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'We Will Fight to Our Very Last Breath:' Township Leaders Vow to Fight Nuclear AI Data Center

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'We Will Fight to Our Very Last Breath:' Township Leaders Vow to Fight Nuclear AI Data Center

Board members of a small township in Michigan agreed to “fight to our very last breath” against an AI data center planned in their community. America’s nuclear scientists and the University of Michigan want to build a massive data center in Ypsilanti Township, Michigan. If built, the data center will, among other things, run simulations to help America build nuclear weapons.

The residents of Ypsilanti Township overwhelmingly oppose the construction of the data center and voiced their opposition to the computer warehouse during a public board meeting on June 16. In a show of support that’s often rare from local leaders in communities with data centers, Ypsilanti Township’s board vowed to fight UofM and Los Alamos National Laboratory, which is partnering with the university, with everything they had.

Throughout most of the three hour board meeting, a photograph from a data center groundbreaking in nearby Saline Township was projected onto a wall behind the board. The photo showed a grinning Michigan Governor Gretchen Whitmer standing in line with Oracle CEO Clay Magouyrk. It was taken at the June 1 groundbreaking of an Oracle and OpenAI data center in nearby Saline Township, one of several Stargate projects. Saline Township is a community of only 2,300 people and the fight against the data center was so contentious that the Township treasurer resigned in tears during a public meeting in May.

During the groundbreaking, a videographer caught Whitmer talking with Magouyrk. In the video Whitmer appeared to tell the billionaire, “We’re used to people saying no, and doing it anyway.” Whitmer’s office has officially denied she said that, but many of the residents of Michigan—including the people of Ypsilanti Township—believe she did.

Cilla Cresswell shot the video of Whitmer and was present at the Ypsilanti Township board meeting on Tuesday. “On June 1 I was standing just to the left, right there,” Creswell said, referring to the photo that loomed behind the board during the meeting. “I was there. I recorded that clip [… ] I was right there. And they want to say it’s fake, but I just want to let you guys know it’s real. You can play it on my camera.”

Members of the board and the community referenced the photograph often during the meeting. “You have people in that photograph worth billions of dollars. Not just millions, we’re talking trillions. Soon to be trillionaires. Yet this state, in its zeal to become the data capital of the country, has extended unprecedented tax credits to the richest corporations in the world,” Douglas Winters, a lawyer representing Ypsilanti Township, said in the meeting.

“Having to stare at this picture during this meeting has my blood boiling,” said Ypsi resident Laura Witowski. “I did not realize how emotional I would be. The waste of space. The complete lack of regard for humans and animals and for what?”

During the hours of community comments, residents stepped forward to voice complaints that have now become common about data centers in America. The people of Ypsilanti Township worried about the rising cost of electricity, how much water the building will use, and how noisy the data center would be once finished.

They also called on the Township board to do everything in their power to stop it from even being built. “Put yourselves on the line. Those people will listen to you better than they will listen to us. Please put yourselves, your jobs, and your comfort on the line to stop this for us,” Ypsi resident Jane Wolf said. “Get creative. Tear up the road. Block the road. Break the law. Do whatever you need to do for us. You will be remembered better in history for the job that you did if you can get creative and really put yourselves out there.”

Jill Warren, the wife of a Methodist pastor, suggested residents brush up on the OSS’ Simple Sabotage Field Manual. “Simply slow things down bureaucratically," she said. “Make sure we block where we can. Use very slow agendas and response times and do, within your power, the work that you are entitled to do. For those who aren’t familiar with it, please look up the Simple Sabotage Field Manual and use it in your own lives of action as well [...] they may not care about us, but we care about us and we’re here and we’ll continue to be here and support the work that you’re doing on our behalf.”

Alyssa, an Ypsilanti resident, cited long passages from John Hershey’s Hiroshima—a 1946 book that focused on the victims of the first atomic bombing. “We don’t need simulations to know what a nuclear strike looks like,” she said. “We have pictures, videos, and audio of what happens. We know what it does to bodies. We know what it does to children and what it does to life.”

