If you’ve left a comment on a YouTube video, a new website claims it might be able to find every comment you’ve ever left on any video you’ve ever watched. Then an AI can build a profile of the commenter and guess where you live, what languages you speak, and what your politics might be.

The service is called YouTube-Tools and is just the latest in a suite of web-based tools that started life as a site to investigate League of Legends usernames. Now it uses a modified large language model created by the company Mistral to generate a background report on YouTube commenters based on their conversations. Its developer claims it's meant to be used by the cops, but anyone can sign up. It costs about $20 a month to use and all you need to get started is a credit card and an email address.

The tool presents a significant privacy risk, and shows that people may not be as anonymous in the YouTube comments sections as they may think. The site’s report is ready in seconds and provides enough data for an AI to flag identifying details about a commenter. The tool could be a boon for harassers attempting to build profiles of their targets, and 404 Media has seen evidence that harassment-focused communities have used the developers' other tools.

YouTube-Tools also appears to be a violation of YouTube’s privacy policies, and raises questions about what YouTube is doing to stop the scraping and repurposing of peoples’ data like this. “Public search engines may scrape data only in accordance with YouTube's robots.txt file or with YouTube's prior written permission,” it says. 

To test the service, I plugged a random YouTube commenter into the system and within seconds the site found dozens of comments on multiple videos and produced an AI-generated paragraph about them. “Possible Location/Region: The presence of Italian language comments and references to ‘X Factor Italia’ and Italian cooking suggest an association with Italy,” the report said.

“Political/Social/Cultural Views: Some comments reflect a level of criticism towards interviewers and societal norms (e.g., comments on masculinity), indicating an engagement with contemporary cultural discussions. However, there is no overtly political stance expressed,” it continued.

According to the site, it has access to “1.4 billion users & 20 billion comments.” The dataset is not complete; YouTube has more than 2.5 billion users.

Youtube-Tools launched about a week ago and is an outgrowth of LoL-Archiver. There’s also nHentai-Archiver, which can give you a comprehensive comment history of a user on the popular adult manga sharing site. Kick-Tools can produce the chat history or ban history of a user on the streaming site Kick. Twitch-Tools can give you the chat history for an account sorted by timestamp and sortable by all the channels they interact on.

Twitch-Tools only monitors a channel that users have specifically requested it to monitor. As of this writing, the website says it is monitoring 39,057 Twitch channels. For example, I was able to pull a username from a popular Twitch stream, plug it into the tool and then track every time that user had made a comment on another one of the tracked channels.

Reached for comment, the developer of these tools didn’t dance around the reason they built them. “The end goal of people tracking Twitch channels would certainly be to gather information on specific users,” they said.

Twitch did not respond to 404 Media’s request for comment, and YouTube acknowledged a request but did not provide a statement in time for publication. But I spoke with someone in control of a contact email address listed on the LoL-Archiver’s “about” page. They said they’re based in Europe, have a background in OSINT, and often partnered with law enforcement in their country. “I decided I launched [sic] these tools in the first place as a project to build the tool that could be use by LEAs [law enforcement agencies] and PIs [private investigators.]”

According to the developer, they’ve provided the tool to cops in Portugal, Belgium, and “other countries in Europe.” They told 404 Media that the website is meant for private investigators, journalists, and cops. 

“To prevent abuses [sic] we only allow the website to people with legitimate purposes,” they said. I asked how the site vets users. “We ask the users to accept our Terms of Use and do targeted KYC [know your customer] requests to people we estimate have an illegitimate reason to use our website. If we find that a user doesn't have a legitimate purpose to use our service according to our terms of use, we reserve the right to terminate that user's access to our website.”

The site’s Terms of Service makes this explicit in the first paragraph. “The Service is distributed only to licensed professional investigators and law enforcement. Non-professional individuals are not allowed to subscribe to the Service,” it says.

But YouTube-Tools is a “grant access first ask for proof later” kind of website. 404 Media was able to set up an account and begin browsing information in minutes after paying for a month of the service with a credit card. It didn’t ask me any questions about how I planned to use the service nor did it need any other information about me.

I asked the developer for an example of a time they had removed someone from the platform. They said they’d removed a client a few weeks ago after they realized the email the client used to obtain their license was “temporary.” The developer said they reached out to the client to ask why they wanted the tool and didn’t get a response. “They ignored us, and we therefore reported the issue to Stripe and terminated their access.”

The AI summaries are new and only exist for the YouTube tools. “The AI summary is to provide points of interest, so that an investigator doesn't have to go through the (potentially) thousand [sic] of comments,” the developer said. “This summary is not to replace the research and investigation process of the investigator, but to give clues on where they can start looking at first.”

I asked them about the possible privacy violations the tool presents and the developer acknowledged that they’re real. “But we try to limit them during [our] vetting process,” they said. Again, I was able to sign up for the site with a credit card and an email. I was not vetted.

