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Pluralistic: AI is how bosses wage war on "professions" (20 Jan 2026)

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AI is how bosses wage war on "professions" (permalink)

Growing up, I assumed that being a "professional" meant that you were getting paid to do something. That's a perfectly valid definition (I still remember feeling like a "pro" the first time I got paid for my writing), but "professional" has another, far more important definition.

In this other sense of the word, a "professional" is someone bound to a code of conduct that supersedes both the demands of their employer and the demands of the state. Think of a doctor's Hippocratic Oath: having sworn to "first do no harm," a doctor is (literally) duty-bound to refuse orders to harm their patients. If a hospital administrator, a police officer or a judge orders a doctor to harm their patient, they are supposed to refuse. Indeed, depending on how you feel about oaths, they are required to refuse.

There are many "professions" bound to codes of conduct, policed to a greater or lesser extent by "colleges" or other professional associations, many of which have the power to bar a member from the profession for "professional misconduct." Think of lawyers, accountants, medical professionals, librarians, teachers, some engineers, etc.

While all of these fields are very different in terms of the work they do, they share one important trait: they are all fields that AI bros swear will be replaced by chatbots in the near future.

I find this an interesting phenomenon. It's clear to me that chatbots can't do these jobs. Sure, there are instances in which professionals may choose to make use of some AI tools, and I'm happy to stipulate that when a skilled professional chooses to use AI as an adjunct to their work, it might go well. This is in keeping with my theory that to the extent that AI is useful, it's when its user is a centaur (a person assisted by technology), but that employers dream of making AI's users into reverse centaurs (machines who are assisted by people):

https://pluralistic.net/2025/12/05/pop-that-bubble/#u-washington

A psychotherapist who uses AI to transcribe sessions so they can refresh their memory about an exact phrase while they're making notes is a centaur. A psychotherapist who monitors 20 chat sessions with LLM "therapists" in order to intervene if the LLM starts telling patients to kill themselves is a "reverse centaur." This situation makes it impossible for them to truly help "their" patients; they are an "accountability sink," installed to absorb the blame when a patient is harmed by the AI.

Lawyers might use a chatbot to help them format a brief or transcribe a client meeting (centaur)- but when senior partners require their juniors and paralegals to write briefs at inhuman speed (reverse centaur), they are setting themselves up for briefs full of "hallucinated" citations:

https://www.damiencharlotin.com/hallucinations/

I hold a bedrock view that even though an AI can't do your job, an AI salesman can convince your boss to fire you and replace you with an AI that can't do your job:

https://pluralistic.net/2025/03/18/asbestos-in-the-walls/#government-by-spicy-autocomplete

But why are bosses such easy marks for these gabby AI hustlers? Partly, it's because an AI can probably do your boss's job – if 90% of your job is answering email and delegating tasks, and if you are richly rewarded for success but get to blame failure on your underlings, then, yeah, an AI can totally do that job.

But I think there's an important psychological dimension to this: bosses are especially easy to trick with AI when they're being asked to believe that they can use AI to fire workers who are in a position to tell them to fuck off.

That certainly explains why bosses are so thrilled by the prospect of swapping professionals for chatbots. What a relief it would be to fire everyone who is professionally required to tell you to fuck off when you want them to do stupid and/or dangerous things; so you could replace them with servile, groveling LLMs that punctuate their sentences with hymns to your vision and brilliance!

This also explains why media bosses are so anxious to fire screenwriters and actors and replace them with AI. After all, you prompt an LLM in exactly the same way a clueless studio boss gives notes to a writers' room: "Give me ET, but make it about a dog, give it a love interest, and put a car chase in Act III." The difference is that the writers will call you a clueless fucking suit and demand that you go back to your spreadsheets and stop bothering them while they're trying to make a movie, whereas the chatbot will cheerfully shit out a (terrible) script to spec. The fact that the script will suck is less important than the fact that swapping writers for LLMs will let studio bosses escape ego-shattering conflicts with empowered workers who actually know how to do things.

It also explains why bosses are so anxious to replace programmers with chatbots. When programmers were scarce and valuable, they had to be lured into employment with luxurious benefits, lavish pay, and a collegial relationship with their bosses, where everyone was "just an engineer." Tech companies had business-wide engineering meetings where techies were allowed to tell their bosses that they thought their technical and business strategies were stupid.