Board supervisor Brend Stumbo vowed to fight. “This is going to harm our community in our future. We will fight to our very last breath, but we need help. And we need it from the people who have the power to stop things,” she said.

Stumbo explained that, early on, she and other members of the board were ignorant about data centers and that she was grateful to the Township’s residents for informing her. “Now we know and we’re thankful for the residents and non-residents that came to our meetings early and told us, ‘don’t trust UofM,’” she said. “We do not love nor do we appreciate what the board or regents is doing to our community. It needs to stop. And everyone that showed up here today, we greatly appreciate it and we will keep going, like everyone has said, by doing it together […] I will stand with you. I will fight with you. And I know this entire board and our Township attorney will as well. So let’s keep doing it together.”

The Township has, so far, made good on its word and it’s been creative in its opposition. In April, the board voted to institute a 365 day moratorium on supplying water to data centers so it could conduct a scientific study into how hyper scale data centers might affect the community water supply. In response, UofM threatened to sue and claimed that withholding water from an AI data center meant to power nuclear weapons research was unlawful discrimination.

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Are Public Libraries Becoming Children’s Libraries?

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Are Public Libraries Becoming Children’s Libraries?

This story was reported with support from the MuckRock foundation. 

Earlier this year, an Alaskan assembly member found himself in hot water for introducing a resolution that would have prohibited the Matanuska-Susitna Borough Public Library System from making books and other media available to anyone if deemed “harmful to minors” by the borough manager. 

The proposal wasn’t well received. Public records obtained from the Borough Clerk’s Office and shared with 404 Media show that the proposal was wildly unpopular. In emails to assembly members, constituents implored the resolution's sponsor Michael Bowles to withdraw it, calling it an “audacious and idiotic” attempt at destruction by way of “bureaucratic nightmare.” One constituent likened it to a proposal to “make all libraries children's libraries.” Another said its adoption could result in countless other books being removed that “are not sexual in nature” but which may contain “passing references to sex or adult themes.” 

A week went by before Bowles withdrew the request, seemingly to recalibrate. The Mat-Su Sentinel reported in May that the assembly member introduced and again withdrew a resolution that would have forced the system to pull the book Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and Being a Human from shelves. This teen book has been in the adult section of Mat-Su’s borough-run libraries since 2023 when it was relocated from the teen section following a challenge. 

404 Media has obtained records from dozens of public libraries, which include Requests for Reconsideration of Materials forms (RFRs) and official decision letters to challengers, along with draft versions of updated collection development policies. Much has been written in the last five years about the blatant efforts to suppress access to books that could contain any remotely challenging ideas or that deviate even slightly from cis white heterodoxy, but there’s been little talk about what that means from the rest of us. What my reporting confirms is that there are more books intended for children and young adults in adult sections because challengers didn’t believe it was appropriate for children and young adults to read about people of color and/or people who are queer, trans, or both, while also showing that a large-scale reorganization of public library collections is currently underway, that its application varies by state and locality, and that it’s been very hard to measure because it’s totally chaotic. 

Records obtained from one South Carolina public library system show that between June 2024 and August 2025, more than two dozen young adult books were relocated to the library’s adult section. Before that, the system had already resectioned more than two dozen other YA titles. The ACLU sued Greenville County Public Library System in 2025 for its board-adopted policies from 2024.

Are Public Libraries Becoming Children’s Libraries?

Most letters from the library’s executive director didn’t include any reason for the relocation. However, more recent letters reference the library’s updated collection development policy. 

Are Public Libraries Becoming Children’s Libraries?
Are Public Libraries Becoming Children’s Libraries?

