Pinterest flagged including a photo of a muscular woman in a bikini holding knives, a painting of two clothed women in an intimate embrace, and a stock photo of a man holding a gun on a telephone that was flagged for “self-harm.” In most cases, Oreglia can appeal and get a decision reversed, but that eats up time. Time she could be spending making art.

And those appeals aren’t always approved. “The worst case scenario for this stuff is that you get your account banned,” Oreglia said.

r/Pinterest is awash in users complaining about AI-related issues on the site. “Pinterest keeps automatically adding the ‘AI modified’ tag to my Pins...every time I appeal, Pinterest reviews it and removes the AI label. But then… the same thing happens again on new Pins and new artwork. So I’m stuck in this endless loop of appealing → label removed → new Pin gets tagged again,” read a post on r/Pinterest

The redditor told 404 Media that this has happened three times so far and it takes between 24 to 48 hours to sort out. 

“I actively promote my work as 100% hand-drawn and ‘no AI,’” they said. “On Etsy, I clearly position my brand around original illustration. So when a Pinterest Pin is labeled ‘Hand Drawn’ but simultaneously marked as ‘AI modified,’ it creates confusion and undermines that positioning.”

Artist Min Zakuga told 404 Media that they’ve seen a lot of their art on Pinterest get labeled as “AI modified” despite being older than image generation tech. “There is no way to take their auto-labeling off, other than going through a horribly long process where you have to prove it was not AI, which still may get rejected,” she said. “Even artwork from 10-13 years ago will still be labeled by Pinterest as AI, with them knowing full well something from 10 years ago could not possibly be AI.”

Other users are tired of seeing a constant flood of AI-generated art in their feeds. “I can't even scroll through 100 pins without 95 out of them being some AI slop or theft, let alone very talented artists tend to be sucked down and are being unrecognized by the sheer amount of it,” said another post. “I don't want to triple check my sources every single time I look at a pin, but I refuse to use any of that soulless garbage. However, Pinterest has been infested. Made obsolete.”

Artist Eva Toorenent told 404 Media that she’s been able to cull most of the AI-generated content from her board, but that it took a lot of time. Whenever she saw what she thought was an AI-generated image, she told Pinterest she didn’t want to see it and eventually the algorithm learned. But, like Oreglia fighting auto-moderation and Zakuga fighting to get the “AI modified” label taken off her work, training Pinterest’s algorithm to stop serving you AI-generated images eats up precious time.

AI boosters often talk about how much time these systems will save everyone. They’re pitched as productivity boosters. Earlier this month, Pinterest laid off 15 percent of its work force as part of a push to prioritize AI. In a post on LinkedIn, one of the former employees shared part of the email CEO Bill Ready sent out after the lay offs. “We’re doubling down on an AI-forward approach—prioritizing AI-focused roles, teams, and ways of working.”

Toorenent removed all her own art from her Pinterest account after hearing the news that the site would use public pins to train Pinterest Canvas, the company’s proprietary text-to-image AI. But she has no control over other users uploading her artwork. “I have already caught a few of my images still on Pinterest that I did not upload myself…that makes me incredibly mad,” she told 404 Media. “It used to be a great way to get your work seen among other people, but it’s being used to train their internal AI.”

Oreglia told 404 Media that the flood of AI has changed her relationship to a site she once used to prize. “It's definitely affected how I search things and I'm always now very critical about where something came from... although I've always been overly pedantic about research,” she said. “It does make you do your due diligence but it sucks to constantly have to question and check if something is authentic or synthetic.”

She’s thought about leaving the platform, but feels stuck. “I just want to be able to take all my references with me. I've been on the platform for about ten years and have very carefully curated it. It's really nice to be able to just go to my page and search for something I saved instead of having to save everything to folders although I also do that,” she said. “More and more I'm trying to curate and collect physical references too but some of that can take up space I don't have so it can be difficult. Having a physical reference library just seems more and more necessary these days…artists have to be adaptable to this kind of thing these days. It's annoying but not unmanageable.”

Ready has been vocal and proud about the company’s commitment to forcing AI into every aspect of the user experience. “At Pinterest…we’re deploying AI to flip the script on social media, using it to more aggressively promote user well being rather than the alternative formula of triggering engagement by enragement,” Ready said in a January column at Fortune. “Social media platforms like Pinterest live and die by users’ willingness to share creative and original ideas.”



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angelchrys
22 hours ago
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This is reminding me that I really need to go into pinterest and see if I can export my recipe pins to raindrop.io
Overland Park, KS
CrystalDave
16 hours ago
Similar thought with me and my old Pinboard export. Raindrop or buckling down & figuring out a setup for bookmarks in Obsidian which I like

Montagssorbet mit Laut & Luise #165: Mira Vána

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Heute ist zwar nicht Montag, aber dieser einen sanft begleitende Mix von Mira Vána geht auch an einem Donnerstagnachmittag außerordentlich gut, um dazu schon mal in ganz entspannte Wochenendstimmung zu kommen. So wie ich hier.

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