Now that tech worker supply has caught up with demand, bosses are relishing the thought of firing these "entitled" coders and replacing them with chatbots overseen by traumatized reverse centaurs who will never, ever tell them to fuck off:

https://pluralistic.net/2025/08/05/ex-princes-of-labor/#hyper-criti-hype

And of course, this explains why bosses are so eager to use AI to replace workers who might unionize: drivers, factory workers, warehouse workers. For what is a union if not an institution that lets you tell your boss to fuck off?

https://www.thewrap.com/conde-nast-fires-union-staffers-video/

AI salesmen may be slick, but they're not that slick. Bosses are easy marks for anyone who dangles the promise of a world where everyone – human and machine – follows orders to the letter, and praises you for giving them such clever, clever orders.

(Image: Christoph Scholz; CC BY-SA 2.0; Cryteria, CC BY 3.0; modified)


Hey look at this (permalink)



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Object permanence (permalink)

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#20yrsago David Byrne: boycott DRM https://web.archive.org/web/20060117084842/http://journal.davidbyrne.com/

#20yrsago Cozy blanket with sleeves: the Slanket https://web.archive.org/web/20060203040004/https://www.theslanket.com/

#15yrsago Safe-cracking robot autodials combinations to brute-force a high-security safe https://web.archive.org/web/20110709082726/http://www.kvogt.com/autodialer/

#15yrsago Forger never takes money, only wants to see his works hanging in galleries https://www.nytimes.com/2011/01/12/arts/design/12fraud.html

#15yrsago Hotel made of beach trash in Madrid https://www.smh.com.au/traveller/travel-news/new-hotel-is-complete-rubbish-20110120-19xjl.html

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#10yrsago Research: increased resident participation in city planning produces extreme wealth segregation https://arstechnica.com/tech-policy/2016/01/data-analysis-reveals-that-us-cities-are-segregating-the-wealthy/

#10yrsago Independent economists: TPP will kill 450,000 US jobs; 75,000 Japanese jobs, 58,000 Canadian jobs https://www.techdirt.com/2016/01/19/more-realistic-modelling-tpps-effects-predicts-450000-us-jobs-lost-gdp-contraction/

#10yrsago Howto: make your own fantastically detailed Star Trek: TOS bridge playset https://www.instructables.com/Star-Trek-Enterprise-Bridge-Playset/

#10yrsago Strategic butt coverings in video games https://www.youtube.com/watch?v=ujTufg1GvR4

#10yrsago Company that pampers rich people at Burning Man won’t give up https://memex.craphound.com/2016/01/20/company-that-pampers-rich-people-at-burning-man-wont-give-up/

#5yrsago No one should be on the No-Fly List https://pluralistic.net/2021/01/20/damn-the-shrub/#no-nofly

#5yrsago My letter to the FBI https://pluralistic.net/2021/01/20/damn-the-shrub/#foia

#1yrago Enshittification isn't caused by venture capital https://pluralistic.net/2025/01/20/capitalist-unrealism/#praxis

#1yrago Keir Starmer appoints Jeff Bezos as his "first buddy" https://pluralistic.net/2025/01/22/autocrats-of-trade/#dingo-babysitter


Upcoming appearances (permalink)

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Recent appearances (permalink)



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Latest books (permalink)



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Upcoming books (permalink)

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Memex Method," Farrar, Straus, Giroux, 2026

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1002 words today, 10352 total)

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


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Cassina and Technogym Debut the Hidden Ottagono Home Gym

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Cassina and Technogym Debut the Hidden Ottagono Home Gym

Workout gear is almost always clunky and unsightly; gray equipment haphazardly crammed into a basement room that only just checks the box when it comes to an apartment building’s list of promoted amenities. Mirrored walls jarringly cut across cheesy cityscape or jungle scene murals and rubber mat flooring. Bad EDM music pulsates at full volume. With function superseding form, aesthetics always seem to be an afterthought.

Outdoor infinity pool overlooking the sea, with safety railing, lifebuoys, steps leading to the water, and rocky cliffs in the background.

