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Nothing’s New Phone (3a) Was Designed by Its Future Users

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Nothing’s New Phone (3a) Was Designed by Its Future Users

The handheld “screens” – mini computers – we stare into at all times of day have far more adjacency over our lives than we might be willing to accept. Seemingly innoxious, the smart phone – a fixture of our world for close to two decades now – is implicitly prescribed with set modalities that have fundamentally changed our behavior. Most of these elements – hard and soft product components – cannot be altered by the user; other than a few surface-level organizational “options” that wash as true, authentic personalization.

These devices have been carefully engineered by major companies that sell them but respond less and less to the actual needs of the user, favoring the bottom line and at times, nefarious interest of other commercial and governmental entities.

A smartphone with a teal, semi-transparent back cover showing dual cameras in a horizontal oval module and geometric design elements.

Hardware Design by Emre Kayganacl

That all changes with industry disrupting tech brand Nothing’s just released, limited run Phone (3a) Community Edition. The maverick device was developed by four loyal customers who suggested ideas for improvement through an open-call submission process that saw over 700 entries come in. This fresh proposition not only represents a paradigm shift in smartphone technology but the practice of product development as a whole; shifting from a top-down take-what-you-get approach to one that’s more lateral and close to self-determination.

A turquoise smartphone with a transparent back panel showing internal components, featuring dual rear cameras and LED light strips in a circular pattern.

Hardware Design by Emre Kayganacl

According to the company, this re-tooled methodology treats the community not merely as a feedback loop but a pool of previously unearthed creative talent, giving them the chance to shape the design, software, and promotion of the product. The winners each addressed a key consideration: hardware, accessory, lock screen clock and wallpaper, and marketing. Working closely with Nothing’s London-based team, these unbeknownst whizzes – even if already established to a certain degree or specialized in other areas – were able to see their ideas come to fruition and have an impact.

A modern smartphone with a teal gradient screen displays app icons and widgets, including battery status and a walking figure, against a plain white background.

Hardware Design by Emre Kayganacl

Focusing on the hardware and packaging design, Emre Kayganacl drew inspiration from the nostalgic visual appeal of the late 1990s and early 2000s, a more playful aesthetic sharply contrasting the sleek, infinitesimal look of today’s tech. His deft analysis of this oft-overlooked, implicitly accepted facet brought it back to the fore.

A smartphone screen displaying widgets for earbud battery levels, Do Not Disturb status, fitness tracking, and various app icons on a teal abstract background.

Hardware Design by Emre Kayganacl

“Most phones today treat hardware like it’s something to apologize for – just seal it up, hide it away, make it disappear, make it black and white,” says Kayganacl. “And because of that, people have completely lost any emotional connection to the physical object they’re holding for hours every day.”

A modern smartphone with a white frame displays a minimalistic home screen, including battery status for wireless earbuds and various app icons on a green-blue background.

Hardware Design by Emre Kayganacl

“I started from a personal place,” he adds. “The devices that made me fall in love with electronics as a kid – the translucent PlayStation, the colored Game Boys, the iMac G3 – they didn’t hide what was inside. They showed it off in a magical way. There was this sense of wonder, like you were holding something alive.”

Rectangular package with a teal background, featuring a graphic of a three-lens camera module and small colorful shapes; text is printed along the edges.

Hardware Design by Emre Kayganacl

A young man with brown hair and glasses, wearing a white shirt and dark jacket, looks slightly upward against a plain background.

Emre Kayganacl

A modern smartphone with a teal gradient screen displaying the time "10:20," shown at an angle on a plain white background.

Software Design by Jad Zock

His intervention wasn’t necessarily a complete retooling – changing of mechanics – but rather a revealing of these components, an honest approach to aesthetics also central to Nothing’s ethos. “The idea is that when you can actually see what’s inside, hardware stops being invisible infrastructure and becomes something you care about again, says Kayganacl.” It’s not just a tool – it’s an object with personality.”

A young man with short hair, glasses, and facial hair looks directly at the camera. The lighting creates a stark contrast between light and shadow on his face.

Jad Zock

More explicit and immediate to the user in the configuration of the smart phone is the lock screen clock and wallpaper. For this, independent designer Jad Zock imagined a custom clock facebook with varying font weights. “We made the on/off lock screen interaction of the ‘time piece’ a bit more pleasing and interactive,” he says. “The numbers animate in sync with the iris in/out transitions that Nothing had since NOS 1.0. I created a custom variable typeface (numerals only) that spans from light to bold weights to serve that objective. To complement the Community Edition project’s narrative; we toyed with translucency, color blending, and internal device-components to create them.”