One frequently challenged title caught up in the mix at this library was The Hate U Give a YA book published in 2017 about a teenager who has to witness her friend—an unarmed Black man—be murdered by a police officer during a traffic stop. In 2024 at the Greenville County Public Library System, the book was challenged and retained before, in 2025, the book was again challenged and relocated to the library’s adult section. What happened in between these two events, the library’s board adopted policies making this and other books easier to remove.

The majority of U.S. anti-library laws introduced from 2022 to now have largely focused on school libraries. Only a few states have laws that affect municipal and county public libraries, and so far, most of these efforts have either failed to pass or were struck down by governors. That’s not to say state governments haven’t found other ways to do censorship. As of now, at least two states have mechanisms tying public library funding to content restrictions. One of them happens to be South Carolina, which has a legislative requirement that threatens to strike the system from its budget unless the system certifies with the State Librarian that they don’t keep books in the children, youth or teen sections that could be of "prurient interest” to a 17 year old. A more aggressive version of state library-agency rulemaking comes from Alabama.

In 2024, the Alabama Public Library Service (APLS) amended its administrative code to withhold funding to public libraries that don’t do enough to restrict minors’ access to “sexually explicit” or otherwise “inappropriate” material, and has only continued to broaden its scope since. APLS has since gone on to broaden the criteria for what is “sexually explicit” before adding a provision to treat content dealing with the “concept of more than two biological genders” as inappropriate for youth sections.  

Tuscaloosa Public Library released records to 404 Media in response to a public records request that included tracked edits to the library’s 2025 collection development policy—initially based on a  2022 version—to meet APLS funding requirements. These changes appear to have been accepted. A line about the library welcoming community feedback on collection development, which an editor appeared to question, was also retained.

Are Public Libraries Becoming Children’s Libraries?

The motives behind these changes to collection policies and funding incentives raise serious questions about who public libraries are for in America. William Rodick, who researches representation and culturally responsive teaching in Pre-K and primary education for the nonprofit EdTrust, says the mass relocation of diverse books from developmentally appropriate sections of public libraries into adult sections is a form of “intellectual condescension,” or the idea that young people aren’t capable of dealing with hard topics through literature.

“That becomes manifest by removing opportunities for demonstrating honesty for students,” Rodick told 404 Media.

Rodick says that students already have disproportionate access to spaces outside of classrooms where students can access reading materials. Regardless of where they’re getting their books, students of color and students who are LGBTQ+ aren’t presented in the majority of the books they do have access to—much less so now than just a few years ago. 

“And when they are presented, quite often those representations are stereotypes through really negative portrayals that are certainly not going to use the kind of motivation students need to engage with reading,” Rodick said. “The fear that I have is that at some point, we are going to see even greater disparity in outcomes than we already do for literary rates because of perpetual inaccess to quality materials.”

Literacy rates have been trending downward for young people for a while. When the National Center for Education Statistics (NCES) released its Nation’s Report Card assessment in early 2025, it caused a stir, because one of the major takeaways was that more than 60 percent of fourth graders don’t read proficiently. Another was that the gap between the country’s strongest and weakest readers is widening because the lows are getting lower. Meanwhile, in 2020, about half of Americans between the ages of 16 and 74 were found to have low literacy skills

Nadja Young is chief brand officer with MetaMetrics, the company that developed the widely-adopted Lexile Reading Framework because it measures both reader ability and text complexity to match readers with books that are appropriately challenging. She says the focus for upper grades in high school is really about vocabulary in contexts that are authentic.

"Reading whole books absolutely helps to build that stamina," Young told 404 Media. 

Yet shrinking attention spans and fast-moving curricula are pushing schools toward teaching excerpts over whole books, to the point that college instructors observe that students are finding an expectation to finish a whole book for a college course novel. For The New Yorker this month, Becca Rothfeld literally wrote an essay about the immaturity of modern American books, likening them to “the literary equivalents of the social-media profiles that teen-agers (and adults who have never quite outgrown teen-age tics) compulsively check and update.” 