That all changes with the recently released Ottagono concept. Designed by Italian architect Giulia Foscari for heritage furniture brand Cassina – in partnership with premium gym equipment producer Technogym – the compact system presents as a sleekly configured, aqua blue ombre-finished cabinet, possibly staged in a swanky seaside hotel suite. The eight-sided monolith stands alone as a singular statement piece furnishing – one acquired at a gallery – but when opened, reveals its contents: a comprehensive home gym.

A tall, glossy, blue-green geometric sculpture stands on a tiled patio near a pool, with rocky cliffs and trees in the background.

“In times when spaces are increasingly fluid and multifunctional, opening Ottagono is like opening a room within a room,” says Foscari.

A fitness equipment locker stands open on a poolside terrace overlooking the sea, with rocky cliffs, trees, and lounge chairs in the background.

The distinctive shape and color tone of this columnar sculpture is inspired by the littoral atmosphere of the French Riviera and the Hotel du Cap-Eden-Roc in Antibes (another partner in the project). Inside, there are adjustable 4 to 55 pound Technogym Connected Dumbbells and a 32-inch screen cued to Technogym’s app programmed with a full suite of guided workouts. There are also kettlebells, resistance bands, mobility sticks, mats, jump ropes, and a full-length mirror. Ottagono has all the essentials for a comprehensive workout.

A compact outdoor gym setup with equipment and a mat is positioned on a terrace overlooking the sea, with railings, safety rings, and coastal scenery in the background.

A compact gym setup on a yacht deck features kettlebells, adjustable dumbbells, and a mirror with an ocean view in the background.

Ensuring seamless integration, Cassina also included a smartphone connecting port for even more customization. A crown of embedded LED’s turn the geometric pillar into a floor lamp when closed, accentuating the gradation of its sea-toned, hand-lacquered exterior. There are also custom-made dimmable lights inside, highlighting key elements.

A turquoise outdoor fitness cabinet with open doors reveals exercise equipment, weights, and a built-in screen, surrounded by tropical plants on a stone patio.

A home gym cabinet with workout equipment stands open beside a swimming pool on a stone patio outside a house.

“Ottagono is a spatial device that combines furniture design and light,” Foscari adds. “On its summit, a lighting system transforms its into a light that shines upwards like a floor lamp,”

A modern green refrigerator stands in a sunlit corner of a stone house with large glass doors and windows.

A compact home gym cabinet with exercise equipment and a digital workout screen sits near a large arched window overlooking a garden.

Two kettlebells labeled 6 and 10 sit on a wooden floor in front of a cabinet containing two dumbbells and exercise equipment.

To learn more about the Ottagono home gym by Giulia Foscari with Cassina and Technogym, visit una-unless.org.

Photography courtesy of Una Unless.

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The Sound of Japan

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Gedreht in den Bergen und Städten Japans, verbindet dieser Film von Finlay Woods eindrucksvolle Bilder mit einem originellen Soundtrack, der aus vor Ort vom Musiker Jackson Fester aufgenommenen Soundscapes besteht. Als audiovisuelle Erkundung von Tempo, Erinnerung und Kreativität unterstreicht jede Bahnhofsansage und jeder Tempelglockenton den Rhythmus des Snowboardens und betont die kulturelle Klanglandschaft dieses Landes.


(Direktlink, via Nag on the Lake)

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Art student protests other student’s AI ‘art’: he eats it

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What is art? Can AI generated images be art?

Now, I’m a maximalist for “is it art” questions. There’s a universe where it’s possible, sure.

But art exists in a context. Conceptual art is made of context. And sometimes — like, say, generative AI in early 2026 — the context is rancid. And the concept is rancid too.

Art students at the University of Alaska in Fairbanks are doing what art students everywhere do — set out on the quest to be more of a dick than the other art students, and get a grade for being a dick.

And we have this year’s unambiguous winner: Graham Granger.

Another UAF student, Nick Dwyer, held an exhibition on the campus: “Shadow Searching: ChatGPT psychosis”. Dwyer’s artist statement explains that this collection of AI slop printouts:

explores identity, character narrative creation and crafting false memories of relationships in an interactive role digitally crafted before, during and after a state of AI psychosis.

Now, you might read that and think: this guy’s a bit of a dick.

Our noble hero Granger protested this slop getting a University-approved gallery exhibition. What did he do? He ripped the printouts off the wall and ate them. [Sun Star]

Dwyer posted about his terrible misfortune to Reddit’s r/aiwars forum, as if they’d take his side: [Reddit, archive]

my friend was there took pics of it as it was happening police took the guy away in handcuffs. Hazmat had to be called to sanitize the area. WTF! stay safe friends antis are unhinged and becoming concerning/unlawful.

It is true that AI slop is a hazardous material and should be disposed of. Dwyer deleted his Reddit post when every comment in response said this was good and called Granger a hero. e.g.: [Reddit]

god i hope you feel horrible, knowing a guy eating your “art” was more artistic than anything you’ll ever make.

Dwyer sent ARTnews a photo of himself, deeply aggrieved at this disrespect for his failed bid as champion art dick. [ARTnews]

The UAF academic misconduct policy bars students submitting AI output without authorisation. So this pile of slop was authorised from the start, not just when it was put up in the gallery. You might think that warrants protest. [UAF]

Granger was charged with criminal mischief in the fifth degree, damage under $250 — note that AI output can’t be copyrighted, so it has a value of zero. Granger will be up before the judge tomorrow, January 20th. Is an artist without a rap sheet in the name of art even an artist? [Charges Filed, PDF, p27, archive of 18 January 2026]

Granger has performed a work of art trouncing all comers. Specifically, the slopmonger Dwyer.

Granger’s great work has resonated around the world. And he’s on the film and performing arts track at UAF, not even fine arts. We salute you, sir.

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Next Generation of Trip Hop Mix【 THE NTS GUIDE TO… 】

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Ja, Trip Hop gibt es immer noch. Und der klingt heute so.

A round up of the new generation of artists, songwriters and producers taking the sonic template of trip hop from its ’90s origins into the future – from genre traditionalists a.s.o., to hypnagogic auteurs like James K to the experimental sonics of the extended West Mineral crew…


(Direktlink)

Tracklist:
00:00 Montana – Eternal Wait Time
04:07 Th Blisks – Enchancity
08:31 Tryphème – Kalea Dream
15:42 Naemi – Couch Angel W/ Arad Acid & Huerco S.
21:38 Dregs – Swampy
27:30 Saffron Bloom – Labyrinth Of Losses
32:51 Hoodie X James K – Scorpio
40:14 Car Culture – Coping Mechanism
45:02 Stone – Hand Holder
49:02 Now Always Fades – Into The Doldrums
53:00 Hysterical Love Project – Oil Slicks (Song For The Spirals)
56:18 a.s.o. – My Baby’s Got It Out For Me
1:00:13 Acopia – Talk About It
1:04:11 James K – Blinkmoth (July Mix)
1:10:15 Dummy – Blue Dada

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Die DDR-Lautsprecher-Boxen der Baureihe BR 25 und 26

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Ich habe in jüngeren Jahrzehnten ziemlich viel Zeit und später dann ein wenig Geld darin investiert, um mir die Kugelboxen LK 6 – Heliradio zu besorgen. Nicht weil ich glaubte, dass diese einen außergewöhnlichen hätten, sondern weil das Design der Dinger einfach großartig war. Ich lackierte sie in blau und hing sie auf Kopfhöhe an die Decke, wo sie so lange hingen, bis sich die Pappmasse, aus denen der Korpus bestand, auflöste. Tolle Teile, so rein optisch.

Heute lernte ich, dass es in der DDR daneben auch Boxen gab, die eben doch durch ihren Klang überzeugen konnten – und das ganz offensichtlich auch heute noch tun. Die Lautsprecher-Boxen der Baureihe BR 25 und 26.

Die Lautsprecher-Boxen der Baureihe BR 25 und 26 gelten bis heute als kleine Meisterwerke für den Hörgenuss im Wohnzimmer, weil sie vor allem im Bereich Basswiedergabe hervorragend performen. Entwickelt im VEB Musikelectronic Geithain im heutigen Sachsen, sind sie bis heute mehr als gefragt. Wir sprechen mit dem Erfinder von damals und lassen in einem Leipziger Hörstudio checken, warum sie qualitativ so hochwertig und deshalb gleichbleibend beliebt sind.

*Embed vom MDR deaktiviert*. -.-
Müsst ihr hier direkt klicken.


(Direktlink)

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