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Radisson Resort and Spa Lonavala Celebrates the Remaining Natural Beauty of India’s Popular Sahyadris Region

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Radisson Resort and Spa Lonavala Celebrates the Remaining Natural Beauty of India’s Popular Sahyadris Region

Just a two hour’s drive from the ever-bustling and expanding sprawl of Mumbai—India’s second city—the Sahyadris Hills unfold with a cooler and less humid climate. For decades now, the region—also noted for its ancient forts and Buddhist caves—has been a popular weekend destination for city-dwellers in search of respite but, like the dense and crowded urban cores they’re escaping, it has also succumbed to rampant and unregulated development. Ironically, much of the natural beauty here has fallen victim to its fame. Such is the unfortunate fate of many sought-after resort areas in favorable proximity to a major city or conurbation.

A wide hallway by Malik Architecture features wooden slats, soft lighting, art on the walls, and large windows framing a dusk sky in this modern building.

A modern building by Malik Architecture with a wooden slatted exterior stands beside a small garden, under a large overhanging roof structure, offering landscape views in the background.

Looking to maintain what is left of the verdant landscape and make it available to guests in a more responsible way is the recently completed Radisson Resort and Spa Lonavala.

View between two modern wooden walls—Malik Architecture’s signature—overlooking greenery, distant hills, and a colorful sky at sunset, all elegantly framed by a metal roof structure above.

Close-up of a modern building facade by Malik Architecture, featuring rust-colored metal beams, wire mesh filled with stones, and green plants in the foreground.

Replete with several distinctive restaurants, events venues, and other premium amenities, the retreat embeds into its ‘hill station’ surroundings through its innovative architectural massing, materiality, and the implementation of climate-specific strategies inspired by the local architectural vernacular. The decidedly Brutalist yet emphatically site-responsive complex is a far cry from the antiseptic chain hotels that often feel out-of-place and inauthentic.

A modern hallway by Malik Architecture features wooden slat walls, black doors, and sunlight casting dynamic shadows across the floor and walls.

A modern atrium by Malik Architecture with wooden slat walls, overhead walkways, lounge seating, potted plants, and natural light streaming through windows and skylights.

“The sense of open space of connecting to nature is contested by the building forms that emerge through the prescribed structural codes and densities,” says Kamal Malik, the founder the eponymously named, Mumbai-based firm responsible for the hotel’s design “The architecture emerges from the site, topography, from the region’s material history—black basalt and wood—and adapts to both flexible and fixed—public and private—programs.”

Hotel room with a large bed, four white pillows, a wooden headboard, a chair, and a small desk—sunlight streams through wooden blinds onto the bed, highlighting interior details inspired by Malik Architecture.

An illuminated indoor walkway with translucent railings leads to a modern space by Malik Architecture featuring wood paneling and a high, curved ceiling at dusk.

Malik Architecture’s comprehensive intervention incorporates reinterpreted architectural archetypes from the region: courtyards, verandahs, deep-shading, thick walls, and cross-ventilation. The main focus however is the surrounding nature. Monumental volumes give way to soaring apertures visible for numerous semi-indoor and semi-outdoor vantage points. All together, the scheme accommodates optimal natural ventilation, safeguards against heavy rain during Monsoon season, and protects against harsh sun rays.

Modern multi-story building by Malik Architecture with wooden slats and stone walls, featuring outdoor umbrellas and mountains visible in the background under a clear blue sky.

A modern building by Malik Architecture with a metal mesh façade and circular windows, partially covered by an overhead grid structure, overlooks greenery and distant hills under a clear sky.

Suites come with adjoining patios enclosed by operable slatted shading walls. The guest rooms occupy abstract-form buildings hovering above the ground. Shafts of natural light slice across these angular volumes and illuminate atriums that appear between.

A circular stone-walled room designed by Malik Architecture, featuring a central skylight, narrow vertical window, and a red robotic arm poised in the center of the concrete floor.

A modern building by Malik Architecture with vertical wooden slats is shown in the foreground, while trees and distant hills are visible beneath a clear blue sky in the background.

“The feeling of a multi-storey building has been avoided by developing the ground as organic, free form public spaces with split level topographical connections,” Malik adds. “Extant forms—bastions and Large masonry walls—stepped courts, otherwise known as kunds—animate the built landscape.”

Modern restaurant interior by Malik Architecture, featuring stone walls, wooden tables and chairs, large windows, and a striking curved red ceiling. Tables are set for dining.

Outdoor terrace by Malik Architecture features wooden slatted walls and ceiling, lush green plants in planters, and a table with four chairs, with large glass doors leading inside.