There are, of course, other factors to weigh when making widesweeping generalizations about literacy rates in adults. Young notes that adults with dyslexia, neurodivergence, and English language learners have historically and continue to have difficulty finding books they can parse that also honor their maturity and intellect. Lexile only measures a text’s complexity, not the content or themes a book contains. And yet, books are being relocated based on content or theme. Whether text complexity is an afterthought or conflated with content or theme is only something the most prolific censors can know.

"I don't think we could take the stance that it's going to bring the population up or down because as long as these books are still in the library somewhere, people can find them and the librarians can help direct them," Young added.

Tasslyn Magnusson, an independent researcher and consultant with organizations like PEN America and EveryLibrary was an early chronicler of the current rise of modern-day book banning.  She says book relocation in public libraries is really just a roundabout way of eliminating diverse representation from children’s literature entirely. 

“We may end up with collections that have weird pockets of literature in them, but I think the more likely scenario is the books won’t circulate,” Magnusson told 404 Media. 

When library books don’t circulate, they’re more likely to get weeded so the library can circulate new titles based on their collection policies. Collection policies, however, are being rewritten across the country to eliminate intellectual freedom and privacy for minors by targeting titles that can fit into a broad category called “sexually explicit,” which is synonymous with “harmful to minors.” This, Magnusson says, prompts publishers to argue that books with same-sex couples, transgender protagonists and people of color encountering racism, brutality—even genocide—don’t sell, because libraries are getting rid of them. 

Where the hypothesis holds up, Magnusson said, is that a young person’s constitutional right to access information is dependent on where they live and whether the adults in their lives recognize them as having free will or not. For adult sections of libraries, a disproportionate number of young adults will need some form of parental permission to check out books that deal with sensitive subjects that, like it or not, teens deal with. 

Unfortunately, the modern-day parental rights movement is predicated on a belief that children are the property of their parents, and therefore parents, “should be able to do anything they want to them,” including restricting their right to read and explore their interests to their fullest potential. Instead, Magnusson says, adults are blocking children from accessing developmentally appropriate material in instances that deal with sensitive subject matter. She takes YA books that grapple with hard topics, like suicide and child sexual abuse as examples, as these are issues censors frequently cite in RFRs for why a book should be relocated. 

The illusion of control is obviously not working and will have devastating consequences for the rest of us, which people do not want and vehemently reject. This means the answer likely lies somewhere between meeting your kids where they’re at, even when where they’re at bears no resemblance to the Devil You Know. Which is scary and sucks, but that’s also what parenting is, and which a lot of parents don’t seem to get.

“We talk about parents’ rights, but what we really need is parent remedial education,” Magnusson added.

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Noodle Therapy / Field Notes

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Noodle Therapy is the ambient-focused alias of Brighton-based producer Dan Porter, a musician active since the late 1990s whose previous work has appeared on labels including 4bit and Thirteen[rec]. While his history and aliases (Gods of Ruin, Cosmic Acid) span a variety of electronic styles, Field Notes marks a deliberate shift toward slower, more reflective forms, drawing inspiration from the coastal, rural, and woodland environments surrounding England's south coast.

Built from a combination of field recordings, modular synthesis, and hardware-based experimentation, Field Notes explores the relationship between memory and place. Fragments of found sound drift through evolving compositions, where analog circuitry, digital instruments, and Eurorack systems are used less as tools of precision and more as instruments of discovery. 

The album was mixed collaboratively by Dan and Dennis White (Thermal Audio) during the depths of winter, with Dennis adding a subtle layer of additional production throughout and co-writing The Dip. For listeners familiar with Quiet Places on ASIP, Dennis's presence will already be well known; his touch here provides another thread connecting Field Notes to the wider ASIP family.

Voices appear briefly and disappear again, landscapes emerge from abstraction, and melodies surface just long enough to leave an impression before dissolving back into texture. Particular thanks go to poet Grayson Wayne, whose words feature within Sea Glass.