Close-up of a teal smartphone's camera module with neon lights, overlaid with digital sticky notes and cursor icons, on a gray desktop with file icons.

Marketing by Sushruta Sarkar

A man with a beard and mustache stands smiling in front of a red background, wearing a dark button-up shirt.

Sushruta Sarkar

A green box with six raised-tile buttons showing numbers 1, 2, 3, 4, 5, and 6 in both standard numerals and Braille dots.

Accessory by Ambrogio Tacconi and Louis Aymonod of Reveland

A translucent teal box with a wooden lid contains white domino-like tiles with numbers and braille dots on their surfaces.

Accessory by Ambrogio Tacconi and Louis Aymonod of Reveland

Imagined by Ambrogio Tacconi and Louis Aymonod of multi-disciplinary Milan studio Reveland, Dice is an analog accessory, poetic extension, reflecting the look, form, and function of the phone. Branding and packaging designer Sushruta Sarkar conceived the Made Together marketing campaign highlighting the cooperative nature behind the development of Nothing’s new Phone (3a), produced in just a run of a 1000.

Two people stand side by side against a plain white wall; one wears a black shirt and jeans, the other wears a beige shirt, dark pants, a white cap, and glasses.

Ambrogio Tacconi and Louis Aymonod of Reveland

A digital graphic displays a turquoise smartphone with three cameras, surrounded by cursor icons and text labels, on a gray background with scattered files. Text reads "Made together.

For more information on the Nothing Phone (3a) Community Edition, please visit nothing.tech.

Photography courtesy of Nothing.

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mkalus
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iPhone: 49.287476,-123.142136
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Kurz-Doku: Goa Trance Started Here

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Als ich im Sommer 1995 auf meinem ersten VooV Festival und somit auf meiner ersten „Goa Party“ war, war das nicht nur eine innere Erweckung. Ich bin in den frühen Neunziger sehr viel im Berliner Techno-Zirkus unterwegs gewesen. Tresor, E-Werk das alte Matrix, aber sowas wie auf dem Flughafen in Neustadt-Glewe hatte ich bis dahin weder gehört noch gesehen. Da war einfach alles ganz anders. Und alles war exzessiv: die Musik, die Farben, die Gerüche, die Art zu feiern, die Drogen. Das alles hat mich komplett überwältigt und ich wollte nie wieder woanders sein.

Als im selben Jahr Electric Universes „One Love“ auf Spirit Zone veröffentlich wurde, stand ich an einem Wintermorgen mit meinem DiscMan und diesem Album auf den Ohren auf einer Brücke in Marzahn und schaute auf die gerade erwachende Stadt. Und wieder war es pure Überwältigung, die mich überkam. Es konnte doch nicht sein, dass man derartig Neues schaffen konnte, wobei ich dachte, alles schon gehört zu haben. Ich war komplett geflasht. Ein Moment und ein Gefühl, dass ich bis heute nicht vergessen habe.

Ich schenkte mein Leben über 10 Jahre dem Psytrance, der halt auch immer irgendwie „Goa“ genannt wurde. Ich kaufte fast ausschließlich diesen Sound, unsere Sommer wurden nach Festival-Terminen ausgerichtet und manche Jahre nahmen wir davon 6-10 in einer Saison wahr. Heute allein der jetzt dafür notwendigen Kosten wegen undenkbar. Damals ging das.

Ich hatte meine ersten Bühnenerfahrungen als DJ zu diesem Sound, denen später dann im Kleinen auch Live-Auftritte folgten. Mit einer Tapezierplatte, einem 32er Dynachord Pult, einem Atari 1040 ST und tonnenweise analogem Equipment. Hach, das war alles sehr wild. Wir veranstalteten selber „Goa Partys“ und trieben uns fast jedes Wochenende auf denen der anderen rum. Ende der 00er fand ich dann anderen Sound interessanter, die Szene schien auch irgendwie zu verkommen und das machte alles immer weniger Spaß. Dennoch höre ich auch heute noch hin und wieder einen Psytrance-Mix, der mir dann noch immer ein Lächeln ins Gesicht zu zaubern weiß. Ohne diesen Sound und ohne die Jahre in denen er mich begleitet hat, wäre ich heute ein anderer Mensch – und ganz, ganz sicher kein besserer.

Los ging es allerdings in Goa schon wesentlich früher. Hier eine Kurz-Doku über die Anfänge und die Pioniere von etwas, das am Ende viel, viel mehr war als nur ein Genre der elektronischen Tanzmusik.

Ich hätte nie gedacht, dass dieser Sound nochmal zurückkehren würde, aber die Aktualität belehrt mich eines Besseren. Auch gut.

Before Goa Trance became a global psychedelic movement… before the festivals, the superclubs, and the iconic compilations… it began with a small circle of pioneers on the beaches of Goa, India.