A rich earth tone palette, defined by many of the same substrate materials as the exterior, makes its way into the interiors but doesn’t overpower as the main attraction remains the carefully framed natural setting outside. There’s no superfluous decoration, just a sober deployment of ornamentation hinting at the local Maratha culture. Spacious guest rooms and suites are pared back with a calming modernist aesthetic only interrupted by fluted tambour-pattern feature walls and traditional carpets denoting the placement of beds.

A modern corridor by Malik Architecture features wooden paneling on one side, glass walls on the other, and lush greenery visible outside in natural sunlight.

Modern lobby by Malik Architecture with two armchairs, a small table, indoor plants, a shallow reflecting pool, and large windows casting geometric shadows on the walls.

Alongside numerous sports facilities including everything from a fully-equipped fitness center and steam room to archery and badminton fields, Radisson Resort and Spa Lonavala’s dining options include the quintessential Indian style Hirkani—with stations that allow guest to watch their food being prepared—and a series of pop-up haunts. Malhari is the go-to cocktail bar. The historic Tungarli Village situates right out the resort.

Stone outdoor staircase by Malik Architecture, featuring several planters with tall grasses and small trees, bordered by a stone wall and surrounded by lush greenery.

Modern building by Malik Architecture featuring a large, angled metal roof, vertical wooden slats on the façade, and extended window detail; clear sky and greenery visible in the background.

Modern restaurant interior by Malik Architecture featuring glass walls, wooden tables and chairs, plus an outdoor patio with umbrellas and greenery visible through expansive windows.

Outdoor seating area with stone walls and exposed steel beams, partially covered by a concrete roof under a clear blue sky, exemplifying the signature style of Malik Architecture.

Modern bathroom by Malik Architecture with glass shower, vessel sinks, a freestanding bathtub, wooden accents, and sunlight streaming through vertical slats, creating striped light patterns on surfaces.

Sunlight casts angled shadows through a gridded roof onto a wooden wall with several doorways and white barriers inside a modern building designed by Malik Architecture.

Modern building by Malik Architecture with vertical wooden slats and geometric sections sits above a stone wall with a terrace and white umbrellas, set against a clear blue sky.

Modern restaurant entrance designed by Malik Architecture, featuring floor-to-ceiling glass walls, stone accents, wooden ceiling beams, potted plants, and a host stand labeled "ORKAN." Outdoor seating is visible through the windows.

A geometric metal roof by Malik Architecture casts shadows on a wooden wall below, with warm sunlight highlighting the structure's repetitive grid pattern.

Covered walkway with metal roof panels and supports, surrounded by greenery, leading towards a modern, multi-story building in the background—showcasing the signature style of Malik Architecture.

Modern bar and lounge area by Malik Architecture, featuring stone walls, wooden ceiling slats, a long bar with stools, glass shelves of bottles, and upholstered chairs on a wooden floor. Large windows provide natural light.

A modern building by Malik Architecture with a rust-colored metal facade and vertical slats is shown at sunset, potted plants in the foreground and the moon visible in the clear sky.

What: Radisson Resort and Spa Lonavala
Where: Lonavala, India
How much: Rooms starting at $137
Design draws: A site responsible destination embedded within the popular getaway Sahyadris region of western India with materiality, proportions, cuisine, and activities programmed in honor of the verdant nature in the immediate surroundings.

Go virtually on vacation with more design destinations right here.

Photography courtesy of Radisson Resort and Spa.

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mkalus
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CatGPT Goes Wrong

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Simons ewig hungrige Katze findet einige Wege, um den Laptop seines Menschen zu zerstören, als Simon während einer Telefonkonferenz den Raum verlassen musste.

If you’ve ever tried to work with a cat in the room, this one’s for you. Working from home isn’t so peaceful with this keyboard warrior around!


(Direktlink, via Laughing Squid)

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AI works can’t be copyrighted or patented in the US

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On Monday, the US Supreme Court declined an appeal against a decision that AI-produced art could not be copyrighted. The earlier decision stands. [Reuters]

This should be no surprise at all. This was a very weird and dumb copyright case which was always going to fail. The plaintiff even brought a similar AI patent case previously.

This dates back well before the current AI bubble. Dr Stephen Thaler has been trying to get copyright assignments and patents for his machine DABUS — Device for the Autonomous Bootstrapping of Unified Sentience. Thaler is convinced that years ago, he invented a machine that is actually a person. A creative one. Huge if true. [Imagination Engines]

DABUS has apparently produced inventions. Thaler isn’t content to file these in his name — he wants the machine to get the credit. So he filed patent applications with DABUS as the inventor in July 2019. [Complaint, 2020, PDF; case docket]

The US Patent and Trademark Office rejected the application in April 2020 on the basis that only a natural person could be named on a patent as the inventor. Thaler appealed — on behalf of DABUS — in June 2020.