Perhaps what makes Field Notes feel especially meaningful is the path it took to arrive here. For a brief period, Dan lived directly beneath label founder Ryan (ASIP) back in England, and while neither could have known where their respective musical journeys would lead, it's hard not to appreciate the small chain of coincidences that eventually brought this release into the world.

Buy on Bandcamp (Limited time Name Your Price until June 26th)

RSVP to the Bandcamp listening Session

 
 

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At 3daysofdesign, Aesop Tests Out a Bioplastic Window Decal Alternative

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At 3daysofdesign, Aesop Tests Out a Bioplastic Window Decal Alternative

Globally recognized skincare and fragrance brand Aesop is no stranger to audacious design innovation, often taking bold leaps into uncharted territory. This April, the Australian company launched Aposē, its first foray into furniture product development. The limited-edition lighting series was inspired by the formal vocabulary of the aluminum tubes used to develop new scent and cream concoctions. This unexpected yet deftly realized deviation was presented in an immersive Milan Design Week display: a sloped field of upcycled 50ml fragrance vials.

Aesop’s beige storefront features three large arched windows and a door, with neatly displayed shelves of products inside and a wooden bench invitingly set outside.

Aesop carried that dynamic spirit of sustainability to this month’s 3daysofdesign Copenhagen. Rather than mount an ambiguous activation simply for the purpose of being present at the increasingly influential event, the brand used the occasion to unveil the latest iteration of its Enduring Forms initiative. Whereas the former project centered on reuse, the latter demonstrates the potential of bio-based material alternatives. Together, these strategies represent two important sides of sustainability today: circularity and biodegradability.

A person with blonde hair stands by a cart with large metal pots in an industrial-style kitchen, evoking the understated elegance of Aesop’s minimalist design.

A person, like an Aesop storyteller, stirs a pot of boiling water with a white spatula.

Developed by Jessie French—founder of Melbourne-based research practice Other Matter—the latter is a leather-like bioplastic alternative to conventional signage and window decals. Perfectly suited to help launch the new Parsley Seed Skin Care range, a collection of formulations tailored to city skin, the flexible sheet material is made using algae and takes on a green ombré tone.

A close-up of a transparent glass with a blue-green liquid inside, featuring a straw and an out-of-focus background, evokes the clean, minimalist aesthetic often seen in Aesop campaigns.

A person with light hair wearing an apron stands at a counter, holding a mug, in a room with wooden paneling, an Aesop product on the shelf, and a large blue-green painting on the wall.

Within Aesop’s Nyhavn, Copenhagen storefront, the material appeared as oversized product silhouettes. At its Kronprinsensgade shop across town, it became a window layer with peel-off cutout profiles of the product packaging. Visitors could pull one away and take it home, demonstrating the new bioplastic’s durability and versatility.

A hand uses a pipette to add liquid into a glass container on an electronic scale, displaying a measurement—a scene reminiscent of Aesop’s meticulous approach to crafting quality.

A person with short light hair stands inside a room labeled "WORK ROOM," holding up a large sheet of semi-transparent material over a table, creating an atmosphere reminiscent of an Aesop workshop.

French focuses much of her practice on engineering renewable, non-petrochemical polymers. In this case, the new material aligns with both ideas of sustainability: circularity and biodegradability. Whereas the former methodology tends to focus on finding ways to repurpose materials that may not have been responsibly produced from the outset, the latter begins with a more considered material base. This naturally formulated and hardened substance can, in fact, be reused time and again, but can also be left to biodegrade when appropriate.

A person holds up a large sheet of translucent green material near a window, where sewing spools and an Aesop bottle sit on the windowsill.

A person in an apron places a bundle of colorful materials into a metal pot on a counter, creating an Aesop-inspired scene in a workshop or studio setting.

It is a potential game changer when considering the incredible amount of waste conventional — and especially temporary — street and retail-window signage can create. The persistent critique of newer, greener solutions is that they are cost-prohibitive. Given this alternative’s dual capability, that now-clichéd argument begins to lose some of its merit. It also opens the door to entirely new possibilities, moving beyond small letter-pressed elements and icons. Retailers could experiment with different scales of visual application and even explore the potential of temperature-absorbing window fritting — another sustainable, energy-efficient benefit.

A glass panel with a repeated pattern of outlined trapezoidal shapes, slightly fogged with water droplets visible on the surface, evokes the refined simplicity seen in Aesop’s minimalist design aesthetic.

A person holds a transparent sheet in front of a blue wall patterned with white outlines of cup shapes, reminiscent of minimalist Aesop designs.

A hand peels a green rectangular sticker from an Aesop stencil sheet with repeated exclamation mark cutouts.

A person holds a metal tray with six variously sized containers, including Aesop jars and bottles, viewed from above in dim lighting.

A person adjusts a green marbled curtain hanging in front of a window, with Aesop bottles and tubes placed neatly on the windowsill.

To discover the brand’s skin care innovations, visit aesop.com.

Photography by Armin Tehrani.

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Midjourney AI pivots to Theranos: Ultrasonic CT

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Midjourney is an AI image generator and copyright violation machine. What’s the weirdest and dumbest business pivot an image generator company could possibly make?

Yesterday, Midjourney CEO David Holz announced Midjourney Medical! No, they didn’t call it “Medjourney.” They’re going into medical imaging! Ultrasound full-body scanning! [Midjourney]

They call this “ultrasonic CT”. In Midjourney’s vision, you’ll be lowered into a pool of water. Ultrasonic sensors will scan your whole body over sixty seconds. The system will compute a 3-D scan of you. Midjourney describes the process in more flowery terms:

It starts by stepping into a shallow pool of golden light. You then begin to descend into the water. Your body passes through a ring of underwater sensors, each acting like a dolphin, using its echolocation.

Actual medical advances don’t talk about “golden light” or compare themselves to dolphins. At absolute best, Midjourney is selling a vibes-based “wellness” experience to rich new age suckers.

There seems to be a prototype scanner in existence — Holz says they’ve scanned maybe a dozen people.

But Midjourney has fabulous plans for the future! The “Midjourney Spa” will apparently open in San Francisco at the end of 2027: [Midjourney]

It will have hot tubs, saunas, cold plunges and 10 scanners with the capability to do more body scans a year than all MRI scanners on Earth combined.

Midjourney is careful in their wording. Their ultrasound scanner is not an MRI — they just compare it to MRI a whole lot. David Holz says “We’ve dreamed of something as powerful as MRI.”

Midjourney plans to deploy 50,000 scanners around the world in the next six years!

So there’s a few problems with Midjourney’s scanner idea.

Ultrasound scanning doesn’t penetrate the whole body. It doesn’t work through bone or air. And there’s a lot of both of those in your body. Ultrasound just doesn’t do full body. Ultrasound, CAT scans, and MRI are different scans that see different things.

And if you call something medical, there’s still actual regulations on that: [Verge]

various medical applications would require FDA clearances, but for now, Midjourney Medical says it’s working on “body composition maps” that don’t require the same level of clearance as diagnostic imaging.

The good news is, this thing does not use generative AI. Holz told the press conference: [Bloomberg]

We’re not even using any AI in this yet — just really cool hardware and software.

So you won’t be asking if it scanned six fingers or seven.

Is Midjourney’s scanner medically better than nothing? Well, not really — it barely exists. This scanner is not any sort of medical product, it’s a completely experimental toy.

None of this has been tested. None of the stuff Midjourney is talking up has been verified by anyone.

This is Theranos-level vaporware. Every radiographer who’s heard about this thing has called it out — because they’ve all heard this sorta napkin-scribble idea from idiots before.