This BrainFuel documentary tells the untold origin story of the genre—through the lives and legends of Laurent, Fred Disko, Ray Castle, Antaro, Shiva Jörg, Goa Gil, and Raja Ram.


(Direktlink, via Groove)

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mkalus
22 hours ago
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WordPress wants to force AI onto 43% of all websites in the world

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What if we put AI slop into half the websites on the internet?

WordPress is software to set up a website. It’s open source, it’s pretty easy to use, so it took over just by being more OK than everything else — to the point where nearly half of all the websites in the world run WordPress.

WordPress is a known quantity, it’s easy to get started with, and there’s a huge ecosystem of developers. You’re not stuck with the original developers, Automattic.

It started out as blog software, but WordPress’s overwhelming job these days is marketing sites. Blog posts are a minor sideline.

Automattic have big plans for WordPress. Specifically, they’ve got the AI virus bad. Automattic has decided AI is in such demand, they’ve declared “AI as a WordPress fundamental”: [WordPress]

Imagine if every single developer was empowered with AI capabilities without having to handle the complexities of AI integration.

… What amazing things would people create that are built on the reliable presence of a capable LLM?

Huge if true. What amazing things have people built with chatbots so far? Money burners that get things wrong and create liability?

This is completely generic vacuous hype. Imagine if every single developer was empowered with Metaverse capabilities. If they’d said “imagine if every developer was empowered with NFT,” you’d know it was spam. AI spammers work the same way. Here’s Automattic in July: [WordPress]

As the open web evolves in the era of AI, WordPress must keep pace.

If you don’t get into this year’s take on NFTs, you’ll be left behind!

One thing Automattic really needs for any of this to work is everyone else to go along with it. That means all the third-party developers who make WordPress an attractive prospect in the first place: [WordPress]

For AI to succeed in WordPress, it will require the innovation of the plugin and theme developer community.

That means Automattic have no idea what to do with the chatbot either. They want you to solve the problem for them.

Automattic has also been putting the hard word on the WordPress hosting companies to make Automattic’s AI push the hosting companies’ problem: [WordPress]

If AI is to be considered a fundamental component of WordPress, the same way databases are, our project depends on hosts taking ownership of this step and including it in their offerings.

Automattic says that three hosting companies are going to offer basic AI as part of their paid hosting plans. This is the Microsoft strategy, where you charge more for a feature that sucks ’cos you can force it on people.

If your WordPress hosting does this, demand a cheaper plan — whatever it would cost without forcing AI credits onto you. Because it’s not hard to move a WordPress.

Several developers and hosting companies responded to Automattic’s blog posts with concerns:

As a site owner I want to be sure I’m not enabling the proliferation of AI slop.

I’m concerned by how much we’re investing into MCP, but even more so how much we’re pushing it (@jason_the_adams even this post calls it “critical”), when we know both our implementation and the technology itself face significant issues in their current form.

We have clients who cannot use AI for compliance and legal reasons, and any proposed use has to be individually vetted.

if WordPress intends to invest this heavily in the use of AI, then it also needs to provide a way to turn every single AI option, completely off. Right from the very start!

this is a bit like asking “What amazing things would people create that are built on the reliable presence of an actual elf?”

How proud is Automattic of the new AI hooks they put into WordPress 6.9? The new “Abilities” API, which was put in specifically for the AI guff? They’re so proud they don’t even mention it. The release notes page on the WordPress website doesn’t mention one bit of the AI stuff. [WordPress]

The AI push is coming straight from Automattic CEO Matt Mullenweg. He’s very into the magical CEO-level promises of vibe coding, with his new tool Telex, which is supposed to compete with instant vibe-website builders like Lovable: [YouTube, 24:05]

Again, things that you used to have to, like, hire developers, do custom software, this would have cost thousands, tens of thousands of dollars to build, even just years ago. We’re now able to do in a browser for pennies. It’s kind of insane.

You know what that means — huge job opportunities six months down the line for WordPress developers to clean up the steaming piles of poop this is certain to leave behind.

Automattic’s got a track record on AI. In February 2024, Automattic did deals to sell users’ content from WordPress and Tumblr — which the users own, not Automattic — to OpenAI and Midjourney. [404, archive]

Automattic also runs Gravatar. You might think Gravatar’s just a thing to add your own icon to blog comments. But Automattic has a vision — and it’s to add “decentralized identity systems.” The identity system would be controlled by Gravatar in a completely central way. So what’s the “decentralised” bit? It’s a blockchain grift! What else would it be. [Gravatar]

 

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Vancouver House

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Vancouver House



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The Templeton

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Wind Vane

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