“I also believe that the tool can be a very valuable source of information for professionals such as police agencies, private investigators, journalists,” the developer said. “That is why we currently offer free access to police agencies requesting it, and have offered [it] to several agencies already. If someone wants to remove any information that the tools has archived they can make a formal request to us, to which we will comply, as we've always done.”

Scraping public data is a big problem. Last month, researchers in Brazil published a dataset built from 2 billion Discord messages they’d pulled from publicly available servers. Last year, Discord shut down a service called Spy Pet that’s similar to YouTube-Tools.

For his first solo venture, noted chef Mateusz Sarnowski, more affectionately known as Mati Pichci, wanted his restaurant to be the embodiment of the name he had chosen. In Latin, amator refers to a lover, a friend, an enthusiast, all descriptions of people who might dine at the new establishment located in the Østerbro district of Copenhagen, Denmark.

To bring his vision of a Danish hjemme spisested or “home dining place” to life, Pichci tapped his friend and fellow Poland native, Adam Wierciński, founder of wiercinski-studio, to design the space, the architect’s first in the city. He envisioned AMATOR as an inviting place where guests could dine and socialize, inspired by the many festive gatherings hosted by Pichci.

Wierciński made the most of the compact 538-square-foot space, transforming it into three spots in one: a café, a restaurant, and a venue for private events. During the day the kitchen serves breakfast and lunch. Flavorful fare includes dishes based on seasonal vegetables and the chef’s personal favorite, a classic omelette. Evenings, meanwhile, are reserved for private candlelit dinners.

Near the entrance there is a wall-mounted installation featuring a piece of a tree trunk from a forest in Poland, a nod to the project’s prevalent materials. Simple geometric constructions – also designed by Wierciński – are formed of raw steel combined with solid wood. A high counter by the front window offers a view of charming townhouses, a perfect spot to tuck in with a beverage.

Rather than basic bistro furnishings, a communal table is the focal point in the restaurant. Made up of a series of small tops, it includes interspersed plates atop stands that are used to hold food, drinks, or even candles. Each oak top is angled, and together they form a distinctive jagged line. Gaps between the tops give the look of separate tables, but by pulling out steel rings they can be easily combined into one large piece. Patrons sit at space-saving oak stools, initial items in the upcoming wiercinski-objects series.

A bar, crafted from the same materials, and enhanced with brown mirrors, separates the open kitchen. Pops of the same yellow that fills in the eatery’s signature brand dot are visible here. This sunny shade is found on ceramic tableware and plywood shelves above the gray tile backsplash. Stainless steel elements, from sconces to circular mirrors, add a bit of shine.

In a nook at the rear of the space a selection of vinyl from a range of genres is available to spin on a turntable, and custom-made speakers by local company Arda Audio ensure high-quality sound. Music is another key ingredient, and just like the cuisine, is part of the overall sensory experience at AMATOR.

Mati Pichci and Adam Wierciński

For more information on AMATOR or wiercinski-studio, visit wiercinski-studio.com.

Photography by Paolo Galgani.

Shelving can say so much about us – what we choose to hide, what we choose to show. Personality and utility collide, creating a necessary and usually static solution to an age-old problem: storage. N. Shook, led by designer Natalie Shook, offers a more flexible solution with the Ledoux Prêt, with trunk-like central towers that house large notches, perfect for shelves to fit into. With two distinct variations: one with draped steel shelf tops, one with beautiful perforated cabinet doors. Install the shelves at regular or irregular intervals, the choice is yours.

Perforations are an elegant way to reduce weight, increase airflow, and maintain privacy within cabinetry. These perforations bisect a solid piece of cherry wood to form the shelves, marbling creating depth of color and a unique luminosity. Perforation also reduces the weight significantly, and making the changing of the shelf heights less cumbersome. The shelves are draped with a sheet of steel, to protect the top from damage. The steel looks as if it were just placed on and left out in the sun, melting gently on to the wood shelves. Satisfyingly thick yet light enough to move, the shelves create horizontal delineations within the vertical axis of the central piece, and offer a rare level of customization.

Ledoux Prêt carries forward form sensibilities and tiered composition while offering just as much functionality and accessibility as its custom counterparts. Ledoux Custom features site specific, one of a kind pieces – Ledoux Prêt embraces the utility and essence of considered, custom work. “Ledoux Custom has always been about creating singular, sculptural pieces… With Ledoux Prêt, I wanted to celebrate the strength and clarity of the central column on its own. These designs offer a more immediate take: clean compositions that allow the form to stand confidently in space without elaborate intervention,” says Shook.

Natalie Shook is a Brooklyn-based artist and designer, fitting in neatly to the intersection between fine art and design. Cooper Union graduate, process and precision are two grounding factors within her work, a deep respect for the material present in all her pieces.

To learn more about the Ledoux Prêt collection, please visit nshook.com.

Photography courtesy of N. Shook.