The Patent Office response to the appeal includes a lot of the sentence “The allegations contained within this paragraph constitute conclusions of law, to which no response is required.” The Court ruled against Thaler in February 2021. [Answer, 2020, PDF; ruling, 2021, PDF]

Thaler appealed the patent decision, and the appeal was denied in May 2022. Costs were assessed against Thaler. He appealed to the Supreme Court, who declined his patent appeal in April 2023. [Ruling, 2022, PDF; case docket; Reuters, 2023]

Here’s Thaler being interviewed on NewsNation in August 2023: [YouTube]

Natasha Zouves: Stephen, you say that you’ve invented a sentient AI,that it has feelings. What do you mean by this?

Thaler: Well, you’re also hearing news that a machine has invented whole new concepts that are being patented right now. And that’s resulting in a lot of conflict around the world as we battle in court cases to give credit to the machine. But what is driving the machine to invent, to motivate it are its emotions, its sentience, its subjective feelings.

That was four months after Thaler had lost his patent case in the US. The remaining case he’s talking about there was his final appeal in the UK, which the UK Supreme Court rejected in December 2023. [BBC; UK Supreme Court]

So, robots can’t get patents. Thaler brought the copyright case, which we mentioned on Pivot to AI in late 2024. In this case, Thaler’s Creativity Machine had generated an image, and Thaler went to register the copyright in November 2018. The US Copyright Office rejected the application in August 2019 — “because it lacks the human authorship necessary to support a copyright claim.” [Complaint, 2022, PDF; case docket]

Thaler appealed the copyright decision in June 2022 and that was thrown out in August 2023. He further appealed to the DC Circuit and that was thrown out in September 2024. He appealed to the Supreme Court, and that’s what was declined on Monday. AI can’t create a new copyright. [Opinion, 2023, PDF; appeal, 2024, PDF; appeal docket]

Something very like this has come up before — the monkey selfie case, where a monkey grabbed a camera in 2011 and took a picture of itself, the owner of the camera tried to register a copyright, and in December 2014, the Copyright Office ruled that yeah, a monkey can’t own a copyright.

Thaler’s machines sound like very interesting AI demos. That’s different from his machine being alive with feelings and intent. Thaler hasn’t got anyone to agree with him on that yet.

So what all this means is: if you generate some AI slop, it’s not yours, it’s uncopyrightable and in the public domain. Even if you own the AI that generated it.

That doesn’t mean you can copyright-wash someone else’s work by running it through the AI — your AI-twiddled version might still be a copyright violation and you could be sued for it.

If you edit an AI work, the human-edited parts might create a new copyright, but only for the new elements.

I’m not your lawyer, go talk to your lawyer. But robots can’t create a new copyright.

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mkalus
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Saturday Morning Breakfast Cereal - Serve

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Click here to go see the bonus panel!

Hovertext:
I need to do an upbeat comic week one of these days. They all end with hooray.


Today's News:
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OpenAI’s ‘$110b’ funding round is $25b and some promises

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OpenAI’s announced its latest funding round! The big headline number is $110 billion! That’s $30 billion from Softbank, $30 billion from Nvidia, and $50 billion from Amazon. [OpenAI]

Zero dollars have moved yet. And the dollars are not real until they move — look at that $100 billion Nvidia not-a-deal that evaporated in early February.

I love SEC filings — you’re not allowed to lie in them. Amazon’s putting in $15 billion to start with, and the other $35 billion depends on conditions. From Amazon’s SEC 8-K filing on the matter: [SEC]

(i) OpenAI meeting specified milestones, and (ii) OpenAI directly or indirectly consummating an initial public offering or direct listing of equity securities in the United States

The “specified milestones” aren’t listed. The Information spoke to some guys who are pretty sure one condition is achieving Artificial General Intelligence. Quite a condition. [Information, archive]

SoftBank’s $30 billion is in three tranches — $10 billion in each of April, July, and October this year. This won’t be SoftBank’s own money — they’re borrowing it. They had a hard time finding lenders for the previous $40 billion round, so they’ll need some salesmanship. [Softbank]

Nvidia hasn’t put in an actual dollar as yet or signed anything binding. There’s been nothing new in their SEC filings since their Form 10-K annual report, which says: [SEC]

We are finalizing an investment and partnership agreement with OpenAI. There is no assurance that we will enter into an investment and partnership agreement with OpenAI or that a transaction will be completed.

So that’s $25 billion of actual money to OpenAI as yet, if we count SoftBank in April.

OpenAI also expects other investors: [Bloomberg, archive]

roughly another $10 billion from venture capital firms and sovereign wealth funds as the round progresses.

Microsoft isn’t in this funding round so far. From the Information:

Microsoft had been expected to invest low billions of dollars, The Information previously reported, but it could invest a smaller amount or none at all, according to two of the people.

There’s also the requisite circular deals. OpenAI will use 2 gigawatts of Amazon “Trainium” chips. This will cost an unspecified number of billions of dollars. OpenAI will do AI models for Amazon.

OpenAI will use 5 gigawatts of Nvidia’s Vera Rubin chips. Again, they don’t list a price tag.

OpenAI is likely to try for an initial public offering in the fourth quarter of 2026. This present deal gives OpenAI an imaginary valuation of $730 billion. I’m not sure there’s enough money in the market to sell all of that as stock. Maybe they can make an offering of some of it. [WSJ, archive]

OpenAI is still utterly unsustainable as a business. It burns three to five dollars for every dollar it takes in. It’s scrambling for revenue lately — but when you lose money on every transaction, you’re won’t actually make it up in volume.

There’s rumours Anthropic wants to go public as well. Nothing definite as yet. I suspect whoever goes first will do better — the same institutions who’d be the big backers for an IPO are the investors both companies have been hitting up for cash already.

Perhaps OpenAI or Anthropic can look sufficiently essential to the US government. Bailouts are peak capitalism.

I predict neither OpenAI nor Anthropic can make it out of this alive as sustainable businesses. But they might be able to soak the public investors first.

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Polymarket Pulls Bet on Nuclear Detonation in 2026

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Polymarket Pulls Bet on Nuclear Detonation in 2026

For a few hours on Tuesday, Polymarket hosted a bet about the possibility of nuclear war in 2026. The market asked the question “Nuclear weapon detonation by …?” and racked up close to a million dollars in trading volume before Polymarket took the unusual step to remove the market from its website. It did not simply close down the bet, but it’s been “archived” meaning that a record of it no longer exists. It’s strange as many older and paid out bets remain on the site.

Pulling a bet like this is unusual and the company did not respond to 404 Media’s request for an explanation as to why. Word of the nuke bet drew wide attention online from critics already upset about Polymarket for its place in the depravity economy.

“I have not seen anything like this before,” Jon Wolfsthal, a former special assistant to President Barack Obama and a member of the Bulletin of the Atomic Scientists, told 404 Media. “As a citizen, it seems dangerous to enable people in power to place bets anonymously on things that might happen, creating an incentive to act on a basis of personal gain and not the national interest.”

Polymarket doesn’t often balk at bets on violence and war. There are multiple markets covering the wars in Ukraine and Iran and also many other bets about nuclear detonations. “Will a US ally get a nuke before 2027?” and “Russia nuclear test by …?” are both still actively trading. An older version of the “nuclear weapons detonation” is still on the site and did almost $3 million in trading before closing and paying out at the end of the 2025. It’s hosted a bet on the same question every year for the past few years.

The gambling market has been under fire this week after gaining a lot of attention for its various bets on the war in Iran. Gamblers spent more than $5 million betting on the question “Will the Iranian regime fall by June 30?” People have been caught manipulating war maps to cash in on frontline advances in Ukraine. And someone made $400,000 using inside knowledge to place bets about the capture of Maduro.

“How ghoulish. Especially given how much insider trading apparently goes on with current events bets,” Alex Wellerstein, a nuclear historian and creator of the NUKEMAP, told 404 Media.

Wellerstein said that betting on nuclear war isn’t unprecedented, but that it’s usually tongue-in-cheek and conducted by insiders. “The thing that immediately comes to mind is Fermi's ‘side bet’ that the Trinity test would destroy the atmosphere in 1945—which was a joke, as nobody would be able to collect if it had happened,” he said.

“A flip of this is in Daniel Ellsberg's The Doomsday Machine, in which he eschewed paying into a pension in the early 1960s because he thought the odds of a future nuclear war were so high that it was better to spend the money sooner rather than later. So another kind of bet, but a private one,” Wellerstein added. “And whenever experts give ‘odds’ on nuclear use (which the intelligence community does, apparently), they are to some degree indulging in this kind of impulse. But not for the hope of personal profit—usually it is because they want to avoid such an outcome.”

Polymarket CEO Shayne Coplan has repeatedly called the site “the future of news,” and has suggested that prediction markets give the public a more clear picture of events because money is on the line. The reality is that the financial incentives pervert reality. Nuclear war, it seems, was a bit too dramatic for Polymarket to host a wager on. But Polymarket has few moral qualms, has not told anyone why it "archived" the bet, and it’s possible it did so for some arcane technical reason and not because it got squeamish. Polymarket did not respond to 404 Media’s request for comment.

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