There have been other AI medical startups reminiscent of this. Forward talked up plans for AI-powered CarePods — drop a patient in, do automatic checkups! The CarePods did not work — they didn’t do a single thing. Forward soaked up venture capital cash and finally went broke at the end of 2024. [Fierce]

Midjourney has not accepted venture funding in its history. This ultrasound plan makes me wonder if the AI copyright violation business isn’t going so great, and they’re about to start calling round the VCs.

Can Midjourney’s ultrasound scanner become a good and useful medical device in the future? It’s hard to prove nothing like it could ever happen.

But I think we can say that the guys selling you golden light and dolphins and a spa experience aren’t the hot favourites.

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Unreal Engine 6 goes AI — and wants to bring back NFTs

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Unreal Engine is a video game engine produced by Epic Games. It’s what Fortnite is written on top of.

Epic CEO Tim Sweeney is convinced the slop machine is the future. In November, he was claiming the Steam store — Epic’s direct competitor — should stop tagging games using AI, because “AI will be involved in nearly all future production.” Uh-huh. [Twitter, archive]

Sweeney is working to make his fabulous future vision a reality. Epic’s announced an early preview of Unreal Engine 6, the next version, coming in late 2027.

Guess what it’s got? AI! Even better, Tim’s still trying to make the Metaverse happen! Inside Unreal Engine!

Here’s the announcement, from dev lead Marcus Wassmer: [Epic]

We’re building development pipeline features such as an MCP with integrations for Claude, Gemini, and others.

Actual game developers — not the studio executives — are not tempted. The devs hate using AI and think it’s trash.

Austin Wood at Games Radar tried to do a both-sides piece on AI in gaming. He even tried to claim there were game developers — not just executives — who “do see value in AI.”  But he couldn’t produce a single one: [Games Radar]

Perhaps pro-AI developers didn’t want to talk to me or I just didn’t run into any during my survey, because I heard an overwhelmingly negative assessment of generative AI’s origins, capabilities, and risks. By the end, I’d heard dozens of developers make a case against using gen AI at all.

So what does Epic think the game devs will use the slop bot for?

as creativity and productivity multipliers so that teams can focus their efforts on the essential creative and technical tasks of development rather than time on time-consuming manual tasks.

That means the game assets. Images, backgrounds, sounds, and so on.

The problem is that’s not a disposable part. Games aren’t just a framework you drape arbitrary slop over. How it looks is part of how the game feels! It’s load bearing!

The paying customers sure think so. When Call of Duty: Black Ops 7 came out last November, it had a pile of returns — specifically because the sloppified game play looked so much worse than the non-AI trailers.

Unreal Engine 6 will itself be written with AI slop code. Should do wonders for reliability if you try to use it.

But it gets better. Remember, from 2021, the ridiculous promise from crypto bros that NFTs would mean you could swap hats and guns between unrelated games? Sweeney still wants this. From the announcement:

This means you’ll have the option to use a player’s entitled Fortnite Outfits in your own games, and you’ll get the tools to build Outfits for your own games that work inside Fortnite.

… We see this as the first step toward building a shared economy for smart assets: functional assets with logic and functionality that work across games

Epic wants to bring back NFTs!

Sweeney also wants to build a game chat network into Unreal Engine itself, I guess because Discord is getting money that he thinks he should be getting: [Inven Global]

the ‘cross-game social link’ feature we are trying to implement through UE6 will have tremendous business value. Users will be able to form parties via voice chatting with friends in Game B while connected to Game A, and encourage them to try a new game.

This network won’t be any equal sort of thing — it’ll be firmly gated by Epic. Sweeney wants you, the outside developer, to put Fortnite hats into your game so Fortnite can use them. The other way? Ehh, good luck with that.

Now, you might think the AI vendors are already running out of all the money in the world, and they’re putting up prices as far as they think they can get away with. I’m pretty sure 2027 will be hilarious for Unreal Engine with AI. And expensive.

In the meantime, start learning the Godot engine. Which doesn’t accept AI code. [Godot]

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