In an era dominated by streaming services and digital music libraries, the vinyl record has made a remarkable comeback. Whether it’s the warmth of analog audio or the ritual of dropping the needle, vinyl has carved out a powerful niche in modern music culture. But while vinyl might win on audio quality and nostalgia, it’s long struggled with one key limitation: portability. Enter the Toshiba Aurex AX-RP10, a unique and compact portable vinyl record player designed to let music lovers take their turntables on the road – without sacrificing too much convenience.

At first glance, the AX-RP10 seems like a niche curiosity, but it’s more than just a novelty. Toshiba has clearly put thought into the design and functionality of the device. It won’t slip into a pocket, but it’s small and lightweight enough to fit easily into a bag, which Toshiba includes in the box. This makes it a rarity: a vinyl player that actually invites you to leave the house with your records.

The build quality leans into portability too. It’s compact, sturdy, and relatively minimalist, making it ideal for casual listening at a park, on a road trip, or anywhere your records might accompany you.

A standout feature of the AX-RP10 is its built-in 2,000mAh rechargeable battery, which provides up to 10 hours of playback time on a single charge. That’s enough to get you through multiple full albums. Charging is done via USB-C, keeping it in line with modern charging standards, and making it convenient to recharge alongside your phone or other devices.

Despite its retro concept, the AX-RP10 comes with a few modern touches. It supports both 33 1/3 and 45 RPM records, covering a wide range of albums and singles, whether you’re spinning new pressings or classic reissues.

For audio output, Toshiba gives listeners multiple options. There are no built-in speakers, which helps keep the device compact and lightweight, but it features a 3.5mm stereo headphone jack so you can easily plug in wired headphones or connect to an external speaker.

For those who prefer wireless audio, the AX-RP10 includes Bluetooth connectivity, allowing you to pair the player with Bluetooth headphones or speakers. While Bluetooth may introduce some audio compression and purists might prefer wired setups, the convenience of wireless listening adds versatility for casual use and outdoor environments.

There’s even a “jacket holder” built into the back of the device. This simple stand lets you display the album cover of the record you’re currently playing, letting you enjoy the artwork or share what’s spinning with others.

Fans of vintage gear will likely recognize the concept behind the AX-RP10. It bears more than a passing resemblance to the Audio-Technica Sound Burger, a cult-favorite portable turntable that originally launched in the 1980s and was recently reissued due to popular demand. Toshiba’s AX-RP10 echoes that legacy, while updating it for modern listeners with improved battery life and wireless capabilities.

As of now, Toshiba has not announced an official price for the Aurex AX-RP10. However, given the price point of the Audio-Technica Sound Burger (around $200), it’s likely the AX-RP10 will land in a similar range.

For more information, visit aurex.jp.

Photography courtesy of Aurex and Toshiba.

Google is very upset that a lot of the public don’t really like AI. You might think this was because of AI slop and explicit threats to their jobs, but Google is pretty sure it’s because people saw the Terminator films. So Google is funding films about how AI is good really.

Mira Lang at Google says how “narrative films present an opportunity to explore and showcase the ways we want to coexist with this technology.” Whoever “we” is there. [Google]

The unstated background for Google’s AI film initiatives is the bitter strikes by writers and actors in 2023 over generative AI in Hollywood. [LA Times]

Google threw some pocket change at Range Media Partners to “help filmmakers at a pivotal moment where AI’s role requires extensive discussion and diverse viewpoints.” Whenever anyone says “viewpoint diversity,” they mean they want you to put in their bad viewpoints.

At least the films are being made the usual way, and not with an AI video generator. That’s a separate Google propaganda initiative, where Google backed a dumptruck full of money up to director Darren Aronofsky’s house to produce some short films with DeepMind’s Veo video generator. The movies will be filmed the usual way, then they’ll sprinkle just enough Veo on top to get that cheque from Google. [Google; Variety]

Google has a separate thing called “100 Zeros,” which is also working with Range Media. 100 Zeros pays creatives to use exciting new Google toys that they can’t find an actual use case for. [Business Insider]

100 Zeros product-places Google’s ideas. Google would like 100 Zeros to make Android seem cool and exciting to the young people with their iPhones. Now, you might think AI won’t help with that.

Google threw some pennies last year at “Alternative Images of AI,” to promote AI with “speculative photography” — where you start with an actual photo and add a ton of AI image generation and Photoshop the heck out of it. [Google, 2024]

The pictures aren’t even a boring person’s idea of interesting. Nobody at any stage was interested in the photos as photos. This is pure quarterly-driven marketing. At least the photographers got paid?

Google wanted “new visual representations of AI.” Specifically, Google was sick of everyone illustrating press stories on AI with pictures of robots and circuitry. They feel these don’t “capture both its true potential and its challenges.”

Those are the words of people who are paid a lot of money not to understand things. In particular, they’re being paid not to understand why funny robots failing to do their job work so well to represent the unfunny broken AI trash that’s forced on us.

Google’s problem is that the thing they’re trying so hard to make propaganda for sorta sucks.

• Video version

Michael Kalus posted a photo: